Kuassa Cerberus Bass Amp v1.0.1 VST VST3 x86 x64-CHAOS
Cerberus Bass Amplifikation will provide the warmth and mellowness of tube amp, clarity and punch of solid-state power, or turn it up to destruction on the Drive amp type. For further tweaking, Cerberus Bass Amplifikation gives you tonal control through its compressor, contour control, parametric and graphic EQ, and D.I. wetness control. Carefully tuned and carrying enough power to rumble your studio.
Cerberus Bass Amplifikation also comes with features standard to Kuassa’s other amp products; noise gate, and dual cabinet miking modeler. In addition, the Rack Extension version features a handful of CV input controls, while the VST/VST3/AU/AAX version will have an external IR loader and a 3D miking interface.
Cerberus Bass Amplifikation: Take charge of the bottom frequency, directly from your DAW.
Kuassa EVE-MP5 v1.0.0 VST VST3 x86 x64-CHAOS
Inspired by the Legendary for the Modern Age
Inspired by the Pultec* MEQ-5 and EQP-1A combined into a single, compact plugin.
A unique saturation feature with intelligent level compensation. Perfect for adding grit to basslines, making vocals stand out in the mix, or instant mojo for anything. Also works great for mastering!
Authentic frequency response. Experience the Pultec* specific tricks with a modern twist.
Introducing the newest addition to the Extensive Vintage Equalizer family from Kuassa: EVE-MP5.
Kuassa EVE-MP5 is a reproduction of two of the most sought-after classic hardware equalizers, the Pultec* MEQ-5 Midrange Equalizer and the EQP-1A Program Equalizer. We drew inspiration from them and combined both EQs into a compact, single plug-in with a color coded, straightforward interface intended for fast workflows and maximum usability.
Known for their signature frequency curves, the EVE-MP5 will bring massive lows, smooth mids and shiny highs to any tracks you put them into. Utilize the famous low-end trick of boosting and attenuating the low frequencies simultaneously for a rock solid bottom-end. The MP5 is also loaded with a power amp saturation unit in the signal path. Turn it on for a hotter signal and dial the input to give a mild edge to your tracks, or push more for an overdriven sound. The "Auto” switch in the input section is useful for maintaining constant gain levels while cranking the saturation via the input knob.
Combination of the two Pultec* EQs into a single, compact plug-in.
Color coded knobs and straightforward interface for fast workflows.
Unique Saturation unit on the input path with automatic level compensation.
Simultaneously boost and attenuate on the same low frequency.
Distinct Pultec* natural filter curve.
Dial up large amount of boost or cut without sacrificing naturalness and musicality
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.
GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.
For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)
HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch
with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),
- Output Volume knob
- Bypass switch
- Preset manager
reFUSE Software Lowender 1.4 VST
From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!
While taking the classic "Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.
Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).
Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.
Blue Cat's Dynamics v4.0 MAC OSX-Kleen
Blue Cat's Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior.
The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to.
The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor.
An additional brick wall limiter and clipper protects the output for complete control over the dynamics response.
Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.
The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application.
All these features can be controlled from a fully configurable and "skinnable" user interface, or from any external controller.
System Requirements Mac OS X:
An Intel processor.
Mac OS X Yosemite (10.10), Mavericks (10.9), Mountain Lion (10.8), Lion (10.7),
Snow Leopard (10.6), or Leopard (10.5).
Any VST / Audio Unit (32/64-bit) / RTAS / AAX compatible application.
DMG Audio Dualism v1.02 AU Ked OSX-Kleen
DMG Audio has launched Dualism, a stereo control and analysis effect plug-in for Windows and Mac.
Dualism is a complete toolkit for stereo work, featuring a comprehensive audio visualisation suite.
Used as a final stage in mastering and monitor control, and at the top and bottom of every channel, Dualism ensures absolute stereo mastery.
Fully equipped stereo toolkit.
Input section for A/Bs, signal correction and gain structuring.
Stereo processing section with Width, Mid->Side and Side->Mid.
Extensive suite of visualisation options.
Windows VST, VST3 and AAX as 32+64bit, RTAS 32bit.
Mac VST, VST3, AU and AAX as 32+64bit, RTAS 32bit.
Channelstrip input controls
M/S encode and decode
Extensive options for gain structuring
High-pass filters for Mid and Side
Comprehensive stereo field control
Monitor controller functionality
Supports dual inputs with crossfade and delay for A/B of signals
PPMs and Bendymeters
Fully featured FFT Spectrum Analyser
Octave, 1/3rd Octave and 1/12th Octave displays
2D and 3D Spectrographs
Lissajous and Oscilloscope displays
Phase Meter and Correlation Meter
1/3rd Octave RMS Analyser
Phase Spectrum analyser
ITU1770 Short-Term loudness history and histogram display
Full ITU1770 / EBU r128 / ATSC A/85 loudness metering support
Full-screen mode and PNG screenshots
Dualism is available for purchase for the introductory price of £165 GBP until August 15th, 2014 (regular £175 GBP).