Sly-Fi Digital Deflector v1.0.2 WIN-AudioUTOPiA
There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can't give you the original, but I can give you my twisted take on it.
For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain 'push' to smooth out harsh, aggressive stuff.
Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours
Sly-Fi Digital Kaya v1.0.4 WIN-AudioUTOPiA
There's only one Kaya... literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit 'Pa', a minimal box with swampy distortion and a very heavy bottom.
I started with Pa's dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you'd expect it to do. Blend allows you to tuck in the overall effect for subtler applications.
What I love about Kaya is it never harshes out, it's always warm even when it's gone nuclear. A one-trick pony, but what a trick it is.
Sly-Fi Digital Axis EQ v1.0.3 WIN-AudioUTOPiA
There's a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn't safe from my meddling tastes!
For starters, this eq's curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I'll often use the Sat on its own, no EQ'ing. It's fat, and very much a signature Sly-Fi sound!
Stepped/fixed controls can be perfect, or they can get in my way, so I added a UBK mode where all freq and gain knobs sweep freely; I love being able to point this magical eq in between the usual frequencies.
Last, I put both a classic 'A' and modern 'B' mode on a switch with the UBK mode, so you can choose the one that works best for each track.
At the request of Tchad Blake, Axis can now transfer your settings from A or B mode straight to UBK mode for fine tuning. It also sports a phase flip switch, because sometimes things just sound better flipped.
Avid Pultec Bundle v220.127.116.11738 WIN x64-AudioUTOPiA
Finally, work with digital equalizers that look, sound, and behave like real analog EQs. Pultec equalizers deliver smooth, sweet EQ and an extremely high-quality tube audio signal path. And like most studio classics, they're incredibly easy to use.
Grab a knob, give it a twist, and everything just sounds great. Every time. Use them anywhere you'd use the originals—on individual tracks, critical vocals, or across a stereo mix for mastering applications.
Slate Digital Virtual Buss Compressors v18.104.22.168 WIN VST-AudioUTOPiA
Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
Virtual Buss Compressors contains 3 models of some of the industry's most sought after analog gear:
The FG-GREY is a replication of the classic British console compressor, with some fat sounding transformers added in to beef up the low end. The GREY is designed to give a mix that classic glue and punch.
The FG-RED is a replication of the classic RED mixbuss compressor that has been used for decades by some of the world's top mixers. It is designed to sound tight, punchy, with rich harmonics from the output transformers.
The FG-MU is a hybrid of several tube compressor designs that are lush, warm, fat, and open sounding.
Each compressor also includes a hi-pass filter and parallel mix wet/dry knob for flexibility. Finally, some of the most common professional presets have been added to each compressor to get a user started quickly.
Slate Digital VMR Complete Bundle v22.214.171.124 WIN VST-AudioUTOPiA
Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed.
The 'VMR' operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with the Slate 'VMR'.
The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70's. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. This equalizer is lush, fat, and bold. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks.
The FG-S is a digital recreation of one of the most famous British console equalizers from the 80's. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. This is the ultimate workhorse mix eq that can be used on any track. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.
The FG-116 is the most precise digital replication of the classic American FET limiter. No expense was spared to capture every nuance of this classic sounding compressor/limiter. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars.
The FG-401 started as a recreation of the classic british console channel compressor, but morphed into quite a lot more. First, we gave it variable attack and release with increased range which added more tonal options. But then, we added an optimal transformer inout, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor. Last, we added an entirely unique second circuit path that provides and additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it.
Unlike so many 'analog modeled' equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone.
The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.
Audified STA All Effects v1.5.2 WiN/OSX Incl.Keygen-R2R
Set of summing tube processors that are also affordable.
We believe it is not only hi-end professional studios with million dollar equipment, that have right to sound great. So we have gathered all the years of our experience in creating professional audio applications and precise circuit simulation to bring you this set of five of tube effects plug-ins.
Summing Tube Amplifier (STA) mixes the wet and dry signals and it adds a nonlinear distortion resulting in more vintage sound. Primarily, this effect is designed to be used as an insert effect to fully exploit the summing circuit. The plugin has also a "Wet only” option when only the signal processed by the tube circuit is sent to the output. It allows to use the plugin also in a send bus.
Believe it or not, the single knob of STA Preamp can give your mixes some extra value. Choose one of three types of tubes and control amount of saturation. STA Chorus adds your instruments a little warmth and tickeling vibe! Extra punch, meat, juice... Call it what you want, but STA Flanger gives it to you. If your sound is not spacey enough, take it to the universe with STA Phaser! And last but not least - STA Enhancer will make your mixes beautiful and bright.
As some of you may know R2R has open up the vault to some of their earlier INTERNAL releases