Kazrog KClip v1.0.2 VST AU AAX WiN/OSX RETAiL-SYNTHiC4TE
Kazrog KClip is the most transparent way to increase the apparent loudness of your mixes during mastering. If you’ve been envious of pro mastering studios with expensive high end converters that clip elegantly as a final mastering stage, KClip will get you as good (if not better) results 100% in the box.
Whether you want to make smooth, dynamic mixes, or whether you have clients who demand you help them win the loudness wars (does anyone win?) – KClip will ensure that your mix retains clarity and musicality.
Insanely high quality 16x oversampling implementation – lower aliasing noise than any competing clipper plugin we’ve tested (check out our tests here.)
Linear phase signal path.
Adjustable clipping shape (all the way from hard clipping to soft clipping, and everything in between.)
Guard toggle ensures that no intersample peaks exceed 0dB.
Not just for mastering – use KClip to fatten up synths, add warm overdrive to vocals, bass, guitar, and more!
Fabfilter Pro-C 2 x86 x64
Incredible sound and character
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Watch demoFabFilter Pro-C 2
Everything you need
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
FabFilter Pro-C 2 Controls
Beautiful interface and optimized workflow
The fully redesigned interface in FabFilter Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like.
Pro-C 2 Full Screen
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!
FabFilter Pro-C 2 Help HintsKey features
Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW
Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
iZotope RX Final Mix v1.01.202 RTAS VST VST3 x86 x64 PATCHED-CHAOS
Every Sound in Its Place
RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors.
The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels.
Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!
No more muddy mixes! Modern, intelligent processing adds space, depth, and life to your audio. Balance a wide variety of audio assets in a single mix, ensuring that everything can be heard. Transparent dynamic control helps unmask dialogue frequencies by dynamically reducing the frequencies on other stems.
Designed specifically for Post. An intuitive, easy-to-use workflow is built around the needs of post production professionals with support for up to 7.1 surround. Get delivery-specific presets and visual feedback. Save time with a condensed Microview that offers quick access to important metering information.
Lightweight, versatile, and efficient. Tackle all types of program material with multiple post tools in a single product.
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.
GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.
For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)
HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch
with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),
- Output Volume knob
- Bypass switch
- Preset manager
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
DMG Audio Essence v1.02 AU VST Ked OSX-Kleen
Essence is the most powerful and transparent De-Esser in the
world. It's much more than just a vocal de-esser; it's a flexible
sub-band processor that can reach in and invisibly control any
element in a mix. For the first time in audio software history,
Essence provides the power to de-ess a full mix with all of the
adaptability and subtlety of hardware. Mastering Engineers just
found a new secret weapon.
The most powerful De-Esser money can buy.
Psychoacoustically optimised to surgically and invisibly control sibilance.
Quick, simple, ergonomic interface.
Mastering presets by Bob Katz
Configurable from zero-latency, ultra-low CPU for post work to Linear Phase, oversampled ultra-high resolution for Mastering.
Dual-release Peak/RMS-based time detector for invisible operation.
Analogue-modelled single-release time detector for classic De-Esser behaviour.
Three-band sidechain EQ, and massively configurable Split EQ.
Per-channel or ganged control.
M/S and L/R processing
Large, intuitive time-plot.
Windows VST, VST3 and AAX as 32+64bit, RTAS 32bit
Mac VST, VST3, AU and AAX as 32+64bit, RTAS 32bit
Linear Phase crossover (Split) EQ
Zero-latency minimum phase mode, with Linkwitz-Riley crossovers.
Lookahead, dual release times, release hold, sophisticated GR smoothing options.
Oversampling mode to eliminate intermodulation distortions.
Full mixer section, with support for parallel processing.
Output balance for fine-tuning.
Upward expansion option.
Threshold, Ratio, Soft-knee and Gain-Reduction ceiling.
Variable Stereo linkage.
Complete set of Listen options for monitoring, including signal difference (output-input).
Automatic detection of sibilance/fricatives in solo voice.
Simple three-control interface.
Advanced section for precision control.
Spectrum analyser for locating sibilance.
Time-plot to highlight processed sibilances.
Mac Retina support.
8 A/B banks.
Ergonomic channel linkage system.
Autolisten for configuring filters.
DMG Audio Dualism v1.02 AU Ked OSX-Kleen
DMG Audio has launched Dualism, a stereo control and analysis effect plug-in for Windows and Mac.
Dualism is a complete toolkit for stereo work, featuring a comprehensive audio visualisation suite.
Used as a final stage in mastering and monitor control, and at the top and bottom of every channel, Dualism ensures absolute stereo mastery.
Fully equipped stereo toolkit.
Input section for A/Bs, signal correction and gain structuring.
Stereo processing section with Width, Mid->Side and Side->Mid.
Extensive suite of visualisation options.
Windows VST, VST3 and AAX as 32+64bit, RTAS 32bit.
Mac VST, VST3, AU and AAX as 32+64bit, RTAS 32bit.
Channelstrip input controls
M/S encode and decode
Extensive options for gain structuring
High-pass filters for Mid and Side
Comprehensive stereo field control
Monitor controller functionality
Supports dual inputs with crossfade and delay for A/B of signals
PPMs and Bendymeters
Fully featured FFT Spectrum Analyser
Octave, 1/3rd Octave and 1/12th Octave displays
2D and 3D Spectrographs
Lissajous and Oscilloscope displays
Phase Meter and Correlation Meter
1/3rd Octave RMS Analyser
Phase Spectrum analyser
ITU1770 Short-Term loudness history and histogram display
Full ITU1770 / EBU r128 / ATSC A/85 loudness metering support
Full-screen mode and PNG screenshots
Dualism is available for purchase for the introductory price of £165 GBP until August 15th, 2014 (regular £175 GBP).