Digidesign Reel Tape Suite 8.0.3 TDM AS RTAS MAC OSX INTEL
Avid brings the unmistakable warmth and punch of analog tape into the digital domain with Reel Tape Suiteв. This powerful collection of three plug-ins Reel Tapeв Saturation, Reel Tapeв Delay, and Reel Tapeв Flanger is designed to beef up your mixes and add that elusive magnetic vibe to your live sound, without the hassle of actually owning and operating a reel-to-reel tape machine.
Reel Tape Saturation models the inherent warmth of classic analog tape machines and tape formulations with astounding accuracy, instantly infusing your music with an authoritative old-school feel. Reel Tape Delay and Reel Tape Flanger duplicate electro-mechanical delay and flanging effects without cluttering your control room with large tape machines (or having to keep rewinding your echo tape), and give you real-time control over every nuance of these classic techniques.
These incredibly useful and easy-to-use plug-ins work with Pro Tools|HD Accel, Pro Tools LE, Pro Tools M-Powered, Avid Xpress, Avid Xpress DV, Avid DNA, and VENUE systems, and will become indispensable elements in your audio arsenal, whether you're mixing digital recordings or live sound.
Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically with Reel Tape Suiteв, a collection of three plug-ins to warm up digital sound. All of the plug-ins feature streamlined interfaces with intuitive controls that are easy to work with, day in and day out. Whether you're a professional audio mixer, musician, or live sound engineer, Reel Tape Suite brings the vintage sound of analog tape to digital audio while providing all the advantages of today's state-of-the-art digital effects processors.
Reel Tape Saturation
Re-create the classic analog recording experience. Reel Tapeв Saturation emulates the color characteristics, tape compression, and saturation effects of popular analog tape formulations, including the classic Ampex 456* and higher-output Quantegy GP9*. It also features carefully modeled characteristics from renowned tape machines such as the 3M M79* and Studer A800*. Enjoy full control over tape speed, hiss, bias, and calibration levels and forget about cotton swabs, rubbing alcohol, and razor blades!
* Bring the warmth and punch of analog tape color and saturation into the digital domain
* Phase and frequency response characteristics modeled from three types of analog tape machines
* Saturation effects modeled from two popular tape formulations
* Control the tape speed effect from 7.5 to 30 ips (inches per second)
* Noise controls adjust the amount of tape hiss
* Bias controls simulate the effect of under- or over-biasing the tape machine
* Cal Adjust control simulates the effect of three common calibration levels
* Avid Reel Tape plug-ins are not connected with, or approved or endorsed by, the owners of the 3M, Studer, Ampex, or Quantegy trademarks. These names are used solely to identify the products that were modeled to create the Reel Tape plug-ins.
Reel Tape Delay
Psychedelic, Dub, and Electro music styles are hotter than ever, and the warm, ear-pleasing sound of tape-based delay has never been more relevant. Reel Tapeв Delay emulates analog tape echo and delay effects with expertly modeled frequency response, noise, wow and flutter, and distortion characteristics. Reproduce fluctuations in tape speed both small and large. Even get the full effect of adjusting tape speed during the record/playback process. Delays are fully adjustable over a wide range, and because EQ and detailed level control are built into the echo/delay loop, the feedback controls allow you to dial-in a variety of effects, from tastefully subtle to over-the-top.
* Authentically modeled analog tape echo and delay effects
* Reproduce the fluctuations in tape speed
* Adjust delays from 93 ms to 1,486 ms (1-7/8 ips to 30 ips)
* Feedback control adjusts the amount of delayed output fed back into the input
* Wow & Flutter controls adjust tape speed fluctuation
* Bass and Treble controls in the echo/delay feedback loop allow for subtle to extreme feedback and saturation effects
Reel Tape Flanger
The reason why most flanger effects sound unconvincing is because the studio technique that they imitate is dependent on so many real-world factors. Reel Tapeв Flanger thoroughly models the tape flanging process and hardware characteristics, and provides an arsenal of controls for shaping the output in real time. The results are as close as you can get to the real thing and a lot easier to use! The sonic characteristics of frequency response, noise, wow and flutter, and distortion are captured in detail and applied to a variety of tape speed and delay control options. Infamously difficult manual flange and artificial double-tracking (ADT) techniques are simple to re-create. Simply adjust the variable delay manually (or use the LFO and Depth controls) and listen to the captivating frequency sweep and crossover cancellation effects heard on so many classic recordings. You also get easy access to tape speed fluctuation and feedback controls.
* Accurately reproduce analog tape machine flanging
* Adjustable speed control allows for manual flanging and artificial double-tracking effects
* Feedback control adjusts the amount of flanged output fed back into the input
* Wow & Flutter controls adjust tape speed fluctuation
* LFO Rate and Depth settings control the speed and depth of the flanging effect
OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD Accel rig (for TDM version only)
Loomer Resound v1.7.3 Incl Keygen (WIN LINUX OSX)-R2R
Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. A controllable noise level allows the right amount of grit, distortion, and flutter through. The Reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.
Delay time up to 30 seconds when synced to host tempo, up to 2 seconds when not synced.
Controllable noise level and high-pass filter.
Reverse mode to produce more complex and interesting delay textures.
Capable of self-oscillation, even without any input source.
MIDI Learn mode for easy integration with any MIDI hardware controller.
u-he Satin v220.127.116.1177 FIXED HAPPY NEW YEAR-R2R
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it... But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
- mix-and-match emulation spans all major historical developments in tape technology
- control multiple instances from one panel - 'glue’ multiple tracks together
- high-quality: internal sample rate up to 384kHz, continuous tape speed control
- all the 'goodness' of tape (saturation, transient-smoothing, HF compression etc.)
- full control over the 'badness' (head-bump, wow&flutter, asperity noise, hiss etc.)
- record / repro EQ standards (separately selectable), classic NR compander standards
- extra FX modes: through-zero tape flanging, host-synchronizable 4-tap stereo delay
Slate Digital Virtual Tape Machines v18.104.22.168 WIN VST-AudioUTOPiA
Virtual Tape Machines is designed to have the big, fat, warm, deep, rich, of Analog Tape Machines.
To capture the sound of tape is to capture a living, breathing sound that dynamically reacts to the music going on to it. Slate Digital utilized their electrical engineering resources as a foundation for a comprehensive study of the physical processes that occur when recording to analog tape through a tape machine.
Two industry-standard machines were precisely modeled including a 2 inch 16 track from NRG Recording, and a ½ inch 2 track machine from Howie Weinberg Mastering, the VTM is designed to give mixes an authentic analog vibe with dimension, fatness, depth, and warmth.
Two tape machine types:
2" 16 track.
1/2" mastering deck.
Two tape formulations.
Two speeds: 15 ips and 30 ips.
Noise reduction control and auto mute.
Wow & Flutter control.
Bass alignment control.
Normal, Low & High Bias settings.
Settings global or per channel.
Tape reels start and stop in sync with DAW transport.
McDSP Analog Channel v22.214.171.124 WIN-AudioUTOPiA
Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.
Analog Channel is 2 plug-ins:
AC101 – Emulates analog channel amplifier circuits
AC202 – Emulates analog tape machines
The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio "sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.
Library of presets emulating analog mixing systems
Real-time display of saturation curves and calibrations
Analog Saturation modeling
Double precision processing
Ultra low latency
Mono and stereo versions
iZotope Trash 2 v2.04 Incl Emulator-R2R
Trash is a 64-bit spice rack of distortion. For guitarists recording direct, Trash provides over 85 box, cabinet and speaker models -- ranging from standard amp classics to stacks to experimental designs. Combined with 45 overdrive and distortion models -- 12AX7 tubes, 6L6 tubes, transistors, fuzz, rectifiers, and more -- you can make Trash sound as good, bad, real or unreal as you want.
Trash goes beyond a typical "guitar amp simulator" effect, though. With multiband distortion, sweeping filters and emulations of classic delays it can be effectively applied to bass, vocals, drums as well.
48 distortion types ranging from tube overdrive to the fuzz of germanium transistors. Chain pairs of distortions together for sonic destruction at 64-bit precision, or split the signal into multiple bands and apply distortion independently to individual frequencies.
Realistic modeling of 85 amp cabinets and speakers. Classics, combos, boutique models, stacks... a tone and character for any occasion.
36 filters that can be LFO or envelope triggered through a unique graphical display. Synth filters, resonant filters, classic analog filters and more.
Multiband dynamics and gating to control the peaks and tame the noise.
Trash the echo with a selection of classic lo-fi delays. Tape delay with saturation and nonlinear tape machine artifacts, tape-tube delay with added tube saturation modeling, classic analog delay with analog degradation and Lo-fi digital delay with quantization noise and aliasing.
History and Undo features, dedicated preset manager with dozens of drum, guitar and bass presets, spectrum and level meters, and DirectX automation.
U-he Satin v1.2 FiXED MAC
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it...
But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible.
Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
Satin is the only plugin from the u-he pack released a week ago that was not cracked properly. Some people reported problems using the VST version. Here you have a FiXED version. The file in the other post was reuploaded and the whole pack is working.