AIR Music Tech Hybrid v3.0.7 x86/x64 VSTi (FiXED Custom installer)
Soft / VST Instruments 19-02-2016
AIR Music Tech Hybrid v3.0.7 x86/x64 VSTi (FiXED Custom installer)
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ Built-In Sounds

Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.
High-Definition Oscillators

With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.
Dual Filtering and Saturation Modes

Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.

Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.

To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.
LFOs

Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, "drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.

Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.

DIFFERENCES BETWEEN CUSTOM INSTALLERS AND INITIAL RELEASES:

1. Designed for any Windows edition, from Windows 7 to Windows 10.

2. Don't install iLok/PACE, anyway! (like initial AU stuff for "small-sized" products listed above) but was done to keep the same installers "philosophy".

3. Install 32-bit and/or 64-bit VST plugin(s) - Install only 32-bit VST on x86 platforms.

4. Custom VST folder(s) is/are automatically detected from Registy (if available).

5. Add missing "User" (empty) subfolder into "Presets" (AU installers don't create them).

6. Ready-to-use plugin(s) after installation (no additional config from plugin GUI).

7. Full uninstaller with GUI, have checkbox option (if required) to "protect" your saved preset(s), do a clean uninstallation including useless Registry subkeys (".bat" script can't do this).

8. Included English + French .txt files (instructions, product details, system specs, etc).

NOTE: only VST formats are provided. No AAX.

home page:

http://www.airmusictech.com/product/hybrid-3#.Voyu10-sbxM
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AIR Music Tech Vacuum Pro v1.0.7 x86/x64 VSTi (FiXED Custom installer) AIR Music Tech Vacuum Pro v1.0.7 x86/x64 VSTi (FiXED Custom installer)
Soft / VST Instruments 19-02-2016
Analog Just Got Warmer

VacuumPro is a polyphonic analog synthesizer with vacuum tube circuit modeling that perfectly captures the crunchy, warm sound of the analog era. With four analog oscillators, multiple filters and envelopes, and built-in audio effects, Vacuum Pro lets you dive deep into subtractive
synthesis to recreate those sought-after analog sounds from the 70s and 80s. Tweak the switches, knobs, and dials to program anything from basses, leads, pads, or unique sound effects. For even more warmth, Vacuum Pro has six virtual vacuum tube circuits that add crunch and grit at every stage of the signal path. Analog just got a whole lot warmer.

Vintage vibes:

VacuumPro is a powerful combination of two separate synthesizer parts that can be stacked, split, and layered to produce big, wide, and fat
analog sounds. Each Vacuum Pro part starts with two wide-range, vacuum tube oscillators that can be synched, detuned, and set to various
octave levels. Plus, Quad Detune controls per oscillator make it easy to quickly dial in lush sounds. For an even bigger sound, the built-in
Doubling effect instantly widens and thickens up your patch.

Shape your sound with two vacuum tube filters that include a traditional low-pass filter and a selectable high-pass/band-pass filter.
Vacuum Pro also has four envelope generators, matrix-assignable modulation, and a tempo sync'd LFO. The mixer offers a drive circuit and a
tone-warping ring modulator. For authentic analog behavior, the Age controls let you manipulate the drift of and add dust to your sounds.

Programming powerhouse:

VacuumPro comes complete with 350+ tweakable patches created by acclaimed sound designers Richard Devine and Mark Ovenden. You can load these
patches separately into each Vacuum Pro part to combine and experiment with multi-timbral sounds. For instant sound inspiration, Vacuum Pro
features Smart Sound Randomization, which randomly generates new settings for either part or both. Define which modules you want to lock at
their current settings, which will be randomized, and then let Smart Sound dial in a patch for you.

Global control:

VacuumPro's Smart page condenses all the individual parameter controls into eight macro knobs that enable you to quickly shape the sound of
your patch without extensive tweaking. Macro knobs such as Punch, Emphasis, and Complexity add an intuitive workflow for perfecting your
programming. Switch back and forth between the micro and macro modes to quickly edit or create your own custom sounds.

Extra effects:

In addition to its authentic analog sound, Vacuum Pro includes a host of creative tools that are characteristic of classic analog
synthesizers. An onboard arpeggiator, which can be tempo sync'd to your DAW, offers a quick way to build melodic runs and short sequences.
A built-in chorus/phaser and delay effects give life and motion to your Vacuum Pro patches. Onscreen pitch bend and modulation wheels add
extra expression to any performance, and all parameters are MIDI-mappable for performance ease and automated control.

FEATURES:

- A four-oscillator polyphonic analog synthesizer with vacuum tube circuit modeling.
- Super-wide, fat, and organic analog sound captures the character of classic synthesizers.
- Two individual synthesizer parts for huge, stacked sounds.
- 350+ tweakable patches programmed by legendary sound designers.
- Smart Sound Randomizer dials in settings to user-defined parameters.
- 8 Smart Knobs for easy programming and macro control over key parameters.
- Economy mode reduces the load on the host processor with minimal impact on the sound.
- 32-bit and 64-bit VST.

DIFFERENCES BETWEEN CUSTOM INSTALLERS AND INITIAL RELEASES:

1. Designed for any Windows edition, from Windows 7 to Windows 10.

2. Don't install iLok/PACE, anyway! (like initial AU stuff for "small-sized" products listed above) but was done to keep the same installers "philosophy".

3. Install 32-bit and/or 64-bit VST plugin(s) - Install only 32-bit VST on x86 platforms.

4. Custom VST folder(s) is/are automatically detected from Registy (if available).

5. Add missing "User" (empty) subfolder into "Presets" (AU installers don't create them).

6. Ready-to-use plugin(s) after installation (no additional config from plugin GUI).

7. Full uninstaller with GUI, have checkbox option (if required) to "protect" your saved preset(s), do a clean uninstallation including useless Registry subkeys (".bat" script can't do this).

8. Included English + French .txt files (instructions, product details, system specs, etc).

NOTE: only VST formats are provided. No AAX.
AIR Music Tech Hybrid v3.0.7 WiN X86 X64 VST (Custom installer) AIR Music Tech Hybrid v3.0.7 WiN X86 X64 VST (Custom installer)
Soft / VST Instruments 16-02-2016
The next generation in synthesis:

Hybrid 3 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive
set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.

1200+ built-in sounds:

Hybrid 3 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.

If you're prone to tweaking, Hybrid 3 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers),
you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you're looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.

High-definition oscillators:

With three versatile oscillators and a sub oscillator per part, Hybrid 3 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive synthesis waveforms for a dose of analog
nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle
wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM) and Wavetable. Hybrid 3 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.

Dual filtering and saturation modes:

Hybrid 3 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the '70s and '80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.

Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone
from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.

To add some serious edge, adjust the filter saturation. Hybrid 3 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth, and Resample, which creates deliberate aliasing by reducing the sample rate.

LFOs:

Hybrid 3 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, "drift" and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.

Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.

Envelope editors:

Use the four envelope editors to easily sculpt the filter, amplitude, and any two other modulation envelopes. Adjust velocity, attack, decay, and key tracking, and then type in the envelope rate.

Hype algorithm:

New to Hybrid 3 is Hype, a quick way of enhancing the low- or high- end of any patch. Beef up wobbles, basses, and kick drum sounds with deep, sub-bass by adjusting the Hype Low parameter, or turn up Hype High to polish off the high end with shimmer and sparkle; the latter sounds great on pads, strings, brass, and percussive sounds.

Doubling:

Hybrid 3 offers a new way of making your patches sound enormous. Two Doubling knobs, one for each part, are built into the Common tab for additional widening and thickening. Turn up the Doubling knobs to full for a dramatic response or mix it in subtly for a slight thickening effect.

Performance-oriented features:

Whether you use it in the studio or in a live situation, Hybrid 3 is built to perform. Use the step sequencers for arpeggiation or phrase generation. Set the modulation matrix to easily map modulations from sources to destinations. And set up "morph" groups to modify sounds on
the fly from the interface or a MIDI controller.

Step sequencers:

Hybrid 3's onboard 16-step sequencers have been revamped for more programming and sequencing flexibility. Now, steps can be linked together to vary sequencer rhythm, manipulate note dynamics, and create advanced modulation patterns. Like before, both step sequencers can function as a composition tool or an extra modulation source, making it easy to create patches that move and evolve. You can set note values, velocity, and modulation, and then pick from nine playback options to use the sequencer as a step sequence, arpeggiator or MIDI phrase generator. Plus, you can even import your own MIDI phrases for complete customization.

Modulation matrices:

Hybrid 3 also offers flexible and easy-to-use modulation matrices with 16 assignable modulation sources and more than 20 destinations each. Assign modulations to an oscillator or filter. Hybrid 3 allows multiple assignments of sources and destinations, all with adjustable
intensities.

Morph groups:

With Hybrid 3, you can assign any rotary control or fader on the plugin's interface to one of the four "morph" groups. Assign pan, filter or amplifier envelopes to a morph group to alter sounds from your controller while recording or playing live. Each morph group can control
several parameters simultaneously. You, in turn, can control morph groups from the dials on the interface or from a MIDI controller.

Effects:

Hybrid 3 provides two insert effect sends per part, each with more than 40 effect types, so you can quickly change the sound of a part. A separate master effects section lets you select reverb, delay, and chorus effects to enhance — or warp — any of the sounds at the patch level. Easily adjust effect parameters and sync effects to a chosen tempo.

Seamless DAW integration:

Hybrid 3 is available in VST plugin format for both 32-bit and 64-bit Windows operating systems. With its rich set of analog and digital sounds and a large array of adjustable parameters, Hybrid 3 gives musicians, arrangers, composers and sound designers the qualities and character of a unique hardware synthesizer with the convenience and flexibility of an integrated plugin.

FEATURES:

- Six-oscillator subtractive and wavetable virtual synthesizer with 1200+ inspiring presets.
- Includes 200+ all-new sounds and 1000+ refreshed patches from Hybrid 2.
- Comprised of two simultaneous parts, each loaded with 3 oscillators and a sub-oscillator, filters, LFOs, envelopes and effects for
creating complex patches.
- All-new Doubling controls for quickly thickening and widening patches.
- Revamped step sequencers allow you to link steps together for rhythmic variation, syncopation and advanced modulation patterns.
- All-new Oscillator Restart for punchy bass sounds, runs and sequences.
- Dual series or parallel filters with vintage Voltage Controlled Filter modes for retro synth sounds.
- Flexible modulation options with 8 LFOs including Pump for the pumping-and-breathing effect.
- Comprehensive editing parameters for the ultimate in sound tweakability.
- Sample-accurate synthesis for super-fast envelopes and high-definition sound.
- Performance-driven features, including modulation matrices and multiple step sequencers for maximum playability.
- 32-bit and 64-bit VST.
Cakewalk Rapture v1.2.2.10 Incl Keygen-R2R Cakewalk Rapture v1.2.2.10 Incl Keygen-R2R
Soft / VST Instruments 15-02-2016
Rapture is described as "the ultimate wavetable synthesizer for igniting the sounds of today's pop, dance, and electronic music". It combines an advanced modulation system with an non-aliasing wavetable resampling engine.

Feature Highlights:

Wavetable synthesizer with "cutting edge" sound manipulation capabilities, well suited for electronica-related music styles.
Non-aliasing resampling engine.
Over 500 sound programs.
Six fully-programmable, stereo sound-generating Elements.
Multi-waveform Oscillators with ring modulation.
Two 16-mode filters per oscillator with LoFi and Drive.
Over 40 Envelope Generators, LFOs, and Step Generators.
Comprehensive MIDI Modulation Matrix.
Mix and modulate all Elements through global FX and dynamic Step Generator.
Graphical envelope generators and LFOs for ease of use.
Expandable with native support for SFZ sample formats.

Rapture offers comprehensive sound design capabilities with patches that blend up to six different Elements. Out of the box you get a collection of over 500 programs including Basses, Leads, Pads, Arpeggios, Textures, Electronic Percussion and Sequences.

At the heart of Rapture's six-part sound engine are powerful, multi-mode wavetable oscillators. These wavetables provide a virtually endless array of sonic possibilities, plus you can multiply each oscillator up to 9 times across the stereo field with controlled detuning. Rapture's high resolution anti-aliasing rendering engine ensures that every note of every voice will be pure and vibrant.

Rapture offers over 40 Envelope Generators, LFOs, and Step Generators per patch. These Step Generators breathe life into your sound, allowing for dramatic trance gate effects and percussive rhythms. With graphical step sequencing of sound parameters, Rapture provides a modern extension to traditional envelopes and LFOs, allowing you creative control of Pitch, Filters Amplitude, and other parameters.

Rapture's global and per-Element FX stages provide the finishing touches to your sounds. In the Global FX Stage Rapture offers 3 multi effect units with 9 Delay and 3 Chorus types, 3 Parametric EQs, and a dynamic Step Generator for volume with independent L/R control. The per-Element FX stages offer the multi-effect units and EQs mentioned above, plus two 16-mode filters per oscillator with LoFi and a 5-mode Overdrive section for additional control.
A comprehensive MIDI Control Matrix provides for extensive MIDI controllers mapping of all of Rapture's functions, with the added sensitivity over modulation depth and smoothness control. An X-Y pad lets you assign multiple Rapture parameters to X and Y axes, allowing you to intuitively glide between various parameter levels with ease.
Dmitry Sches Diversion v1.41 Incl Keygen (WIN OSX)-R2R Dmitry Sches Diversion v1.41 Incl Keygen (WIN OSX)-R2R
Soft / VST Instruments 8-02-2016
Diversion is a software synthesizer that offers four complex oscillators, two bus processors with a lot of filter modes and saturation stages, flexible effects matrix, arpeggiator and trance gate module, wide and clean unison.

The two bus processors in Diversion allow the user to transform the oscillator's output into a wide variety of possible sounds. Each bus processor consists of a stereo filter with a lot of different modes, distortion and LO-FI section. Many filter modes and types of saturation stages have been implemented for creating arbitrary patches, including popular Trance, Psy, Dub Step and Ambient sounds.

Modulation options are 4 ADSRs, 4 LFOs and 4 MSEGs. The synth provides an up to 8X oversampling mechanism to eliminate possible aliasing.
AIR Music Tech Hybrid v3.0.7 WIN-AudioUTOPiA AIR Music Tech Hybrid v3.0.7 WIN-AudioUTOPiA
Soft / VST Instruments 8-01-2016
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ Built-In Sounds

Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.
High-Definition Oscillators

With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.
Dual Filtering and Saturation Modes

Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.

Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.

To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.
LFOs

Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, "drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.

Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.
XILS-Lab XILS 3 LE v2.0.3 MacOSX XILS-Lab XILS 3 LE v2.0.3 MacOSX
Soft / VST Instruments 2-12-2015
Capable of producing both a very wide range of classic analog sounds, and sounds no other analog synth can do, The XILS 3 LE V2.0 cumulates an authentic emulation of the Synthi ( VCS 3 ) modular synthesizer and a replica of the 256 Analog Sequencer, its natural companion.

Add to the pile the Analog Chorus with its three modes, the analog Delay, and the vintage Spring Reverb ... the picture emerges.

In the XILS 3 LE V2.0, you can connect everything with everything, and you get more than 440 possible different connections per patch. At Audio Rate, so that each of the 6 oscillators can perform as an LFO for example.

An endless source of inspiration for those who want to go deep into the heart of Analog Modular Synthesis.
Input modules : Gate, Transient, Envelope Follower and Pitch Tracker also transform the XILS 3 LE V2.0 into a powerful VST-AU Effect Processor !

6 Oscillators grouped in 3 pairs, with WaveShaping (on sine wave, saw, triangle and square)
1 Noise Oscillator ( With Noise color )
1 Analog Filter, Non Linear and zero delay Behaviors, with 3 Modes (12/18/24 dB LowPass)
1 Trapezoidal Envelope Generators, Looping EG in the time of analog (Switchable to ADSR )
Polyphonic Ring Modulator
2 independent outputs feeding the Stereo Bus, each with one analog Lp/Hp filter
Programmable Joystick Vector Controller
Polyphonic Sequencer with 3 independent lines, Slew rates, 3 recording modes.
Sequencer can behave as modulation source.
Pitch Tracker, Envelope Follower, Transient, Gate Modules 
Chorus, Delay, Spring Reverb 
6 Play modes (including Unison 2/4/6 ), Polyphonic and mono Portamento/Glissando/Legato, 2 different Keyboard Scaling, Polyphonic Aftertouch and VCA handling.
Hundreds of presets made by worldwide famous Sound Designers
Preset Database Engine ( Find the right patch in a flash, create your own tags )
Comprehensive manual with a getting started and tutorial sections
Instrument or Effect plug-in