Verklagekasper Sonitarium v1.3a VSTi
Sonitarium employs a variant of DSF synthesis with aliasing-free oscillators that generate a quadrature stereo signal. Providing up to 200 oscillators per voice, Sonitarium is most suitable for fat pads, drone sounds, and horror music.
Sonitarium was made using Synthedit. The sound engine isn't based on native Synthedit modules, though, but newly coded in C++.
Aliasing-free DSF oscillators, each generating a quadrature stereo signal.
Up to 200 oscillators per voice. Unison controls to alter the pitches and phases of the oscillators.
Freely selectable polyphony with up to 16 voices.
Text field input for all controls.
Envelope and key tracking controlled volume. Adjustable pitch bend range.
Freely adjustable Attack, Decay, and Release slopes.
MIDI control of all parameters (CC).
Phutura is a virtual synthesizer inspired by 80's hardware synth Alpha Juno, best known for the Hoover sound. Its edgy and futuristic feel makes it perfect choice for Lead and Chord Stab type of sounds, suitable for use in dark & energetic styles of music, i.e.: Techno, Rave, Drum&Bass, Electro, Hardstyle, Dubstep.
Polyphony: 8 Voices (+ 8 release reserve).
Oscillators: 3 Oscillators (Sawtooth, Pulse and Sub, with 4-6 subtypes each) and White Noise Waveform.
Filters: Non-resonant High Pass Filter (4 modes) and Resonant Low Pass Filter.
Modulators: LFO, ADSR Envelope, Pitch Bender, Mod Wheel and Key Tracking.
MIDI: Automation of all interface controls is possible.
Patches: 128 Patches (80 presets in Hoover, Bass, Lead, Pad, Polyphonic, Synth & Sound FX categories; and 48 blank User Patches).
System: Windows with 32-bit host.
AIR Music Tech Hybrid v3.0.7 WIN-AudioUTOPiA
Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ Built-In Sounds
Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.
With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.
Dual Filtering and Saturation Modes
Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.
Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.
To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.
Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, "drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.
Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.
T-Force Alpha Plus
It is the advanced version of the T-Force Alpha TS. It has all features of the Alpha TS with some more and some updated functions: new sythesis (Subtractive and additionally FM Synthesis), revised oscillators with some more functions and now with a separate noise oscillator, new Mod Envelopes and now with a new integrated Sidechain FX (e.g. for the typicyal sidechained pad sounds and/or pumping basses etc.).
3 Multiwave Oscillators with voice control (adjustable from 1 to 8 voices per osc), adjustable stereo width and panning, with Sine, Saw, Ramp (reversed Saw), Triangle, Pulse (square with PWM) waveforms and retrigger option for each oscillator (with "retrigger off" the oscillator is in free running mode, the oscillator starts with random phase positions everytime played a note, with "retrigger on" the oscillator's phase starts from position 0 everytime played a note.
1 Noise Oscillator with adjustable stereo width and volume.
1 Resonance Four Pole State Variable Filter, switchable between Low Pass, High Pass, Bandpass and switchable 12/24 dB slope, Resonance can be driven up to self oscillation.
1 ADSR Filter Envelope.
1 ADSR Amp Envelope.
2 ADSR Mod Envelopes.
2 host syncable LFOs.
Adjustable Drive function for Saturation/Distortion.
2 band Low Freq/High Freq Equalizer.
32 step Envelope Controlled Trance Gate.
Velocity control (on/off).
Dual Delay, switchable between Stereo mode and Ping-pong mode (right and left channels have their own tempo settings).
Integrated Sidechain FX, optional with internal bpm synced triggering or external triggering via MIDI In (triggered by MIDI Note On, on MIDI channel 2).
All functions fully automatable.
Synapse Audio DUNE 2
DUNE 2 provides a yet higher sound quality and allows for an even wider range of sounds than Dune 1. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions.
Our most popular synth DUNE is back – and better than ever!
DUNE 2 was rewritten from scratch, in order to provide a yet higher sound quality and allow for an even wider range of sounds. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions.
With a maximum reserve of 8320 oscillators at full polyphony, DUNE 2 is a true unison monster, unlikely to ever run out of oscillators.
DUNE 2 is available as 32-/64-bit VST/AU plugin for Windows and Mac OS X.
DUNE 2 features summary
VA, Wavetable and FM Synthesis
Two oscillator stacks with 32 oscillators each
Third oscillator and noise generator
8x Unison = up to 520 oscillators per note!
16 voices of polyphony = up to 8320 oscillators total
Full version comes with more than 400 patches
Zero-delay feedback filters
Four graphical envelopes (MSEG)
Three low-frequency oscillators (LFO)
Modulation matrix for synth and FX parameters
Two Master FX busses with 9 high-quality effects each
Innovative Arpeggiator with MIDI file import
Dmitry Sches Diversion v1.40 WIN OSX
Diversion is a versatile, high quality software synthesizer, designed for use in any genre of professional electronic music production. Diversion takes the full advantage of modern processors to bring you the perfect sound quality that fits standards of hardware synthesizers.
Diversion offers 4 oscillators with a wide range of different waveforms with a near to zero level of aliasing. The oscillators generate sounds in real-time by using our algorithms, which don't degrade the sound quality at high frequencies. All waveforms have two independent parameters X and Y allowing you to adjust the timbre of the produced sound. The oscillators also feature such synthesis techniques as FM, RM, wave shaping and filtering.
Since version 1.2 Diversion offers comprehensive Wavetable Editor, which allows to load arbitrary single cycle WAV files. With new Wavetable Editor it is possible to edit waveforms both in time and frequency space as well as apply different effects. Since version 1.3, Diversion provides sample playback with granular synthesis and output audio recording.
Changes in version 1.4:
Implemented new GUI design
u-he Bazille v0.9.3 rev 2709 iNTERNAL-HexWars
Bazille - Digital Modular Synthesis
Bazille is a large modular system combining digital oscillators with analogue-style filters and modelled effects, with a flexibility that only modular patching can provide.
4 digital oscillators with simultaneous FM (frequency modulation), PD (phase distortion) and FR (fractal resonance)
4 multimode analogue type filters with up to 6 parallel outputs each
4 modelled effects: stereo delay, distortion, phaser, spring reverb
2 LFOs with 3 parallel outputs each
4 ADS(S)R type envelope generators
signal processors: Inverter, rectifier, sample & hold, lag generators and quantizer
2 mapping generators (waveshapers) with a variety of drawing tools and controls
8 x 16-step morphing sequencer
multiplex modules for signal mixing, RM (ring modulation), AM (amplitude modulation)
single-page alternative skin included
microtuning support (.tun files)
multichannel MIDI support
user interface zoom in 10% steps
over 1700 presets...