NuGen Audio Stereoplacer v220.127.116.11 Incl.Keygen WiN/MAC-R2R
Pan control for the 21st century. Choose the frequencies you want to fix and move them anywhere, leaving the rest of the stereo image intact. Make improvements in any area of the sound stage without causing problems elsewhere. Stereoplacer gives you precise control you just can’t get within a traditional mix setup.
Stereoplacer is an advanced fine-tune parametric balancing control. You can tune each band into specific frequencies and move the frequency content around in the stereo sound stage. Just choose the position you want, and let Stereoplacer take care of preserving the balance of the original sounds.
"After using it [Stereopack] I decided that the only favor I could do for myself was to purchase the bundle, so I've bought it and now I'm happy as a kid in Disneyland."
[Moody Blues, Eric Clapton]
With fully adjustable curves (bell, high and low shelving and even additional linked-harmonic overtones) you can redistribute stereo information with subtlety, or make powerful corrections – even moving hard-panned frequencies from one side to the other – without affecting the overall level balance of the material.
Mix | Sound design
Panning sounds with low frequency content without affecting the low end
Adjusting the position of sounds in sample loops
Fixing poor mic. placement
Moving specific problem frequencies away from key lead sounds as an alternative to EQ
Dealing with harmonically complex synth sounds
Addressing issues on FX laden tracks
Creative and complex soundfield distribution
A sophisticated approach to double tracking stereo distribution
Capturing and positioning harmonically rich percussive sounds
Mastering | Post | Restoration
Gentle linear phase adjustment of entire mixes
Re-positioning of specific elements
Extrapolation of poorly positioned instruments
'Side switching' and re-balancing
Shifting of problem elements whilst leaving the rest of the soundfield intact
Detailed alignment of low frequency information
NuGen Audio Stereoizer v18.104.22.168 Incl.Keygen WiN/MAC-R2R
Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts.
Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.
Smooth, rich and mono compatible
Stereoizer is a high-specification stereo image manipulation tool suitable for natural expansion, reduction and introduction of stereo width at any stage of the audio production process.
Developed for and tested by professional audio engineers, Stereoizer adds natural sounding width and depth to any audio recording, mono or stereo, leaving the inherent character of the original source intact. If you want a more coherent sound with polish and spatial balance but without adding artificial reverberation, chorusing or delay – Stereoizer is for you.
Mix | Sound Design
Expanding narrow stereo spectra
Introducing width to mono recordings
Enhancing the depth of FX return channels
Reigning in over enthusiastic spot FX
Creating 'centre space'
Settling 'forward' sounds
Generating panoramic ambience
Adding richness and gloss
Re-focussing central solidity
Avoiding heavy EQ and/or compression
Opening up cluttered frequencies
Fixing poorly positioned mic.'s
Adding depth, width and space to specific tracks
Enlivening static sounds
Mastering | Post | Restoration
Natural extrapolation of existing image
Frequency specific enhancement
Taming eccentric material
Re-introduction of natural ambience
Firmly define existing stereo spectrum
Avoid changing the character with unnecessary EQ
Neutral stereo expansion/contraction
Subtle blending of inserts and returns
Pychoacoustic sweetening of frequency crowns
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”
Clip, Compress, Distort, or Limit: you get to choose
ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.
ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.
Dial-in the sound of your choice, from heavy distortion to subtle compression
ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.
Choose your frequencies (paid feature)
The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).
Oversampling & Doubling (paid feature)
Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.
Mid/Side Processing (paid feature)
Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.
Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing
- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
NugenAudio SEQ ST v22.214.171.124 MAC OSX-Kleen
SEQ-ST gives you powerful sonic sculpting and EQ matching, with stereo mid-side operation and automated spectrum analysis. Massage and correct any audio with incredible resolution that you just can’t get with a traditional parametric interface.
A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune your audio. Couple this with EQ matching via sonic fingerprinting and you have some unique possibilities.
Match one recording to another
Beyond traditional EQ, you can also use SEQ-ST to capture the flavour of a piece of source audio and then transfer it to your current work – great for restoration and harmonisation work. Or use the same technique on individual tracks to unify different takes, microphone positions, and more.
Independent L/R and M/S support
With 3 independent curves, individually assignable to Left, Right, Mid and Side, SEQ-ST gives you complete control over your stereo environment.
Create 'perfect' space
The EQ Invert control gives you a minimally-invasive technique for creating space in a complex mix where traditional EQs are just too cumbersome. By ‘sampling’ the vocal and applying the inverted the curve to the backing, specific space can be gently created without unnecessarily altering the original tonality of the underlying audio.
High definition low frequency control
Unlike many linear phase EQs, SEQ-ST has a unique Quality Setting that gives it great precision in the low frequencies, allowing you to make highly transparent adjustments without muddying the mix. The resolution is scalable to suit your task. Choose all the precision you need for demanding work during mastering, or vary the setting to run multiple instances concurrently during a mixing session.
Linear Phase EQ Match Plugin
AU - VST - VST3 - RTAS ONLY
SKnote XTrim Mixing Tools v1.0 AU VST MAC OSX
XTrim is a set of tools for mixing. It provides fine control on parameters related to phase, level, time, pitch, stereo image and a stereo VU meter with optional offset.
• LeftRight channels swap.
• independent Left and Right channels phase controls.
• fine (+/-1dB) output level control with optional coarse (+/-10dB) mode (e.g. for gain staging).
• independent control on stereo panning and width (for mid/side balancing, stereo image size management, stage placement of instruments with position and size control, etc.).
• extra-smooth hi-pass and lo-pass filters for bracketing and mix balance.
• forward and backward delay control (for track alignment and control on groove) with optional left-only delay for stereo alignment and creative uses (e.g. controlling the sound of multi-tracked guitars, microphone alignment, etc.).
• fine pitch control for automated pitch correction and creative uses (e.g. psycho-acoustics on bassdrums, easy experimentation on dynamic tuning, doubling, vibrato, etc.).
• optional "chorus" mode for the pitch control (applies the same amount of pitch shifting, as set by the knob, to both Left and Right channels but with
Simple and light on CPU, it can be used as a general purpose gain staging tool, as a VU metering suite or for more complex purposes.
Voxengo PHA-979 v2.5.Incl.Keygen WiN/MAC
PHA-979 is a professional audio AU and VST plugin which allows you to apply an arbitrary phase shift to sound material. What is meant by the phase shift here is simultaneous shifting of all frequencies across the active frequency range of the signal by the given value in degrees. This is achieved by linear-phase design.
PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone.
Beside the phase shifting, PHA-979 features positive and negative time delaying that eliminates the need to move in-track events in the sequencer when doing time alignment over any set of recorded tracks. PHA-979 also provides mid/side channel balance and panning controls that permit you to record stereo microphone pairs into a single stereo track without resorting to dual mono recording (on separate tracks) which usually becomes time-consuming in a further editing.
PHA-979 features multi-band analog-style correlation meter that greatly simplifies phase- and time-aligning process. Moreover, you can use functionality PHA-979 provides to setup headphone monitoring so that it closer resembles sound stage produced by stereo speaker monitoring.
Arbitrary signal phase control
Multi-band correlation meter
Positive/negative time delaying
Delay time calculator
Mid/side channel balance control
Stereo output panning
Stereo and mono processing
64-bit floating point processing
Contextual hint messages
PHA-979 version 2.5 includes the following changes:
Implemented color scheme editor with load and save functions.
Added "Brown" and "White" color schemes.
Redesigned the infrastructure controls.
Added 90%, 110% and 150% visual scales.
DMG Audio EQuick v1.10 Ked MAC OSX-Kleen
EQuick is a streamlined, ultramodern EQ built to help you make your mixes magnificent. Fast, intuitive and unbelievably flexible, we've packed it with digital functionality.
Unbelievably low CPU usage for high instance counts.
Generates super-high-quality prototypes. Clear undistorted top.
Linear phase mode for mastering and special channels
32 bands of EQ, Q 0.1->50, +/-36dB range
Each band can be Peak, HPF, LPF, High Shelf, Low Shelf or Notch
Each bank can process Mid, Side or the full stereo image
Fully parametric filters (high and low-pass), 6/12/18/24/30/36/42/48db/oct
Five different UI sizes.
M/S processing per-band with listen.
Windows VST and VST3 as 32+64bit, RTAS 32bit.
Mac VST, VST3 and AU as 32+64bit, RTAS 32bit.
Bells and notches, with a +/-36dB range, and a Q range from 0.1 to 50.
Shelves which let you move the resonance above or below the curve.
Filters at 6/12/18/24/30/36/42/48 db/octave, sweepable resonance.
Adjustable gain-q interaction for 'musical' usage.
Beautiful, clutter-free modern interface.
Big, clear, antialiased graph
Hi-res Spectrum analyser
Range, to scale the EQ response, both +ve and -ve.
Frequency shift, to allow you to retune the response
Large, configurable spectrum-analyser with readout
Control linking to move sets of bands together.
Configurable VU, with variable ballistics
8 banks of A/B
Full preset management system
Autolisten mode, for quick finding/adjustment of frequencies
Fix bug affecting reloading of settings
Fix issues with Windows 32bit AAX and ProTools 10
- Fix bug with AAX automation whereby discrete parameters could jump.
- Fix bug with mousewheel on windows to left of main screen on windows.
- Improve determinism of automation when rendering.
- Improve handling of OS load dialog for presets.
- Improvements for latency reporting both realtime and offline.