Kuassa EVE-MP5 v1.0.0 VST VST3 x86 x64-CHAOS
Inspired by the Legendary for the Modern Age
Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin.
A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering!
Authentic frequency response. Experience the Pultec* specific tricks with a modern twist.
Introducing the newest addition to the Extensive Vintage Equalizer family from Kuassa: EVE-MP5.
Kuassa EVE-MP5 is a reproduction of two of the most sought-after classic hardware equalizers, the Pultec* MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. We drew inspiration from them and combined both EQs into a compact, single plug-in with a color coded, straightforward interface intended for fast workflows and maximum usability.
Known for their signature frequency curves, the EVE-MP5 will bring massive lows, smooth mids and shiny highs to any tracks you put them into. Utilize the famous low-end trick of boosting and attenuating the low frequencies simultaneously for a rock solid bottom-end. The MP5 is also loaded with a power amp saturation unit in the signal path. Turn it on for a hotter signal and dial the input to give a mild edge to your tracks, or push more for an overdriven sound. The "Auto” switch in the input section is useful for maintaining constant gain levels while cranking the saturation via the input knob.
Combination of the two Pultec* EQs into a single, compact plug-in.
Color coded knobs and straightforward interface for fast workflows.
Unique Saturation unit on the input path with automatic level compensation.
Simultaneously boost and attenuate on the same low frequency.
Distinct Pultec* natural filter curve.
Dial up large amount of boost or cut without sacrificing naturalness and musicality
TDR VOS SlickEQ Gentleman’s Edition v1.2.0 Hy2ro
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic "Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands.
SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical "mojo” often associated with high quality analogue audio gear, up to more obvious saturation.
An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. "internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see "M/S” microphony).
Key specs and features
Modern user interface with outstanding usability and ergonomics
Carefully designed 64bit "delta” multi-rate structure
Three semi-parametric filter bands, each with two shape options
Five distinct EQ models: American, British, German, Soviet and Japanese
Low band offers an optional phase-lag able to delay low frequencies relative to higher frequencies
High pass filter with optional "Bump” mode
Low pass filter with two different slopes (6dB/Oct and 12dB/Oct)
Parametric Tilt filter with optional "V” mode.
Seven output stages: Linear, Silky, Mellow, Deep, Excited, Toasted and Funky
Highly effective loudness compensated auto gain control
Expandable frequency magnitude response display including a realtime analyzer
Stereo, mono, left, right and sum/difference (mid/side) processing options
Tool-bar with undo/redo, A/B, advanced preset management and more
# Expandable frequency magnitude display (plugin resizes)
# Output analyzer option
# Collapsible bottom bar (plugin resizes)
# New LEFT and RIGHT channel modes
# New OUT STAGE mode "Funky"
# Various minor UI changes
1.1.2 Maintenance update
# Fixed autogain for (true) mono channels
# GE now automatically imports user presets from the standard edition
1.1.1 Maintenance update
# Fixed crash occuring with ECO mode at high sample-rates
# New "Eco" processing mode with almost zero latency
# Reduced overall CPU usage
# Stepped frequency/gain knobs activated by ctrl+drag or right mouse button drag
# Increased user presets slots count
# Minor UI adjustments
1.0.0 Initial release
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.
GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.
For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)
HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch
with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),
- Output Volume knob
- Bypass switch
- Preset manager
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models,
with some added features such as noise reduction and wide stereo control for
each individual freq-band.
The DNX-03 is able to split the incoming signal into three frequency-bands using a
6dB per octave crossover.
First-order filters are considered by many audiophiles to be ideal for crossovers.
Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.
New compressors inside
New parameters for compression
New saturation system
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS
Kuassa Cerberus Bass Amp v1.0.1 VST VST3 x86 x64-CHAOS
Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power, or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.
Cerberus Bass Amplifikation also comes with features standard to Kuassa’s other amp products; noise gate, and dual cabinet miking modeler. In addition, the Rack Extension version features a handful of CV input controls, while the VST/VST3/AU/AAX version will have an external IR loader and a 3D miking interface.
Cerberus Bass Amplifikation: Take charge of the bottom frequency, directly from your DAW.
Blue Cat Audio MB-7 Mixer v2.51 AU OSX-Kleen
Blue Cat's MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix them as if they were separate tracks.
Each band proposes controls that you can find on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the "stereoness" and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.
The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band
independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on
each band, pre or post fader. Latency compensation, presets management, undo/redo integration,
and individual plug-in bypass are included for optimal operation.
Changes in Blue Cat’s MB-7 Mixer v2.51
- Last loaded preset can now be quickly saved from the presets menu without having to select the file.
- VST: fixed latency compensation reporting in Cubase (no need to re-enable the plug-in to update the latency anymore).
- AAX and RTAS: fixed a feedback loop that could occur in bypass mode when the plug-in was inserted before another one.