Indiginus Solid State Symphony v1.4 KONTAKT
The technology of 1979.... Here today!
What would a virtual orchestra have sounded like if all you had to work
with was analogue synthesizers? It was a question that Indiginus felt
compelled to answer. Why? Well, probably because we're not very good
at market research, but also because we believe that composers can
never have too many tools to work with.
The 'orchestra' consists of Strings, Winds, and Percussion sections. Within
each section are elements that have assignable key and velocity ranges,
volume controls, and transposition. Also included are a gated pad effect,
2 programmable pitch modulated elements, bass, and a simple noise
generator rhythm sequencer.
The update includes:
-New improved reverb, which gives the whole instrument a richer and more airy sound!
-Several new PadScape presets, new Pitchmod sounds and patterns, and some new preset nkis.
-Same great flavor!
AlgoMusic Czynthia VSTi v2.0-peace-out
CZynthia is a Dual Phase Distortion virtual synthesizer.
* Two Phase Distortion Oscillator sections each offering two sets of 8 waveforms.
* Three 8 stage envelopes each synth for control of pitch, phase and amplitude.
* LFO (BPM synced or free running) offering 22 waveforms, rate and delay with pitch and phase destinations.
* Pulsar module for algorithmic style pitch/phase modulation. (BPM synced)
* Ring modulation, detune and transpose controls
* Volume and panorama controls for stereo imaging and master volume.
* Scale generator for force scaling of notes. Choice of 8 scales with root key selection.
* Powerful multi FX section offering 7 simultaneous stereo effects: EQ, Rotor, Metal, Wah, Delay, Chorus, Reverb.
Note: While this VSTi is inspired by the original Casio CZ series of synthesizers produced in the 1980s, it does not seek to emulate them.
Crypto Cipher Tabla Tarang
Extinct Art of India – Tabla Tarang
Please Note : Tabla Tarang Library/Instruments works with Native Instruments Kontakt 5.4.2 or Higher (Full Version).Free Players works for 30 minutes.
You already heard the "Magical Sound of Tabla” in our previous release which was performed by master tabla artist ” Jagannath Singh”. we have already discussed the effect of black ink spot on tabla which makes this instrument capable of producing one note higher than the main pitched note (Psyco-acoustic issue).
Magical Sound Of 13 unique hand made "Tablas”
There are many Tuned Percussion Instruments available in the market.We can say market is quite saturated but here is the extinct art of India "Tabla Tarang”. Most of the people in India have heard about this instrument but have not seen any performance happening live. Sadly , Authentic playing is no more seen.
Solo Tabla Tarang
"Tarang” means waves. Many hand made tabla drums are tuned separately by hitting hammer on the rim of tabla according to "Raga” and all tabla drums are placed in semicircular positions covering lower bass tabla from left to higher pitched tabla towards right. Each tabla has its own character and the melodies are produced by hitting hands on the centre of tabla. Black Ink spot produce a unique sound and when artist perform any emotional raga using these different-different tabla it sounds exotic.
Its bit sad to say that this art is almost not seen in India nowadays.Pandit Kamalesh Maitra has some of his performances on youtube which can be searched by his name.
Crypto Cipher Solo Tabla Tarang
Recreating this art was adventurous and fun. We teamed up with tabla artist and tabla makers and discussed the plan and finally we have sampled 13 tabla drums not with just the magical black ink spot sound but also the two other tuned sounds "Ta” and "Tin” ,which are produced by hitting at the rim/chanti and middle portion/maidan of tabla drum.
So we have three main tuned sounds "Ta” "Tin” and "Tun” mapped across the keyboard. Mixing all three sound make the instrument so special as never heard before.
We recreated this instrument for Modern music composers and recorded almost 15,000 samples with three mic types (Ribbon , Dynamic , Condensor). Also with the powerful scripted technology we pushed the capability of the instrument to next level. We have legato and drum articulation section which will help composers to play the instrument in more advance ways.
Tabla Tarang Authentic Playing Technique
We recommend you to see artwork made by Kirti Taneja for "Tabla Tarang” to understand the instrument( Artist sits in the middle and place tabla in semicircular position creating a keyboard layout). All tabla are tuned manually by hitting hammer on tabla according to Raga which artist is going to perform.
Artist can hit maximum two drums at a time producing one stroke from each hand at once (Human capability).Example : Artist cannot play "Ta and Tin” "Tin or Tun” at the same time on same drum but can hit Ta on one drum and Tin on other drum at same time. Same concept for other strokes.
In other words Tabla Tarang artist can produce only two notes harmony at max as again he has two hands and one hand produce one stroke at a time. Its not like piano . (In piano you can hit 5 notes at a time with one hand and 5 other from other hand maximum).
So, most of the time the arrangement of these tablas are used as solo melodic tuned instrument.
Its not necessary to play Tabla Tarang in authentic way , you can play the instrument in other ways you want .
Applications – Ideas
You can do sound design stuff with these variety of samples and create texture you never created before . This instrument can be layered with other sounds. It can be a part of your main background theme of movie as its character is so unique.
You can try soft samples of tun articulation to create very emotional and heart touching melodies and on the other side you can have aggressive punchiness of "Ta” and "Tin” Sounds.
You can use this instrument into your drum track to create fillers etc. There are many applications just play the instrument and see what inspires you.
Top Rack "Tune” and "ADSR” is for each key , which helps fine tuning for each Drum/key
C-2 key (legato on) – You can also put it on from the UI
C#-2 key (legato off) – You can also put it off from the UI
D-2 key ( arp on ) – You can also put it on from the UI (Its details can controlled via switching to other tab)
D#-2 key(arp off) -You can also put it off from the UI
E-2 , F-2 , F#-2 and G-2 keys are drum articulation keyswitches – Press these keys to produce drum articulations and its speed and dynamics can be controlled on the UI itself.
If you want to understand Tabla in detail – watch this video playlist from our other product "Solo Tabla”
Best Wishes and Love
Tone2 Saurus 2.0 WiN/MAC
Saurus2 can do an extremely authentic emulation of analog synthesizers. It covers all important aspects of the most famous and expensive analog synths, but without adopting the disadvantages.
Saurus2 is very easy to use and comes with a comfortable interface. It offers a larger sonic range, a more precise analog emulation and a more flexibe synthesis engine than competing products. Saurus2 offers high-end sound quality, but without placing heavy demands on your CPU or budget. Finally true analog sound does not longer require compromises!
Authentic emulation of analog synths: True Analog Modeling Technology ™
Covers all important aspects of analog synthesizers, but without adopting the disadvantages
High-end sound quality
Replaces a large number of expensive analog synthesizers
Low CPU and high reliability
Great value for money
Free personal support and updates
Comfortable and easy-to-use interface
Larger sonic range than competing products
Ships with 830 outstanding presets from 22 top sound designers
Can create unique sounds which no other synthesizer can do
Analog filter with self-oscillation, FM and feedback
Very fast LFOs and punchy envelopes
Many different play modes: Mono, legato, glide, poly, stack, autochord
4x stereo unison
High-end quality effects section
Analog modeled distortion and tube amp
Developed by experts with 25 years of experience
TAL Software GmbH TAL-U-NO-LX-V2 v2.70 VSTi x86 x64-CHAOS
TAL-U-NO-LX is a complete rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features.
An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The synth was calibrated after a hardware device that's property of TAL.
Self resonating zero feedback delay filter (24dB LP).
Filter range up to ~40kHz (depends on the sample rate).
Calibrated and tuned after TAL's hardware device.
Midi learn / automation for all controlls.
Improved alias free oscillators for an authentic sound also @ 44'100Hz sampling rate.
Arpeggiator with different sync modes (host, midi clock, not on).
Portamento and mono mode.
LFO manual trigger button.
Sustain pedal support.
Up to 12 voices.
New file based preset system for transparent preset management.
More than 300 factory presets by different sound designers (FMR, Particular - Sound, TAL).
Original hardware "Factory Bank A" included.
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.
GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.
For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)
HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch
with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),
- Output Volume knob
- Bypass switch
- Preset manager
Forgotten Keys FK9 Hammond Auto-Vari 28 V.4.2 KONTAKT
This Hammond AutoVari rhythm unit was originally built into an old old Hammond Dolphin organ from the 1970s. Although it only had 7 rhythm buttons, each one had 4 variations so there were 28 rhythms in all. The unit itself included circuitry and controls for the organs auto-accompaniment section but no circuit diagrams or schematics were available to see how to access it.
The FK9 includes isolated samples of the 7 analogue sounds of the AutoVari. Each sound has been sampled 8 times and is chosen randomly within Kontakt. They are, or course, accessible via a keyboard or DAW sequencer also. The sounds are in 24-bit 44.1KHz wav format.
Each of the 28 rhythm patterns have been re-created for Kontakt. They are not sampled loops, rather they are sequences that trigger the individual sound samples when needed. This is how a real drum machine works, only here we use samples instead of a sound generator circuit.
The Setup tab offers greater control over how the FK9 sounds and operates. There are volume, pan and tune controls for each sound. Incoming MIDI notes can be mapped to any rhythm. Random tune and volume controls add a little human element to the sounds.
Here’s what the AutoVari looked like inside. There was no case of course as it was enclosed by the organ cabinet. Some of the controls you see here were for the organs auto-accompaniment section.