Focusrite Red Plug-In Suite v1.1 Incl Keygen WIN OSX-R2R
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equalizer and compressor hardware – letting you exploit the originals’ famous sound, conveniently from within your audio software. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
The Red range was introduced in 1994 and remains among Focusrite’s most successful and recognizable hardware products. Encased in half-inch thick red anodized aluminum body, with polished steel top and bottom covers that feature the classic ‘ff’ detailing, the original Red units are unmistakable. Their natural, unobtrusive sound and distinctive style have earned them ‘iconic’ status in the pro audio world. Almost every major studio owns, or has at some time hosted, a Focusrite Red.
The Red 2 hardware is derived from the ISA 110 equalizer circuits, initially designed for the sidecar upgrade of the Neve console at Sir George Martin’s Air Studios, London. Its flexible 6-band configuration with high and low-pass filters is powerful and responsive. Distinguished by its subjectively warm and smooth sound, the Red 2 is extremely versatile and remains highly sought-after.
The Red 3 hardware, similarly, uses the same circuit topology as the ISA130 compressor module, based around an innovative proprietary VCA design that earned Focusrite a TEC award for Outstanding Technical Achievement in Signal Processing Technology. The Red 3 is famous for being able to retain a natural sound, even when significant compression is being applied. As such, it has remained the choice of many of the world’s finest mix engineers, such as Chris Lord-Alge, who continues to religiously place his Red 3 over the mix-bus.
The Red 2 and Red 3 plug-ins faithfully reproduce the sonic qualities of the hardware, allowing you to get detailed dynamic and tonal control of your mix, and tap into the classic ‘Red’ sound – the sound of professional recording studios all over the world – with the mere touch of a button. Featuring stunning graphics that evoke the trademark red sheen of the originals and faithful sonic modeling, they’ll fast become the go-to weapon in your plug-in arsenal.
Positive Grid Pro Series Bundle v0.0.4.67 Incl Keygen-R2R
Over the past decade, professional effects plug-ins have been about authentic analog emulation of original hardware, with either a black-box approach or circuit analysis and emulation. This gives musicians an easy-to-use user interface and faithful reproduction of analog tone in the digital domain.
Looking forward, the question is how we can create new tools to maximize the sound quality and usability with today’s new technology, with faster processors and memory, matching analysis, advanced nonlinear processing, and a cloud-based worldwide community. What can we do better, smarter, and more efficient?
Positive Grid teamed up the world’s brightest DSP engineers and component level modeling and matching authorities, working with the world’s leading producers, world-class engineers, and mixing & mastering gurus to develop some breakthrough technologies to bring software plug-ins to the next level.
Avid Focusrite d2 d3 Bundle v11.1.80871 WIN x64-AudioUTOPiA
Modeled after their respective Red Range hardware counterparts, the Focusrite d2 and d3 bring high quality equalization and professional dynamic control to Pro Tools.
d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools environment.
d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools.
The d2 software-based digital equalizer, is truly worthy of its lineage: the Red Range 2 Dual EQ. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters.
d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously.
Focusrite's d3 is a world-class, software-based compressor/limiter for Pro Tools and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary.
One d3 plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session.
Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies instant access to the various modules of the d2—six band, four band, or dual/single band—or, in the case of the d3, one-button access to both compressor and limiter modules. A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the keyboard, if desired. For precise processing, independent input and output level controls and high-resolution Plasma-type meters are also provided. With the d2, offset level adjustment is accommodated by use of the left, right and link controls.
Modeled on the highly acclaimed Red 2 equalizer
Six-band, four-band, dual-/single-band, stereo or mono modules
EQ curve display supplies visual feedback of parameters
Left/right controls can be adjusted independently, then linked to retain the offset
Three different mono or stereo modules: 6-band, 4-band, and dual-band/single-band; these versatile configurations provide maximum DSP efficiency
The d2 consists of high- and low-pass filters, high- and low-shelving filters, and high-mid and low-mid peaking filters
Automation features, including dynamic plug-In automation
Filter types and frequency ranges
High-pass: 20 Hz to 6.4 kHz (18dB/oct.)
Low-shelf: 33 Hz to 460 Hz
Low-mid peaking: 40 Hz to 6.4 kHz (Q Range: .7 to 4.0)
High-mid peaking: 120 Hz to 18 kHz (Q Range: .7 to 4.0)
High-shelf: 3.3 kHz to 18 kHz
Low-pass: 100 Hz to 18 kHz (18dB/oct.)
Modeled on the highly acclaimed Red 3 Dual Compressor/Limiter
Two separate Plug-In configurations (Compressor+Limiter and Compressor/Limiter), allowing for maximum efficiency with DSP-powered Pro Tools systems
AudioSuite functionality enables fast and convenient file-based processing
Controls and ranges
Compressor in/out switch
Limiter in/out switch
Engage key input (side-chain)
Audition key input
Threshold: 0 dB to - 48 dB
Ratio: 1.5:1 dB to 10:1 dB
Attack: 1.0 to 150 ms
Release: 25ms to 2.5s
Limiting: 0 dB to -24 d
Avid JOEMEEK Bundle v12.0.86540 WIN x64-AudioUTOPiA
In use by top producers, JOEMEEK gear is the secret weapon that gives your sound the character and excitement it deserves. Legendary producer Joe Meek used to say, "If it sounds right, it is right." His masterful use of non-linear, sometimes severe compression defined his sound. This bundle includes emulations of two of his classic hardware designs—the Joe Meek SC2 Photo Optical Compressor and VC5 Meequalizer.
JOEMEEK SC2 Photo Optical Compressor—This plug-in is designed purely as an effects compressor. It changes the clarity, balance, and even rhythmic feel of music, enabling you to give your tracks an undeniable edge.
JOEMEEK VC5 Meequalizer—Joe Meek built custom recording circuits in tiny tobacco tins. One of them was a treble and bass equalizer with a sweepable mid control. This plug-in re-creates that exact equalizer circuit used by Joe in his studio, offering simple controls and incredibly warm, musical results. Try it on mono or stereo tracks.
Slate Digital VMR Complete Bundle v188.8.131.52 WIN VST-AudioUTOPiA
Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed.
The 'VMR' operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with the Slate 'VMR'.
The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70's. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. This equalizer is lush, fat, and bold. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks.
The FG-S is a digital recreation of one of the most famous British console equalizers from the 80's. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. This is the ultimate workhorse mix eq that can be used on any track. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.
The FG-116 is the most precise digital replication of the classic American FET limiter. No expense was spared to capture every nuance of this classic sounding compressor/limiter. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars.
The FG-401 started as a recreation of the classic british console channel compressor, but morphed into quite a lot more. First, we gave it variable attack and release with increased range which added more tonal options. But then, we added an optimal transformer inout, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor. Last, we added an entirely unique second circuit path that provides and additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it.
Unlike so many 'analog modeled' equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone.
The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.
Native Instruments Passive EQ v1.3.0 Update Incl Patched and Keygen-R2R
Passive EQ is a fully-parametric, two-channel, four-band equalizer, with additional high and low pass filters plus a wide collection of presets for all use cases. Characterized by its versatile nature and natural sound, it is well suited to a wide range of production duties ? from individual tracks to sub groups and even mastering. As with all the effects in the series, running as an individual plug-in in any DAW gives it significant ease-of-use advantages over hardware units, such as built-in parallel processing options, and mid/side mode.
Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched
The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.
Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities
Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities
Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode