Linplug SPECTRAL v1.3.1 VSTi x86 x64 PATCHED-CHAOS
Our new top of the line synthesizer, the result of 14 years of synthesizer building experience. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose an oscillator waveform, choose a filter shape and go on from there. But Spectral delivers far more options than you would expect from the well sorted user interface. Both Oscillator Waveform and Filter Shape can be edited in depth. The unique audio engine is capable of delivering many sounds never heard before.
Audio Damage Basic 1.0.0d WiN
One day not long ago, we were speaking with the music department head of a local college; he lamented the fact that there really wasn't a commercial-quality low-cost three oscillator subtractive mono-synth available for the educational market. This puzzled us, because there's no shortage of synth plug-ins out there, and this seems like a fairly glaring oversight.
So we did some market research, and discovered he was right. All the available options are either slavish recreations of classic synths, with all the foibles and strange UI decisions intact, or modern behemoths with every feature under the sun. We decided to tackle the challenge of an inexpensive, simple 3-osc mono-synth that followed the classic subtractive style, and Basic is the result.
While it is designed with ease-of-use, low cost, and simplicity in mind, the panel sits in front of a powerful modern synthesizer engine with an aggressive tone and self-resonating filters that scream when pushed. We're sure every electronic musician will find a place in the mix for Basic.
Togu Audio Line TAL-BassLine-101 v1.60 WiN/MAC
TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.
BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch.
Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.
Self resonating zero feedback delay filter (24dB LP).
Calibrated and tuned after our hardware device.
Midi learn / automation for all controls.
Alias free oscillators for an authentic sound also @ 44'100Hz sampling rate.
Arpeggiator with different sync modes (host, midi clock, not on).
Original (RC) and linear portamento mode.
Built in arpeggiator with some additional modes.
Powerful step sequencer with up to 64 steps and recording option.
6 voice poly mode.
Sequencer MIDI export with drag and drop.
Sequencer / arpeggiator MIDI out for VSTi version.
De-Clicker mode for slower envelopes :/
More than 300 presets.
Changes in TAL-BassLine-101 v1.60
Microtuning file import
Different colors – White, Black, Red, Blue – click at the top left corner to switch
High resolution screen support
u-he Zebra² v2.7 rev 2746 iNTERNAL-HexWars
Synthesizer Workhorse with Stripes
Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine – you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter – the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.
Although the possibilities are practically infinite, you will never be overwhelmed by needless complexity – Zebra's adaptive interface only shows the modules you are actually using. It's a fascinating playground for sound designers! That's what Zebra is all about, that's why it has become so popular. That's why thousands of free presets are available online.
Why we think you'll love Zebra
* the unique patching system is a bliss to work with, complexity never gets in your way
* it is renowned for crystal-clear quality... which can turn dark & dirty if you want
* no static samples here – pure synthesis delivers more expressive & natural sounds
* heavily featured in blockbusters The Dark Knight, Inception, Transformers, Tron:Legacy...
* the editor window is resizable, and there are some nice alternative skins available
* it has an independent charm, with a vibrant community of helpful users in the KVR forum
* the clever design and adaptive UI keep everything you need on a single page
...and so much more!
Tone2 Saurus 2.0 WiN/MAC
Saurus2 can do an extremely authentic emulation of analog synthesizers. It covers all important aspects of the most famous and expensive analog synths, but without adopting the disadvantages.
Saurus2 is very easy to use and comes with a comfortable interface. It offers a larger sonic range, a more precise analog emulation and a more flexibe synthesis engine than competing products. Saurus2 offers high-end sound quality, but without placing heavy demands on your CPU or budget. Finally true analog sound does not longer require compromises!
Authentic emulation of analog synths: True Analog Modeling Technology ™
Covers all important aspects of analog synthesizers, but without adopting the disadvantages
High-end sound quality
Replaces a large number of expensive analog synthesizers
Low CPU and high reliability
Great value for money
Free personal support and updates
Comfortable and easy-to-use interface
Larger sonic range than competing products
Ships with 830 outstanding presets from 22 top sound designers
Can create unique sounds which no other synthesizer can do
Analog filter with self-oscillation, FM and feedback
Very fast LFOs and punchy envelopes
Many different play modes: Mono, legato, glide, poly, stack, autochord
4x stereo unison
High-end quality effects section
Analog modeled distortion and tube amp
Developed by experts with 25 years of experience
SoundHack Spectral Shapers VST v1.52 x86 x64 incl.Keygen
Tom ErbeÆs Spectral Shapers
A four plugin bundle emphasizing spectral filtering, using variable sized FFTs.
This filter places a sound at a specific position
around the listenerÆs head. Use it with a reverb to
create a virtual environment. When used with itÆs LFO,
+binaural can place various beats or parts of a loop
in specific repeatable positions.
Holds two filter shapes. These shapes are set by
drawing, or by capturing the spectra from the incoming
sound. You can morph between these two filters.
+morphfilterÆs depth control can change the strength
of filtering, or even invert the filter for an
Performs smooth timbral filtering. Can be used to tame
resonant frequencies or for radical changes of tone.
In expansion mode, +spectralcompand becomes a highly
tunable broadband noise remover, capable of removing
hiss, hum and machine noise, without damaging the
A spectral version of t he noise gate/ducker dynamics
processor. +spectralgate combines a noise gate/ducker
and a multiband processor to give you a plugin that
can used both as a frequency dependent gate or as a
level dependent filter.
1) Unrar and install
2) Use keygen to register
3) Say thanks to AiR for their Keygen and hard work
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.