SoundHack Spectral Shapers VST v1.52 x86 x64 incl.Keygen
Tom ErbeÆs Spectral Shapers
A four plugin bundle emphasizing spectral filtering, using variable sized FFTs.
This filter places a sound at a specific position
around the listenerÆs head. Use it with a reverb to
create a virtual environment. When used with itÆs LFO,
+binaural can place various beats or parts of a loop
in specific repeatable positions.
Holds two filter shapes. These shapes are set by
drawing, or by capturing the spectra from the incoming
sound. You can morph between these two filters.
+morphfilterÆs depth control can change the strength
of filtering, or even invert the filter for an
Performs smooth timbral filtering. Can be used to tame
resonant frequencies or for radical changes of tone.
In expansion mode, +spectralcompand becomes a highly
tunable broadband noise remover, capable of removing
hiss, hum and machine noise, without damaging the
A spectral version of t he noise gate/ducker dynamics
processor. +spectralgate combines a noise gate/ducker
and a multiband processor to give you a plugin that
can used both as a frequency dependent gate or as a
level dependent filter.
1) Unrar and install
2) Use keygen to register
3) Say thanks to AiR for their Keygen and hard work
TAL Software GmbH TAL-U-NO-LX-V2 v2.70 VSTi x86 x64-CHAOS
TAL-U-NO-LX is a complete rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features.
An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The synth was calibrated after a hardware device that's property of TAL.
Self resonating zero feedback delay filter (24dB LP).
Filter range up to ~40kHz (depends on the sample rate).
Calibrated and tuned after TAL's hardware device.
Midi learn / automation for all controlls.
Improved alias free oscillators for an authentic sound also @ 44'100Hz sampling rate.
Arpeggiator with different sync modes (host, midi clock, not on).
Portamento and mono mode.
LFO manual trigger button.
Sustain pedal support.
Up to 12 voices.
New file based preset system for transparent preset management.
More than 300 factory presets by different sound designers (FMR, Particular - Sound, TAL).
Original hardware "Factory Bank A" included.
Kuassa EVE-MP5 v1.0.0 VST VST3 x86 x64-CHAOS
Inspired by the Legendary for the Modern Age
Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin.
A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering!
Authentic frequency response. Experience the Pultec* specific tricks with a modern twist.
Introducing the newest addition to the Extensive Vintage Equalizer family from Kuassa: EVE-MP5.
Kuassa EVE-MP5 is a reproduction of two of the most sought-after classic hardware equalizers, the Pultec* MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. We drew inspiration from them and combined both EQs into a compact, single plug-in with a color coded, straightforward interface intended for fast workflows and maximum usability.
Known for their signature frequency curves, the EVE-MP5 will bring massive lows, smooth mids and shiny highs to any tracks you put them into. Utilize the famous low-end trick of boosting and attenuating the low frequencies simultaneously for a rock solid bottom-end. The MP5 is also loaded with a power amp saturation unit in the signal path. Turn it on for a hotter signal and dial the input to give a mild edge to your tracks, or push more for an overdriven sound. The "Auto” switch in the input section is useful for maintaining constant gain levels while cranking the saturation via the input knob.
Combination of the two Pultec* EQs into a single, compact plug-in.
Color coded knobs and straightforward interface for fast workflows.
Unique Saturation unit on the input path with automatic level compensation.
Simultaneously boost and attenuate on the same low frequency.
Distinct Pultec* natural filter curve.
Dial up large amount of boost or cut without sacrificing naturalness and musicality
reFUSE Software Lowender 1.4 VST
From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!
While taking the classic "Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.
Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).
Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models,
with some added features such as noise reduction and wide stereo control for
each individual freq-band.
The DNX-03 is able to split the incoming signal into three frequency-bands using a
6dB per octave crossover.
First-order filters are considered by many audiophiles to be ideal for crossovers.
Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.
New compressors inside
New parameters for compression
New saturation system
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS
ToneBoosters TB VoicePitcher v3.1.3 Ked MAC OSX-Kleen
Vocal Pitch Shifter
TB VoicePitcher is a simple to use, while very effective plugin to change the overall pitch of dialog and vocals, including singing voices. Because its algorithms are specifically designed for the human voice, the results with TB VoicePitcher will typically sound better, cleaner, and more natural than with other general-purpose pitch shifting algorithms*. Pitch shifting can be performed in real time, with a small latency that is compensated for by the DAW host (if supported). Furthermore, spectral (formant) corrections to improve the timbre of pitched vocals can be applied as well.
*Because TB VoicePitcher is specifically designed to process the human voice, it is less suitable for other content such as polyphonic music or rhythm tracks.