FabFilter Pro-Q v2.05 AU MacOSX-Kleen
Soft / VST Instruments 10-02-2016
FabFilter Pro-Q v2.05 AU MacOSX-Kleen
An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With FabFilter Pro-Q 2, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use.

FabFilter Pro-Q 2 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once.

Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more. Try it yourself!

Pro-Q 2 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.
Pro-Q mixing and mastering features

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!

Key features
Highest possible sound quality
Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease and efficiency
Different interface sizes and additional Full Screen modeNEW
Up to 24 EQ bands
Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase modeNEW
Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!NEW
Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt ShelfNEW
Universal filter slope support for all filter types, up to 96 dB/octNEW
Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
EQ Match feature to automatically match the spectrum of another track via the side-chain inputNEW
Each band can operate on the stereo signals or on the left or right channels independently for per-channel EQ-ing
Phase Invert option to change polarityNEW
Highly improved CPU optimization: Pro-Q 2 uses less memory and is more than twice as efficient as its predecessor!NEW
Mid/side mode where you can EQ the mid and side signals separately
Optional Gain-Q interactionNEW
Auto Gain and Gain ScaleNEW
Built-in spectrum analyzer with Pre-EQ, Post-EQ and SC modes, adjustable range, speed, resolution, tilt and freezeNEW
GPU-powered graphics acceleration
Optional piano roll display to quantize EQ frequencies to musical notesNEW
Double-click text entry of parameter values
Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
Large output level meter with peak level readoutNEW
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)

Requirements
• 64-bit: OS X 10.6 or higher
• 32-bit: OS X 10.5 or higher
• AU or VST 2/3 host or Pro Tools
• Intel processor

home page:

http://www.fabfilter.com/products/pro-q-2-equalizer-plug-in
Related articles
FabFilter Total Bundle v2015.12.11 WiN/OSX Incl Patched and Keygen-R2R FabFilter Total Bundle v2015.12.11 WiN/OSX Incl Patched and Keygen-R2R
Soft / VST Instruments 17-12-2015
The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, multiband dynamics, compressor, limiter, de-esser and gate/expander, creative multiband distortion, stereo delay, filter and synthesizer plug-ins. 

Offer.

Changes in the latest plug-in versions:

Added Retina support on OS X and High DPI support on Windows (at 150% and 200% scaling) for all plug-ins.
All Audio Unit plug-ins are now sandbox-safe, so they can be used in sandboxed DAWs.
All plug-ins can now operate at any sample rate, without a maximum. This fixes possible issues when running the plug-ins in Pyramix at sample rates of 384 kHz and higher. Furthermore, there's no limit to the oversampled internal sample rate any more in Pro plug-ins.
For all Pro plug-ins, improved Avid control surface page tables, now including support for the S6 range.
Fixed an issue with keyboard handling in Pro Tools 12.2 or higher (e.g. Alt-clicking on a filter in Pro-Q 2 would cause the frequency to jump).
Fixed possible crashes when using the plug-ins in Final Cut Pro X (with the Background Render option enabled).
All dynamics plug-ins now report gain change to Pro Tools (and Avid control surfaces) and Studio One.
In Pro Tools mini track view, Pro plug-ins will now show their distinctive letter (like Q, C, or L) instead of P.
Further optimized RAM usage in most plug-ins.
Fixed audible artifacts (sound shortly shifting to the left) when changing a plug-in (like Pro-Q 2) from Left/Right to Mid/Side processing mode.
Small bug fixes and improvements.
Pro-Q 2: Fixed possible audio drop-outs for specific Notch settings in Linear Phase mode or when using Auto Gain.
All Pro plug-ins: Fixed an issue in the AAX plug-ins when using them as 'Default EQ' or 'Default Dynamics' in Pro Tools on a stereo track (creating a multi-mono version instead of stereo).
Saturn: Added intelligent noise gating that attenuates/removes possible analog noise when the input is (nearly) silent.
Pro-C 2: Fixed possible audible spikes when changing compression styles.
Pro-C 2: When Auto Release is enabled, the release knob now shows its values in a percentage range instead of milliseconds.
Pro-L: Added Full Screen mode, new Medium and Large interface sizes and custom resizing (VST3 only).
Pro-L: Fixed a small bug where dragging the gain slider while toggling the Alt key would result in incorrect linked values for the Output Level.
Pro-L: Improved readability of the output level and gain reduction read-outs above the meters.
Pro-L: Reduced processing latency.
Pro-L and Pro-G: Improved resolution of the real-time level display.
Pro-G: Added circular side-chain input level meter around the Threshold knob.
Pro-MB: Fixed a crash when automating the Audition Side Chain parameter.

FabFilter Pro-C 2 v2.00 WiN/OSX Incl Patch and Keygen-R2R FabFilter Pro-C 2 v2.00 WiN/OSX Incl Patch and Keygen-R2R
Soft / VST Instruments 16-12-2015
 
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

Key features

Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Auto Release
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW

Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
Blue Cat Audio Liny EQ v5.02 Ked MAC OSX-Kleen Blue Cat Audio Liny EQ v5.02 Ked MAC OSX-Kleen
Soft / VST Instruments 11-12-2015
Blue Cat's Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds).

Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow.

The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.

Main Features:
Linear phase graphic equalizer
very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
customizable range (+/- 40 dB).
Exact EQ curve display.
Four EQ shapes.
Automatic gain compensation.
Real time spectrum analyzer display.
High resolution color and greyscale spectrogram display.
High resolution color peak meter.
Single and dual channel versions.
Left/right or mid/side processing for spectral stereo widening or narrowing.
Advanced channels linking capabilities.
Multiple display sizes.
Highly customizable user interface: display what you need, the way you need.
Acon Digital Equalize v1.1.14 WiN/MAC Acon Digital Equalize v1.1.14 WiN/MAC
Soft / VST Instruments 16-11-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

Highlights

Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize v1.1.12 x86 x64 Acon Digital Equalize v1.1.12 x86 x64
Soft / VST Instruments 29-09-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.

Highlights
Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth, resonance and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.

Fabfilter Pro-C 2 x86 x64 Fabfilter Pro-C 2 x86 x64
Soft / VST Instruments 29-09-2015
Incredible sound and character
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Watch demoFabFilter Pro-C 2
Everything you need
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
FabFilter Pro-C 2 Controls
Beautiful interface and optimized workflow
The fully redesigned interface in FabFilter Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like.
 
Pro-C 2 Full Screen
FabFilter goodies
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!
FabFilter Pro-C 2 Help HintsKey features
Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Auto Release
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW
Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)