AIR Music Vacuum Pro v1.0.7 WIN-AudioUTOPiA
Vacuum Pro is a polyphonic analog synthesizer with vacuum tube circuit modeling that perfectly captures the crunchy, warm sound of the analog era. With four analog oscillators, multiple filters and envelopes, and built-in audio effects, Vacuum Pro lets you dive deep into subtractive synthesis to recreate those sought-after analog sounds from the 70s and 80s. Tweak the switches, knobs, and dials to program anything from basses, leads, pads, or unique sound effects.
For even more warmth, Vacuum Pro has six virtual vacuum tube circuits that add crunch and grit at every stage of the signal path. Analog just got a whole lot warmer.
Vacuum Pro is a powerful combination of two separate synthesizer parts that can be stacked, split, and layered to produce big, wide, and fat analog sounds. Each Vacuum Pro part starts with two wide-range, vacuum tube oscillators that can be synched, detuned, and set to various octave levels. Plus, Quad Detune controls per oscillator make it easy to quickly dial in lush sounds. For an even bigger sound, the built-in Doubling effect instantly widens and thickens up your patch.
Shape your sound with two vacuum tube filters that include a traditional low-pass filter and a selectable high-pass/band-pass filter. Vacuum Pro also has four envelope generators, matrix-assignable modulation, and a tempo sync’d LFO. The mixer offers a drive circuit and a tone-warping ring modulator. For authentic analog behavior, the Age controls let you manipulate the drift of and add dust to your sounds.
Vacuum Pro comes complete with 350+ tweakable patches created by acclaimed sound designers Richard Devine and Mark Ovenden. You can load these patches separately into each Vacuum Pro part to combine and experiment with multi-timbral sounds. For instant sound inspiration, Vacuum Pro features Smart Sound Randomization, which randomly generates new settings for either part or both. Define which modules you want to lock at their current settings, which will be randomized, and then let Smart Sound dial in a patch for you.
Vacuum Pro’s Smart page condenses all the individual parameter controls into eight macro knobs that enable you to quickly shape the sound of your patch without extensive tweaking. Macro knobs such as Punch, Emphasis, and Complexity add an intuitive workflow for perfecting your programming. Switch back and forth between the micro and macro modes to quickly edit or create your own custom sounds.
In addition to its authentic analog sound, Vacuum Pro includes a host of creative tools that are characteristic of classic analog synthesizers. An onboard arpeggiator, which can be tempo sync’d to your DAW, offers a quick way to build melodic runs and short sequences. A built-in chorus/phaser and delay effects give life and motion to your Vacuum Pro patches. Onscreen pitch bend and modulation wheels add extra expression to any performance, and all parameters are MIDI-mappable for performance ease and automated control.
AIR Music Tech Hybrid v3.0.7 WIN-AudioUTOPiA
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ Built-In Sounds
Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.
With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.
Dual Filtering and Saturation Modes
Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.
Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.
To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.
Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, "drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.
Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.
Avid First AIR Instrument Xpand2 x64 AAX-AudioUTOPiA
Air Music Technology originally created Xpand! as part of the Creative Collection of instrument plug-ins included as part of Avid™ Pro Tools™. With the release of Pro Tools 8, this widely popular workstation was given new controls, improved features, an additional Gigabyte of sounds, and a new name: Xpand!2. As the popularity of Pro Tools grew, more and more musicians and producers came to rely on the incredible sonic firepower of this amazing workstation. Xpand!2 continued to evolve, and demand grew. Finally, Xpand!2 is now available on its own, available to anyone who hungers for the finest sounds—instantly.
Four on the Floor
Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. The Voice Mode for each part can be set to polyphonic or monophonic. Polyphonic parts can have up to 64 voices; monophonic parts offer First, Last, Highest, or Lowest priority making it easy to designate a bass, lead, or solo instrument.
Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches. Creating your own is easy, too. Parts can be quickly browsed and are conveniently sorted into 29 categories, offering a simple path to find just what you’re looking for.
Smart Knobs and Easy Edits
Six smart knobs are provided for custom-tweaking your Xpand!2 sounds. Each knob changes function depending on the part selected, offering hands-on control of the most critical sound elements. Select the Easy mode, and all six knobs now control all four of the common parts in a patch simultaneously for quickly performing those crucial edits. And of course, all of your edits can be saved for instant recall.
Express yourself with powerful performance features! Pitch Bend wheel and Aftertouch (pressure) modulation assignments can be made independently for each part. Modulation rates can be tempo sync’d or free-wheeling. Numerous modulation destinations are provided, and the WAVE destination parameters are different from part to part, providing unique Xpand!2 sound-shaping capabilities.
Keep things moving with advanced arpeggiation. Simply set the Rate—including dotted and triplet values—and then select the Mode. Using the Latch switch allows the arpeggiator to continue to play, even when your hands leave the keyboard. Each Xpand!2 part is provided with its own arpeggiator. Many parts such as Action Pads and Loops will automatically activate the Arpeggiator, as it forms an integral part of the sound.
Dynamic Effects Duo
Xpand!2 includes two independent effect processors with fifty studio-grade effects, ranging from rich reverbs to the mind-bending Chaos Delay. When selecting a new effect type, Xpand!2 will instantly change the edit knob functions to provide accurate control of every effect. The output of FX1 can be fed into the input of FX2 to create advanced "cascade-style” effects.
Avid First AIR Instruments Bundle v12.0 x64 AAX-AudioUTOPiA
AIR Music Technology is one of the pioneers in virtual instruments and effects. The AIR Instruments Bundle collects five stunning plug-ins — Boom, DB-33, Vacuum, Mini Grand and Structure Free — that give you the opportunity to add just the right vibe to any idea. From drums to tonewheel organs, samples to acoustic grand pianos, this is the Bundle if you’re looking to push your creativeness to the next level. This bundle is designed only for Pro Tools | First, all the plug-ins are included in Pro Tools and Pro Tools | HD installs."
This package includes 5 Virtual Instruments:
AIR Boom – drum computer with pattern sequencer
AIR DB-33 – tonewheel organ simulator
AIR Vacuum – analog tube emulation synthesizer
AIR Mini Grand – acoustic grand piano
AIR Structure Free – sample player
All plug-ins and bundles specifically for Pro Tools | First are available as annual subscriptions. Simply renew each year—or whenever you want thereafter—to maintain or reinstate your sounds.
XILS-Lab XILS 3 LE v2.0.3 MacOSX
Capable of producing both a very wide range of classic analog sounds, and sounds no other analog synth can do, The XILS 3 LE V2.0 cumulates an authentic emulation of the Synthi ( VCS 3 ) modular synthesizer and a replica of the 256 Analog Sequencer, its natural companion.
Add to the pile the Analog Chorus with its three modes, the analog Delay, and the vintage Spring Reverb ... the picture emerges.
In the XILS 3 LE V2.0, you can connect everything with everything, and you get more than 440 possible different connections per patch. At Audio Rate, so that each of the 6 oscillators can perform as an LFO for example.
An endless source of inspiration for those who want to go deep into the heart of Analog Modular Synthesis.
Input modules : Gate, Transient, Envelope Follower and Pitch Tracker also transform the XILS 3 LE V2.0 into a powerful VST-AU Effect Processor !
6 Oscillators grouped in 3 pairs, with WaveShaping (on sine wave, saw, triangle and square)
1 Noise Oscillator ( With Noise color )
1 Analog Filter, Non Linear and zero delay Behaviors, with 3 Modes (12/18/24 dB LowPass)
1 Trapezoidal Envelope Generators, Looping EG in the time of analog (Switchable to ADSR )
Polyphonic Ring Modulator
2 independent outputs feeding the Stereo Bus, each with one analog Lp/Hp filter
Programmable Joystick Vector Controller
Polyphonic Sequencer with 3 independent lines, Slew rates, 3 recording modes.
Sequencer can behave as modulation source.
Pitch Tracker, Envelope Follower, Transient, Gate Modules
Chorus, Delay, Spring Reverb
6 Play modes (including Unison 2/4/6 ), Polyphonic and mono Portamento/Glissando/Legato, 2 different Keyboard Scaling, Polyphonic Aftertouch and VCA handling.
Hundreds of presets made by worldwide famous Sound Designers
Preset Database Engine ( Find the right patch in a flash, create your own tags )
Comprehensive manual with a getting started and tutorial sections
Instrument or Effect plug-in
StudioDevil Amp Modeler Pro v1.5.Incl.Keygen WiN/MAC
Studio Devil Amp Modeler Pro is a guitar amp modeling and audio effects plug-in for use with VST, AudioUnits, and ProTools RTAS compatible hosts running on both Mac and Windows platforms.
15 Preamp Models cover every range of playing styles and modeled using Studio Devil's proprietary digital vacuum tube modeling technology...nothing else sounds as real as Studio Devil because it uses exclusive and patented tube modeling algorithms!
•Authentic Tone Controls: Gain, Bass, Mids, Treble, and Presence controls that interact with your tone just like on real tube amps!
•Boost, Deep, and Bright Switches quickly liven up and adjust your tone!
•3 Power Amp Models with Drive Control: Tube Class AB, Tube Class A, and Solid-State MOSFET to adjust natural power amp compression.
•Impulse Modeler / Cabinet Processor imports any WAV or AIFF file and features Zero-Latency switch, adjustable Filter Length, and High-end Sizzle controls!
•32 Studio Devil Cabinets plus 58 ReCabinet® Demo impulses included!
•7-Band Graphic-EQ with Master Level, 3 Modes, and Pre/Post Switch to position your EQ either at the input of your amp or in the send-return loop: pre or post distortion!
•Sweepable Parametric EQ with Mids Level and Frequency control knobs to custom tailor your tone!
•Wah-Wah Effect with adjustable pedal slider for a parked-Wah sound...or assign it to a MIDI controller for a real-time Wah!
•Compressor / Sustainer with two modes and Attack controls.
•4 Studio Quality Modulation Effects: Chorus, Flanger, Phaser, and Tremolo all fully adjustable and can be positioned Pre/Post preamp to choose from that floor Pedal or Loop Effect sound!
•Echo / Delay Modeler with Normal / Stereo Ping-Pong Modes and continuously adjustable Style Knob: sweep from Analog Delay to Tape Echo or to Digital Delay and anywhere in between!
•World-Class Reverb with Level control and 3 Modes: Room, Club, and Hall.
•Noise Gate with adjustable Threshold and Gating Slope controls.
•Built-In Chromatic Tuner and Level Meters to stay in tune and to help maximize your signal level while guarding against digital clips.
•Master Volume control with Clip indicator.
•Import and Export Presets and Banks via XML files to share your tones with everyone via the Internet, email, and blogs!
•Tone from hell! Desire Analog, Embrace Digital!
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.
GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.
For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.
- 4 fully parametric EQ bands:
LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)
HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch
with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),
- Output Volume knob
- Bypass switch
- Preset manager