Bitsonic Violent Maximizer v1.0 JUSTiFY
Using Mid-Side Maximizer you can raise the volume of the audio sign without putting it into overdrive.
The process drops the dynamics range. The Violent Maximizer gives you full control over the volume of your audio. You can use it on master channel, and you can reach maximum volume without the drastic drop of transients.
Using the mid-side mode, you can higher the volume even more. You can observe and change the important RMS and LUFS dB rates. The Maximizer can even be used on soloistical sounds – the Violent Maximizer isn’t agressive on transients. If you’ve ever met a „good enough” compressor-maximizer that even with small changes, lowered the transient rate drastically, then you can understand why a great compressor-maximizer is important.
There are quite a lot of overvalued softwares on the market, with over- the-top prices - the makers tell you that „quality has a price”. We, at Bitsonic think, that this can be done with realistic prices as well. A lot of people use hacked softwares, but you have the chance to legally use Violent Maximizer’s functions, considering the low price. And even if you have no money, you can still use the demo version – with the loss of some comfort functions.
Bitsonic Custom Reverb v1.0 JUSTiFY
Custom reverb was created so that the sound is as close to real life as possible, and users can choose from many different options.
Wave Arts Powersuite v5.85 WIN OSX
Our critically acclaimed audio plug-ins are now the top of their class, featuring outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.
These new v5 plug-ins cover the essential aspects of sound design, tracking, mixing and mastering. They are available in various bundle configurations and individually, so you can choose the combination that best suits your audio needs.
The Power Suite Native plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.
Power Suite consists of the following plug-ins:
TrackPlug 5 – The ultimate channel strip plug-in
MasterVerb 5 – Silky smooth multi-algorithm reverb
FinalPlug 5 – Professional peak limiter and volume maximizer
MultiDynamics 5 – Powerful multi-band dynamics control
Panorama 5 – Go beyond the limitations of conventional stereo, without using a surround system!
AAX format fixes:
Master Restoration Suite: individual MRS plugs showing incorrect parameter values is fixed.
All plugs: fixed touch automation, parameters used to oscillate during touch automation.
MultiDynamics AAX DSP: fixed issue where certain bands would not show any signal level after preset load, requiring close/open.
Panorama: fixed disappearing control at elevations below zero.
All formats fixes:
Panorama: fixed CIPIC HRTFs missing from individual installer payload, Mac only.
Fixed version numbers that appear in Get Info popups for all Mac plugs.
Kuassa 18.03.2016 Plugins Pack (MacOSX) Incl Patched and Keygen-R2R
Kuassa is a company specializing in VST – Audio Units – Rack Extension digital guitar amp and mixing – mastering effect plug-ins software. Established 2009 in Bandung by a collective of like-minded musicians who are passionate about music creative process. As musician ourselves, we believe that music tools should be as straightforward as possible, putting aside all obstruction that can slowing-down the inspiration will be an essential goal for any kind of musicians and engineers alike, from bedroom studios to major studios in Hollywood.
Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA
FG-X Virtual Mastering Console Dynamics Module is the initial plug-in in Slate Digital's mastering line.
Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears.
Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. One of the more popular techniques is the use of saturation in both the analog and digital domain. Another popular method is clipping the front end of expensive A/D converters.
However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. Static saturation curves are not universal in their ability to sound good on all transients. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Enter Slate Digital.
FG-X Dynamics Rack
Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. They started by researching saturation curves and their effect on various types of transient material. After several months of study and hundreds of listening tests, they made some fascinating discoveries. What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed.
New Advanced Algorithms were created to execute the extremely complex communication system that would be needed to properly perform the new dynamic operations. A new algorithm was formed, and the process was named "Intelligent Transient Preservation", or ITP.
ITP - Intelligent Transient Preservation
The ITP process uses a complex lookahead detection algorithm to analyze oncoming transients and groups of transients. It then optimizes a specialized set of saturation curves for that specific transient. For example, if the ITP algorithm's lookahead identifies a kick drum transient, it will optimize the algorithm so that it preserves low frequency energy. For a snare drum transient, it will optimize the algorithm to preserve upper mid range punch. The result is the most transparent means of level maximization the industry has ever heard, with extreme transparency, and no degrading artifacts common to peak limiters.
The FG Level maximization plug-in offers the user complete control of their mix, before and after the level maximization process. The Transient function contains two controls to fine tune mix transients. Enhance allows you to transparently increase the level of the transients in a mix, increasing the punch and dynamics without altering other elements of the mix. Detail adds more clarity and focus to the transients, perfect for buried snares or kicks. You will find the Transient functions not only ideal for mastering, but as great tools for the mixbuss and even drumbuss.
After the ITP powered Gain maximizer, there is a function called Impact. This new process can make even the loudest masters sound more dynamic, open, and punchy, even though the master has much more limited dynamic range then the mix.
In the rare case that a mix has poor frequency balance or small bursts of low frequency energy (such as a quick floor tom hit), the Safety slider prevents unwanted distortions or crackles, that until now have been extremely hard to prevent or tame. The dynamic multiband Safety algorithm reacts quickly and backs off quickly, allowing the FG Level to remain transparent and create worry free masters without artifacts.
Mastering Quality Compression
Some mastering compressor plug-ins try to emulate vintage analog units and add color, harmonics, and different filters that change the way your mix sounds. Most top mastering engineers use very little or no compression. When they do use compression, they use only the most transparent compressors that will not alter the tone or balance of the mix.
Slate Digital says the FG Dynamics plug-in is a true mastering quality compressor meant to control the dynamics of your mix in the most transparent way possible, not to color it with digitally modeled harmonics or distortions. The FG Dynamics compressor assumes that you have used your favorite color or tone compressor to achieve the sound on your final mix. It is the job of the FG Dynamics compressor to maintain that quality, not alter it. The advanced dynamics algorithm is claimed to be so transparent, you'll wonder if its on.
Plug And Mix PRO-Series v1.0.2 MAC OSX
The "Pro Series” collection includes "E-Max” a transparent linear phase equaliser, "OptoMax” a powerful opto compressor and "Tube Exciter” a subtile tube exciter and sub bass enhancer.
The Ultimate Precision 'Pro Series' Pack includes 3 professional plug-ins that are part of a new collection called "Pro Series” Plug-ins. The "Pro Series” plug-ins have been designed to reflect the need and requests of P&M’s most demanding professional customers that use the 'V.I.P. Series' plug-ins in their daily tasks. The "Pro Series” collection includes "E-Max” a transparent linear phase equaliser, "OptoMax” a powerful opto compressor and "Tube Exciter” a subtil tube exciter and sub bass enhancer.
The P&M "Emax” is a professional Equalizer that is one of the most essential tools for any producer, mixing or mastering engineer. P&M E-Max Equalizer provides the highest quality tool for sculpting your sound with a stunning new interface for precise control. E-Max goes beyond the expectations of a normal EQ with its built in Sonic Maximizer for extra "sweetening” and a Linear Phase mode for mixing & mastering which preserves the transients and transparency of your music.
The P&M "OptoMax” is a state of the art plug-in for use in your favorite digital audio workstation. OptoMax is designed to give you precision dynamic control over any type of media whether its vocals, drums or entire compositions. The plug-ins intuitive user interface allows for effortless control over compression levels, and frequency side-chaining, as well as other crucial sonic analysis tools.
Tube Exciter :
The P&M Tube Exciter delivers punch, clarity and sparkle to any signal you run through it. The plug-in features Tube Exciter, Tube Saturation and Sub Bass enhancers which can enrich your sound in subtle and drastic ways. The plug- in’s unique interface allows for precision adjustments using elegant graphical curves and audio analysis tools giving you a realtime window into the sound processing. P&M Pro Tube Exciter can be used on practically any audio source to improve the sound: From Broadcast and Live P.A. systems, to recording Guitars, Vocals and Bass, to Mixing and Mastering your songs.
AU - VST - AAX
Use the included Keygen to authorize the Plug-Ins!
Or use the included Serial Numbers.
Mac OS 10.6 and above
Macintosh Intel 1.5 GHz
2 GB RAM
32 & 64 bit Support
Updated: November 13, 2015
Today we are proud to announce the 1.0.2 version of the Pro Series Plug-ins. Included in this new version are improved ProTools 11 and 12 compatibility and minor bug fixes.
Wave Arts Powersuite v5.84 x32 x64 WiN/MAC
The Wave Arts Power Suite 5 Mixing & Mastering Plug-in Bundle introduces a powerful set of recording and mastering tools for your Audio Suite, RTAS, VST, MAS and DirectX compatible host software. Whether you are a professional or project studio engineer, sound designer or post production video editor, this set of 5 plug-ins deliver professional quality dynamics, EQ, limiting, multiband compression and panoramic processing to suite all of your mixing and mastering needs.
10 bands of professional, 64-bit EQ
EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
Brickwall lowpass/highpass filter section
Third-octave spectrum analysis display
Dual multi-mode compressors and a gate
Clean, vintage, peak, and RMS dynamics modes
Sidechain EQ support on each dynamics section
External sidechain support (RTAS, AU and MAS)
Adjustable lookahead delays
Master preset manager and preset manager per section
Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
Up to 192K support
Mono or stereo
Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
3-band EQs for early and late frequency response adjustment
Early/late and wet/dry controls for adjusting mix
Triggered envelope control for special effects such as gated and reverse reverb
Graphical "character" control allows you to quickly adjust the size and decay time of the space
Time response plot showing delays, early reflections, late reverb, and envelope
3-D frequency response plot of reverb decay
Over 60 presets
Up to 192 kHz support
FinalPlug 5 Peak Limiter / Maximizer
Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
Auto release control for greater sonic clarity
Bit depth truncation from 4 to 24 bits
Comprehensive noise shaping options, choose between 12 noise shapes
Presets for CD and DVD-audio mastering and track compression
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
MultiDynamics 5 Multiband Dynamics
Up to 6 independent bands
Proprietary crossover filter network eliminates amplitude distortion between bands
6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
Full featured compressor or expander/gate per band
Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
Per band and All band control editing
Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
Per band Bypass, Solo and Mute controls
Comprehensive visualization of input levels and dynamic EQ response
No latency if lookahead is off
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
Position and move sound in three dimensions
Cartesian or polar coordinates
Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
Integrated reverberation and distance cues
Separate sections for early reflection modeling and late reverberation
Control dimensions and surface material of all six surfaces of the room
Early reflections are spatialized using HRTFs
Doppler pitch effect
Processing for playback over loudspeakers or headphones
Crosstalk canceling based on real head models
Ships with 10 human and 1 dummy-head HRTF set
Can load user-provided HRTFs
Full automation support for creating moving sounds
Up to 192 kHz sampling rate
Mono or stereo inputs (always stereo outputs)
Wave Arts has updated their plug-ins:
Power Suite - v5.84.
Master Restoration Suite - v5.84.
Tube Saturator 2 - v2.02.
Dialog - v1.34.
Tube Saturator (legacy version) - v1.34.
Fixed missing mkl_wavearts.dll in Windows Dialog installer.
Fixed bug that could cause false noise learning trigger in Dialog and MR Noise.
Fixed Dialog limiter enable affecting compress section preset modified.
Increased size of MR Click event buffer to fix display with small audio buffer sizes.
Updated PN and TP section presets to fix missing section preset issues.
Tools->Use As Default now works properly, loads selected preset when GUI opens for the first time.
To cancel "Use As Default", select Tools->Use As Default menu item holding SHIFT key.
Fixed possible crash with Windows 64-bit plugs when closing GUI due to text edit window not deleted.
Main preset bar shows first preset matching current parameters, else modified preset with "*".
Section presets show first preset matching current parameters, else modified preset with "*".
TS2 now reports latency to host for delay compensation.
Install Instructions: At setup, choose Wave arts in License Method. NOT THE ILOK ONE. And not AAX (ILOK only) Run one of the plugins in your DAW, grab your machine code, run the keygen and generate a key code. Enjoy.