Neoduction Tools Swazher Generator v1.0.0-R2R
Soft / VST Instruments 14-03-2016
Neoduction Tools Swazher Generator v1.0.0-R2R
The overtone exciter. Highlight natural sound presence and add harmonics produced by overfeeding. Take control of the fundamental frequency of the voice or instrument.

The natural overtone exciter that really makes the difference.
The first process extracts the smallest sound objects, which characterize the sound itself, and then adds them together to create natural harmonics. The Presence setting controls the amount of harmonics that are generated.
The second process uses a traditional psychoacoustic method to create harmonics from the overfeed, with a selectable frequency band that is applied to our Presence algorithm. The resultant plugin is not only suitable for vocals, but is also adaptable to almost any instrument, bringing new nuances and richness to your mix.

Swäzher Generator Plugin . The natural overtone exciter thats really makes the difference.
The first process extracts the smallest sound objects, which characterize the sound itself, and then adds them together to create natural harmonics. The Presence setting controls the amount of harmonics that are generated. The second process uses a traditional psychoacoustic method to create harmonics from the overfeed, with a selectable frequency band that is applied to our Presence algorithm. The resultant plugin is not only suitable for vocals, but is also adaptable to almost any instrument, bringing new nuances and richness to your mix.

The user interface is easy and intuitive. We recommend that you reduce both effects by one or two notches once you have achieved your desired setting. This is advisable since the listening fatigue that occurs when handling this material leads us to perceive less of what we are really doing. There are various factory presets available for you to have a starting point in adjusting your audio mixtures.

The Presence control introduces natural harmonics that do not change the sound timbre and do not produce saturation. Use the harmonic distortion to create unusual timbral effects, or to enhance the presence of the instrument in any particular region of the spectrum. Note that, like all NeoductionTools plugins, the audio output is normalized to -0dB to avoid saturating any subsequent input in the chain.

Swazher Generator is a powerful tool that undoubtedly will be indispensable in your preferred selection of plugins.

home page:

https://www.neoductiontools.com/productos.php?prod=SWAH
Related articles
SPC Plugins ArcSyn v1.2 Incl Keygen (WIN OSX)-R2R SPC Plugins ArcSyn v1.2 Incl Keygen (WIN OSX)-R2R
Soft / VST Instruments 10-02-2016
ArcSyn is a 16-voice polyphonic virtual analogue synthesizer plug-in with many unusual features:

No samples—all oscillator waveforms are generated from scratch.
Many unique waveforms including Sub-harmonics, Bit-Noise and FM Crossfade.
Unique LFOs feature wave sequencing and hundreds of unusual waveforms including many random types.
Powerful, self-oscillating filters based on the Oberheim Matrix 12.
Many unusual filter types like Frequency Shifter, Scramble and Multi-Alias.
Smooth, natural sound quality throughout—Oscillators and filters are 4X oversampled, all audio processing is done in 64-bit arithmetic and control signals are updated at 5500Hz or higher.
Comes with over 350 preset programs.
MIDI controller learn.
Easy program organisation—rearrange programs and folders using your computer's file system.
SPC Plugins ArcSyn v1.0.R3 Incl Keygen-R2R SPC Plugins ArcSyn v1.0.R3 Incl Keygen-R2R
Soft / VST Instruments 7-02-2016
ArcSyn is a 16-voice polyphonic virtual analogue synthesizer plug-in with many unusual features

No samples—all oscillator waveforms are generated from scratch.
Many unique waveforms including Sub-harmonics, Bit-Noise and FM Crossfade.
Unique LFOs feature wave sequencing and hundreds of unusual waveforms including many random types.
Powerful, self-oscillating filters based on the Oberheim Matrix 12.
Many unusual filter types like Frequency Shifter, Scramble and Multi-Alias.
Smooth, natural sound quality throughout—Oscillators and filters are 4X oversampled, all audio processing is done in 64-bit arithmetic and control signals are updated at 5500Hz or higher.
Comes with over 350 preset programs.
MIDI controller learn.
Easy program organisation—rearrange programs and folders using your computer's file system.

NOTE:
R3 : Finally AVX free :) It should work on older computers.
SPC Plugins ArcSyn v1.0 Incl Keygen (WIN OSX)-R2R SPC Plugins ArcSyn v1.0 Incl Keygen (WIN OSX)-R2R
Soft / VST Instruments 21-01-2016
ArcSyn is a 16-voice polyphonic virtual analogue synthesizer plug-in with many unusual features:

No samples—all oscillator waveforms are generated from scratch.
Many unique waveforms including Sub-harmonics, Bit-Noise and FM Crossfade.
Unique LFOs feature wave sequencing and hundreds of unusual waveforms including many random types.

Powerful, self-oscillating filters based on the Oberheim Matrix 12.
Many unusual filter types like Frequency Shifter, Scramble and Multi-Alias.
Smooth, natural sound quality throughout—Oscillators and filters are 4X oversampled, all audio processing is done in 64-bit arithmetic and control signals are updated at 5500Hz or higher.
Comes with over 350 preset programs.
MIDI controller learn.
Easy program organisation—rearrange programs and folders using your computer's file system.
Avid Aphex Systems Bundle v11.1.80869-AudioUTOPiA Avid Aphex Systems Bundle v11.1.80869-AudioUTOPiA
Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations.

Now the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as an AAX Native 64 and AAX DSP 64 plug-in!

Big Bottom is a proven sound enhancement plug-in for Pro Tools 11 — from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.

Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.

Details

Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations.

Now the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as an AAX Native 64 and AAX DSP 64 plug-in!

Big Bottom is a proven sound enhancement plug-in for Pro Tools 11 — from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.

Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.

Features

Aural Exciter

The Aural Exciter brings instruments and vocals up "out of the mix"
Patented harmonic generation process can actually increase bandwidth without increasing level
Increases presence, clarity, speech intelligibility, and detail without significantly increasing peak output
Total flexibility in tuning the Aural Exciter to your needs
Cost-effective

Big Bottom Pro

Deeper, more resonant bass
Little or no increase in peak output
Tighter bass articulation and extended low frequencies
Native Instruments VC 2A FX v1.3.0 Update Incl Patched and Keygen-R2R Native Instruments VC 2A FX v1.3.0 Update Incl Patched and Keygen-R2R
Soft / VST Instruments 20-12-2015
The VC 2A is based on a legendary electro-optical tube compressor/limiter. Its medium-to-slow auto-release setting makes it especially suitable for adding smooth presence and punch to drums, vocals or the stereo bus
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
Soft / VST Instruments 11-12-2015
"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”

Clip, Compress, Distort, or Limit: you get to choose

ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.

Dynamic Control

ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.

Dial-in the sound of your choice, from heavy distortion to subtle compression

ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.

Choose your frequencies (paid feature)

The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).

Oversampling & Doubling (paid feature)

Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.

Mid/Side Processing (paid feature)

Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.

Main Features:

Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing

Version 2.3.3

- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches