AudioRealism ReDominator v1.0.2 R2 Incl.Keygen WiN/MAC-R2R
ReDominator is an emulation of the classic Alpha Juno 1/2 (JU-1/2), a polyphonic DCO (digitally controlled oscillator) based synth from 1986. The JU-1/2 became popular in the early 90's techno and rave scene particularly by the classic Hoover sound (which ReDominator attempts to emulate accurately). But beyond those niche sounds there lays a versatile synthesizer that does bass, pads, leads, organs and a lot of other sounds waiting to be discovered!
Featuring fourteen (14) different harmonically rich waveforms including a unique PWM-sawtooth. Three waveforms can be combined per voice enabling massive sounds.
ReDominator contains a high quality 24dB/octave lowpass filter with a warmth control (VCA level) which unlike the original Alpha Juno causes warm overtones in place of harsh digital distortion when overdriven.
ReDominator features a unique 8 parameter envelope which enables much more complicated and expressive sounds than a standard ADSR. There are four time settings, three levels and a unique keyboard scaling parameter which gives the sound a "sampler" quality.
Accurate emulation of the Alpha Juno 1/2 including the famous Hoover patch
14 different low aliasing waveforms including a unique PWM-sawtooth
High quality full range 24dB/octave low-pass filter
Unique 8 parameter envelope generator which enables much more complicated and expressive sounds than a standard ADSR
200+ bundled patches (of which many are sysex converted from our own JU-2)
Patch importer which allows importing sysex patches from your own Alpha Juno and play them in ReDominator
Chord Memory function (VST/AU version only)
Phutura is a virtual synthesizer inspired by 80's hardware synth Alpha Juno, best known for the Hoover sound. Its edgy and futuristic feel makes it perfect choice for Lead and Chord Stab type of sounds, suitable for use in dark & energetic styles of music, i.e.: Techno, Rave, Drum&Bass, Electro, Hardstyle, Dubstep.
Polyphony: 8 Voices (+ 8 release reserve).
Oscillators: 3 Oscillators (Sawtooth, Pulse and Sub, with 4-6 subtypes each) and White Noise Waveform.
Filters: Non-resonant High Pass Filter (4 modes) and Resonant Low Pass Filter.
Modulators: LFO, ADSR Envelope, Pitch Bender, Mod Wheel and Key Tracking.
MIDI: Automation of all interface controls is possible.
Patches: 128 Patches (80 presets in Hoover, Bass, Lead, Pad, Polyphonic, Synth & Sound FX categories; and 48 blank User Patches).
System: Windows with 32-bit host.
SONiVOX VocalizerPro v1.3 WIN-AudioUTOPiA
Part instrument, part processor, Vocalizer Pro is the ultimate instrument expansion tool. Offering endless sound-sculpting possibilities, Vocalizer Pro is ready to harmonize, modify, fortify, enhance, and re-synthesize any instrument—or any sound—in ways you never thought possible. Two rows of MIDI-mappable pads provide unbelievable performance control. The top row saves snapshots of parameter settings, while the bottom row stores multi-note chords for expressive real-time interaction.
Vocalizer Pro is a totally unique MIDI controlled effect processor that can transform any audio track, any audio source, or the output from any VI in your DAW host into an unbelievably lush, musical, performance instrument. It’s unlike anything you’ve ever heard. But once you do hear it, you’ll wonder how you lived without it. Vocalizer Pro introduces advanced formant shifting to really make things pop.
4 x 4
Take a look at Vocalizer Pro. The main screen reveals four nearly identical Spectral Synthesis Modules. These four Modules can run be routed in, around, and through each other in various combinations to increase your sonic potential. Each Module includes a target pitch range for effective resynthesis. Take your pick from 16 Spectral Synthesis types. Next up is your choice of over 16 filter configurations with full envelope, cutoff, resonance, and saturation controls. Add to that a sync-able LFO with multiple waveforms, pitch envelope, balance control—and you can see how each Module can pump new life into your sound. Now start combining the Modules anyway you want and the possibilities are endless.
Play to Win
Once you’ve conjured that spectacular sound, play it in performance as only Vocalizer Pro can. Two rows of completely MIDI-mappable performance pads are the key. Use the first row to memorize Snapshots of alternate parameter settings, and switch between them instantly for blazing performance power. Set up
simple or complex chord voicings on each pad in the second row. Now you can leap into action and navigate chords changes and swap settings in performance—either from the screen
Beepstreet Sunrizer 1.2.2 MERRY XMAS-NeBULA
A classic with a twist
Sunrizer is built upon a familiar subtractive synth design – but with a distinct character and a host of unique features. It starts with two oscillators and two sub-oscillators that deliver all of the basic waveforms and a perfect emulation of JP-8000 "supersaw", with pulse width, frequency and ring modulation plus a lush unison mode.
Master of effects
Sunrizer has a very flexible effects section which boasts an input crossover filter that lets you apply them only on a specific part of the spectrum. There is a total of four effect modules – the first includes silky-smooth chorus, phaser and rotor algorithms alongside distortion, followed by stereo delay, two-band equalizer and a spacious and highly tuneable reverb. Yet with all this power Sunrizer still keeps the processor load low, thanks to heavy code optimizations.
Where the Sunrizer’s sound engine ends, the fun only starts. First off, each patch has two sets of parameters and the synth lets you morph between them – as smoothly or as wildly as you wish. Sunrizer also sports an arpeggiator that has fully programmable sequences and supports per-note transposition and randomization – together with chord memory it allows you to create elaborate yet finely controllable single- or multi-finger passages.
Despite such an extensive feature list, Sunrizer has a single-screen design with finely crafted graphics that especially look gorgeous on Retina screens. All of its building blocks are logically arranged and easily accessible, with each individual parameter carefully calibrated. This lets Sunrizer give you a mix of utter pleasure and great productivity that is lacking in most unnecessarily overcomplicated synths.
•Bespoke synth engine with 24 voice polyphony and very low processor load.
•Two oscillators with multiple waveform types, hard-sync, pulse width modulation.
•Oscillator mixer with ring modulator and separate noise source.
•Per-oscillator unison function with variable detune and spread.
•Two separate filter units with serial or parallel operation and 16 different algorithms each: low-, high- and band-pass, notch, comb, formant I/II, all-pass, power low- and band-pass, waveshaper, resonator, resampler, low-pass + resampler, frequency shifter, analog low-pass.
•Two ADSR envelope generators.
•Two LFO generators with sine, triangle, saw, square, sample & hold and random
waveforms; variable phase, fade-in time and different trigger modes. •Master effects including chorus, phaser, rotor, EQ, delay and reverb.
•Arpeggiator with deep sequencing capabilities.
•Chord memory function.
•A-B parameter morph feature: essentially two synth patches in one.
•Factory sound bank with over 400 preset patches; full patch compatibility with the iPad version.
T-Force Alpha Plus
It is the advanced version of the T-Force Alpha TS. It has all features of the Alpha TS with some more and some updated functions: new sythesis (Subtractive and additionally FM Synthesis), revised oscillators with some more functions and now with a separate noise oscillator, new Mod Envelopes and now with a new integrated Sidechain FX (e.g. for the typicyal sidechained pad sounds and/or pumping basses etc.).
3 Multiwave Oscillators with voice control (adjustable from 1 to 8 voices per osc), adjustable stereo width and panning, with Sine, Saw, Ramp (reversed Saw), Triangle, Pulse (square with PWM) waveforms and retrigger option for each oscillator (with "retrigger off" the oscillator is in free running mode, the oscillator starts with random phase positions everytime played a note, with "retrigger on" the oscillator's phase starts from position 0 everytime played a note.
1 Noise Oscillator with adjustable stereo width and volume.
1 Resonance Four Pole State Variable Filter, switchable between Low Pass, High Pass, Bandpass and switchable 12/24 dB slope, Resonance can be driven up to self oscillation.
1 ADSR Filter Envelope.
1 ADSR Amp Envelope.
2 ADSR Mod Envelopes.
2 host syncable LFOs.
Adjustable Drive function for Saturation/Distortion.
2 band Low Freq/High Freq Equalizer.
32 step Envelope Controlled Trance Gate.
Velocity control (on/off).
Dual Delay, switchable between Stereo mode and Ping-pong mode (right and left channels have their own tempo settings).
Integrated Sidechain FX, optional with internal bpm synced triggering or external triggering via MIDI In (triggered by MIDI Note On, on MIDI channel 2).
All functions fully automatable.
Roland SH-101 PLUG-OUT v1.0.4 Incl.Keygen-R2R
The SH-101 PLUG-OUT Software Synthesizer is a complete reproduction of the iconic SH-101 – right down to the fine details and odd quirks that make it one of the most popular classic synthesizers of all time. Based on Analog Circuit Behavior (ACB) technology, it not only reproduces the SH-101’s legendary sounds, but faithfully recreates the very behavior of its analog circuitry – all with a level of authenticity that could only come from the company that created the original.
Capturing the Original
The now legendary SH-101 was a monophonic synthesizer launched by Roland in 1982. In contrast to the many complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO > one-VCF > one-VCA > one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Thirty years later, the SH-101’s hallmark sounds continue to be sought after by electronic artists the world over.
- Total authenticity through face-to-face consultation with the original designers and relentless research beyond the original schematics
- Meticulously recreated oscillator and filter behavior - hallmarks of the SH-101 sound
- Authentic behaviors including the unique interaction between low pass filter and envelope controls
- Faithfully reproduces the unstable fluctuations that resulted from quirks in the SH-101’s circuitry
- Classic SH-101 synth sounds - bass, lead, noise, and sound effects.
- Software layout features standard gray model, as well as red and blue models originally sold as limited editions.
Go beyond the original hardware with enhanced tone shaping options and seamless DAW integration via AU and VSTi plugin interfaces. Full PLUG-OUT support means you can use SYSTEM-1 as a dedicated controller and even use the SH-101 without a computer. The freedom of hardware. The flexibility of software. The sound of a legend.
- Two envelope sections allow different settings for VCF and VCA while maintaining the option of classic SH-101 envelope behavior.
- Reverb, chorus, delay and crusher effects that were not included in the original.
- Run as many instances as your computer can handle.
- Use SYSTEM-1 as a dedicated USB keyboard controller with lighted knobs and sliders that show only available parameters.
- PLUG-OUT with SYSTEM-1 lets you take an authentic SH-101 wherever you go, from mobile production to live performance.
- Transfer sounds between SYSTEM-1 and SH-101 with PLUG-OUT
- Supports Macintosh and Windows, and AU and VSTi formats.
XILS-Lab XILS 3 LE v2.0.3 MacOSX
Capable of producing both a very wide range of classic analog sounds, and sounds no other analog synth can do, The XILS 3 LE V2.0 cumulates an authentic emulation of the Synthi ( VCS 3 ) modular synthesizer and a replica of the 256 Analog Sequencer, its natural companion.
Add to the pile the Analog Chorus with its three modes, the analog Delay, and the vintage Spring Reverb ... the picture emerges.
In the XILS 3 LE V2.0, you can connect everything with everything, and you get more than 440 possible different connections per patch. At Audio Rate, so that each of the 6 oscillators can perform as an LFO for example.
An endless source of inspiration for those who want to go deep into the heart of Analog Modular Synthesis.
Input modules : Gate, Transient, Envelope Follower and Pitch Tracker also transform the XILS 3 LE V2.0 into a powerful VST-AU Effect Processor !
6 Oscillators grouped in 3 pairs, with WaveShaping (on sine wave, saw, triangle and square)
1 Noise Oscillator ( With Noise color )
1 Analog Filter, Non Linear and zero delay Behaviors, with 3 Modes (12/18/24 dB LowPass)
1 Trapezoidal Envelope Generators, Looping EG in the time of analog (Switchable to ADSR )
Polyphonic Ring Modulator
2 independent outputs feeding the Stereo Bus, each with one analog Lp/Hp filter
Programmable Joystick Vector Controller
Polyphonic Sequencer with 3 independent lines, Slew rates, 3 recording modes.
Sequencer can behave as modulation source.
Pitch Tracker, Envelope Follower, Transient, Gate Modules
Chorus, Delay, Spring Reverb
6 Play modes (including Unison 2/4/6 ), Polyphonic and mono Portamento/Glissando/Legato, 2 different Keyboard Scaling, Polyphonic Aftertouch and VCA handling.
Hundreds of presets made by worldwide famous Sound Designers
Preset Database Engine ( Find the right patch in a flash, create your own tags )
Comprehensive manual with a getting started and tutorial sections
Instrument or Effect plug-in