Rob Papen Blade v1.0.3-R2R
Soft / VST Instruments 6-03-2016
Rob Papen Blade v1.0.3-R2R
The initial idea for Blade was born out of the want to have more ‘human input’ into the sound. The classic synthesizer parts for modulation are LFOs and Envelopes. The ‘human input’ is the keyboard we play and controllers like pitch bend or modulation wheel. A XY pad is perfect for the human input, but it controls only the filter and volume... We found this to be too limited. We wanted also to control the ‘harmonics’ of the oscillator...changing the waveform using the XY pad. 

Out of this idea, Blade was born...

At the heart of BLADE, lies the Harmolator. This special oscillator system uses 9 global controls which change the harmonic content (partials) of the waveform.
The Harmolator allows oscillator spreading, fattening the sound and also square / sine wave sub-oscillator. What's more, the sound can be modified further by the 21 per-voice distortions types and 14 filter types.Blade offers total control of the sound over time using an array of different modulation controls.
The most significant of Blade is the central XY screen. Here you can either alter things directly by moving the cursor around, or you can record paths which can be replayed.The recorded path can be looped, bi-directional looped and tempo based as well. Even the speed of the XY recording can be modulated for dynamic changes!
So the XY pad is also an incredibly advanced "human input” modulation source. Furthermore, Blade has the full range of other modulation sources, including a dedicated envelope, LFO and velocity as modulation source for Harmolator controls.
Two FX units featuring all the FX from other Rob Papen products, plus the Arp / Sequencer and an Easy page which allows you to easily control sounds, all add up to an amazingly flexible and useful instrument at the cutting edge of today's synthesizers!

home page:

http://www.robpapen.com/blade.html
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Rapture is described as "the ultimate wavetable synthesizer for igniting the sounds of today's pop, dance, and electronic music". It combines an advanced modulation system with an non-aliasing wavetable resampling engine.

Feature Highlights:

Wavetable synthesizer with "cutting edge" sound manipulation capabilities, well suited for electronica-related music styles.
Non-aliasing resampling engine.
Over 500 sound programs.
Six fully-programmable, stereo sound-generating Elements.
Multi-waveform Oscillators with ring modulation.
Two 16-mode filters per oscillator with LoFi and Drive.
Over 40 Envelope Generators, LFOs, and Step Generators.
Comprehensive MIDI Modulation Matrix.
Mix and modulate all Elements through global FX and dynamic Step Generator.
Graphical envelope generators and LFOs for ease of use.
Expandable with native support for SFZ sample formats.

Rapture offers comprehensive sound design capabilities with patches that blend up to six different Elements. Out of the box you get a collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences.

At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators. These wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning. Rapture's high resolution anti-aliasing rendering engine ensures that every note of every voice will be pure and vibrant.

Rapture offers over 40 Envelope Generators, LFOs, and Step Generators per patch. These Step Generators breathe life into your sound, allowing for dramatic trance gate effects and percussive rhythms. With graphical step sequencing of sound parameters, Rapture provides a modern extension to traditional envelopes and LFOs, allowing you creative control of Pitch, Filters Amplitude, and other parameters.

Rapture's global and per-Element FX stages provide the finishing touches to your sounds. In the Global FX Stage Rapture offers 3 multi effect units with 9 Delay and 3 Chorus types, 3 Parametric EQs, and a dynamic Step Generator for volume with independent L/R control. The per-Element FX stages offer the multi-effect units and EQs mentioned above, plus two 16-mode filters per oscillator with LoFi and a 5-mode Overdrive section for additional control.
A comprehensive MIDI Control Matrix provides for extensive MIDI controllers mapping of all of Rapture's functions, with the added sensitivity over modulation depth and smoothness control. An X-Y pad lets you assign multiple Rapture parameters to X and Y axes, allowing you to intuitively glide between various parameter levels with ease.
Cakewalk Z3TA Plus v2.2.2.120 Incl Keygen-R2R Cakewalk Z3TA Plus v2.2.2.120 Incl Keygen-R2R
Soft / VST Instruments 15-02-2016
The legendary waveshaping sound of Z3TA+ (zay'-ta) is back - and better than ever. New filters, modulatable waveshapers, flexible effects expressive control and a gorgeous new interface make Z3TA+ 2 one seriously powerful synth.

Waveshaping Synthesis:
Ultimate waveshaping control with dozens of sonic tools
Intuitive and graphically responsive interface
2,000+ professionally crafted presets
Built-in fully customizable studio quality FX.

Oscillators Section:

32-bit wavetable synthesis with three interpolation modes (DRAFT, NQ, HQ).
Full Stereo processing.
6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM capable in all oscillators with any waveform.
Loadable Wavetable Sets: Programs using different wavetable sets can be mixed in a bank. z3ta+ will find and load the appropriate wavetable set when the program is selected on-the-fly.
Loadable Oscillator USER Waveforms: z3ta+ can load the USER oscillator waveforms 1 to 6 from standard wave files (.wav). Up to six individual waveforms can be loaded per program, and then transformed by using the shaper as the internal waveform set. It is possible to load different waveforms in each preset. z3ta+ will find and reload the used waveforms when the program is selected on-the-fly. The wave files must be mono, up to 64k samples, in any samplerate.
64 voice polyphonic (CPU dependant) with polyphony limiter and Intelligent Voice Allocation (no clicks when maximum polyphony is exceeded).
Full Stereo processing.
6 Oscillators, 60 built-in waveforms, 10 user loadable waveforms, PWM capable in all oscillators with any waveform.
Independent Waveshaper for each oscillator with 14 wave transformations: WARP, TWIST, MULTIPOINT, WAVE, SYMMETRY, DRIVE, WAVE, OFFSET, SHRINK, SELFSYNC, BIT REDUCTION, HIPASS and LOWPASS filters, , DC-OFFSET and WINDOW, all fully band limited and real-time capable.
Full Legato mode when operation is monophonic.
Circular inter-oscillator modulation.
Ring modulation, Hard Sync, PM and FM modes for any oscillator.
MULTI mode for any oscillator, which turns any oscillator in 8 oscillators (4 stereo oscillators) with adjustable detune.
Octave (-5 to +5 oct), Transpose (-12 to +12 semi), Detune (-50 to +50 cent) and Phase (0 to 360 deg) controls for each oscillator.
Key sync and Free Running, Normal or Inverted, with or without keyboard tracking modes for any oscillator.
Main Transpose, Main Tune controls.
Oscillator random tune control with per-oscillator generator.
Adjustable Punch control (drum machine-like DC burst).
Individual settings for Pitch Bend Up and Down (-12 to +12 semi).
4 Pitch Bend modes: Normal, Up, Down and Hold notes.
4 monophonic/polyphonic Portamento modes: Normal and Fingered, Fixed and Variable time.
Two mixing busses for oscillators outputs.
Individual Level/Modulation amount control.

Filters Section:

2 Filters, 10 Filter Modes: 12dB/oct LPF/HPF/BPF/BRF, 24dB/oct LPF/HPF/BPF/BRF, 36dB/oct LPF, formant.
Individual Cutoff, Resonance, Resonance Boost, Pan, Level and Limiter controls for each filter.

LFO Section:

6 Morphing capable LFOs, 4 global, 2 local (per-voice), all host Tempo Sync capable.
60 Waveforms, 10 user waveforms.
Individual Offset, Delay, Fade In, Morph Time, Speed, Tempo Sync and Key Sync mode controls.
10 LFO combination modes: MORPH, ADD, IADD, SUB, ISUB, MUL, MIN, MAX, HALF1, HALF2.

EG Section:

Eight 6-stage envelope generators, 1 bipolar, 6 unipolar, 1 main Amp EG, all with adjustable positive or negative amount.
Individual Delay, Attack Time, Slope Time, Slope Level, Decay Time, Sustain Level, Release Time controls.
Individual Attack, Slope, Decay and Release shape controls with 3 shapes (linear, slow, fast).

Modulation Matrix:

16 row modulation matrix with Source, Range (min/max), Curve, Control and Destination options.
24 modulation sources, including all LFOs, EGs, Attack and Release velocity, Unipolar and Bipolar keyboard tracking, internal functions and polyphony.
Min and Max modulation adjustable.
12 modulation curves, including Linear, Slow, Fast with normal and reverse polarity, and four pitch curves.
Over 200 modulation controls, including all EGs, unipolar and bipolar Pitch Bend, channel and polyphonic Aftertouch, Modulation Wheel, Breath, all MIDI CCs, velocity, unipolar and bipolar keyboard tracking, audio input and X-Y pad.
Over 60 destinations, including Pitch, PW, Levels, Routing, Pan, LFO and EG parameters, Functions, and many FX parameters.

Effects Page

Drive Section:

6 Drive modes, including Soft/Hard drive, Valve Amp, Smart Shaper and Heavy Metal (local plus global drive stage), individually selectable for both filters.
Stereo Decimator (lo-fi).
Tone, Drive and output Level controls.

Modulation Section:

9 Mode Modulation section, full stereo operation (except when mono modes are selected).
Modulation speed sync'able to host Tempo.
3 modulation waveforms.
Broad range of Chorus, Flanger and Phaser effects available, including mono/stereo chorus, flanger and phaser, 6-voice chorus, Quad phaser.
Delay, Speed, modulation Depth, Feedback, 2-band Modulation Equalizer with selectable modes and Level controls.

Compressor Section:

3 Mode dedicated compressor, with Threshold, Ratio, Gain and output Level controls.
Delay Section.
3 individual stereo delay lines, with Time (L & R), Delay, Feedback and Level controls.
Multi mode 3-band EQ inserted in the feedback loop, with 6 EQ modes.
Tempo Sync capable.

Reverb Section:

Full stereo reverb.
4 Reverb modes, including Small Room, Mid Hall, Big Hall and Plate.
Size, Damp, Lo, Hi and Wet/Dry controls.

Eq Section:

Full stereo eq.
7 band equalizer with 11 equalizer modes (Wide 1/2/3, Half 1/2/3, Low, Lo/Mid, Mid, Mid/Hi, Hi).
Simulator Section.
Stereo Cabinet-Amp simulator, with 19 different preset simulations.

Main Effect Section:

Stereo Main Limiter.

Graphic User Interface:

2 page, 3 deployable windows (Shaper, X-Y Pad, Spectral Analyzer), several subsections display.
Graphics by bitplant.
Inertial sliders, menu-driven multi lists, fast page selectors.
Sound Preview ribbon at bottom, variable velocity (y position), MIDI transmit to host (VST).
Polyphony indicator.
Master Volume and Limiter controls, output VU meter.
Full mouse wheel support.
Focus-capable controls, full PC-Keyboard support.

X-Y Pad:

Deployable X-Y pad with random mode via right-click, assignable as CONTROL in the modulation matrix.

Programs / Banks:

Bank and Program selector, Program up/down, Program Name display/editor.
6 banks (A-F), 768 program capacity, 128 factory presets.
Saves and Loads standard.fxb and.fxp files.
Compressed bank file format, to save space in song/bank files.
All settings saved in the song.
Copy/Paste/Initialise program utilities.
Auto-load of Default file, utility to save Default File.

MIDI Learn:

All controls are MIDI Learnable, with adjustable min/max/reverse status via right-click.
Multiple MIDI CC#'s are possible to be assigned to same control, multiple controls can be attached to one MIDI CC#.
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Rob Papen Blade v1.0.2-R2R Rob Papen Blade v1.0.2-R2R
Soft / VST Instruments 8-01-2016
The initial idea for Blade was born out of the want to have more ‘human input’ into the sound. The classic synthesizer parts for modulation are LFOs and Envelopes. The ‘human input’ is the keyboard we play and controllers like pitch bend or modulation wheel. A XY pad is perfect for the human input, but it controls only the filter and volume... We found this to be too limited. We wanted also to control the ‘harmonics’ of the oscillator...changing the waveform using the XY pad. 

Out of this idea, Blade was born...

At the heart of BLADE, lies the Harmolator. This special oscillator system uses 9 global controls which change the harmonic content (partials) of the waveform.
The Harmolator allows oscillator spreading, fattening the sound and also square / sine wave sub-oscillator. What's more, the sound can be modified further by the 21 per-voice distortions types and 14 filter types.Blade offers total control of the sound over time using an array of different modulation controls.

The most significant of Blade is the central XY screen. Here you can either alter things directly by moving the cursor around, or you can record paths which can be replayed.The recorded path can be looped, bi-directional looped and tempo based as well. Even the speed of the XY recording can be modulated for dynamic changes!

So the XY pad is also an incredibly advanced "human input” modulation source. Furthermore, Blade has the full range of other modulation sources, including a dedicated envelope, LFO and velocity as modulation source for Harmolator controls.
 
Two FX units featuring all the FX from other Rob Papen products, plus the Arp / Sequencer and an Easy page which allows you to easily control sounds, all add up to an amazingly flexible and useful instrument at the cutting edge of today's synthesizers!


u-he Hive v1.1.0.3898 FIXED HAPPY NEW YEAR-R2R u-he Hive v1.1.0.3898 FIXED HAPPY NEW YEAR-R2R
Hive was made to be fast and simple. The streamlined single screen UI lets you dive into sound creation immediately. A fluid workflow invites you to tweak away until your sound is just right (or wrong in just the right way). Hive was engineered to be light on CPU, and won’t slow you down while you work. But being "fast and simple” doesn’t mean we’ve sacrificed sound quality or creative control - Hive is packed with features, controls and enough flexibility to deliver stunning sounds.

Whatever your style - from dance to ambient, progressive rock to R&B - Hive is the right tool for the job: a lightweight synth that delivers a heavyweight sound!

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- 12-slot modulation matrix, 2 targets per slot
- Drag & drop modulation assignment
- Create, save and load individual panel presets
- 7 quality effects, rearrange in any order
- Global configuration overlays, including MIDI learn

FIXED : Binaries were not patched as we expected and cause demo 
noise. This is not even related to timebomb things. We have 
automated the patching/cracking to avoid human error, but 
there were human error in that automation. We feel very 
shame being the human. There are no doubt we need some 
droids called R2R-D2.

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