Audiority TS-1 Transient Shaper v1.0 WiN/OSX Incl Keygen-R2R
TS-1 is a frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our "Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics.
TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and "compress” your signal, in a similar way to a tape saturation.
Slate Digital FG-X v1.4.0 WIN VST-AudioUTOPiA
FG-X Virtual Mastering Console Dynamics Module is the initial plug-in in Slate Digital's mastering line.
Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music. We have all been at the mercy of the "loudness wars" for over ten years now. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears.
Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. One of the more popular techniques is the use of saturation in both the analog and digital domain. Another popular method is clipping the front end of expensive A/D converters.
However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. Static saturation curves are not universal in their ability to sound good on all transients. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Enter Slate Digital.
FG-X Dynamics Rack
Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. They started by researching saturation curves and their effect on various types of transient material. After several months of study and hundreds of listening tests, they made some fascinating discoveries. What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed.
New Advanced Algorithms were created to execute the extremely complex communication system that would be needed to properly perform the new dynamic operations. A new algorithm was formed, and the process was named "Intelligent Transient Preservation", or ITP.
ITP - Intelligent Transient Preservation
The ITP process uses a complex lookahead detection algorithm to analyze oncoming transients and groups of transients. It then optimizes a specialized set of saturation curves for that specific transient. For example, if the ITP algorithm's lookahead identifies a kick drum transient, it will optimize the algorithm so that it preserves low frequency energy. For a snare drum transient, it will optimize the algorithm to preserve upper mid range punch. The result is the most transparent means of level maximization the industry has ever heard, with extreme transparency, and no degrading artifacts common to peak limiters.
The FG Level maximization plug-in offers the user complete control of their mix, before and after the level maximization process. The Transient function contains two controls to fine tune mix transients. Enhance allows you to transparently increase the level of the transients in a mix, increasing the punch and dynamics without altering other elements of the mix. Detail adds more clarity and focus to the transients, perfect for buried snares or kicks. You will find the Transient functions not only ideal for mastering, but as great tools for the mixbuss and even drumbuss.
After the ITP powered Gain maximizer, there is a function called Impact. This new process can make even the loudest masters sound more dynamic, open, and punchy, even though the master has much more limited dynamic range then the mix.
In the rare case that a mix has poor frequency balance or small bursts of low frequency energy (such as a quick floor tom hit), the Safety slider prevents unwanted distortions or crackles, that until now have been extremely hard to prevent or tame. The dynamic multiband Safety algorithm reacts quickly and backs off quickly, allowing the FG Level to remain transparent and create worry free masters without artifacts.
Mastering Quality Compression
Some mastering compressor plug-ins try to emulate vintage analog units and add color, harmonics, and different filters that change the way your mix sounds. Most top mastering engineers use very little or no compression. When they do use compression, they use only the most transparent compressors that will not alter the tone or balance of the mix.
Slate Digital says the FG Dynamics plug-in is a true mastering quality compressor meant to control the dynamics of your mix in the most transparent way possible, not to color it with digitally modeled harmonics or distortions. The FG Dynamics compressor assumes that you have used your favorite color or tone compressor to achieve the sound on your final mix. It is the job of the FG Dynamics compressor to maintain that quality, not alter it. The advanced dynamics algorithm is claimed to be so transparent, you'll wonder if its on.
Native Instruments Transient Master FX v1.3.0 Update Incl Patched and Keygen-R2R
Transient Master is a unique envelope shaper providing users with the ability to place instruments – especially drums and percussion – in the mix, independent of compression and EQ settings. This deceptively simple tool is based on a popular standard used as a secret weapon in many studios.
Native Instruments Supercharger GT v1.3.0 Update Incl Patched and Keygen-R2R
Supercharger GT is a compressor inspired by the rich, tube-driven sound of a boutique hardware unit. A feature-rich follow-up to the Supercharger compressor released in December 2013, Supercharger GT goes beyond modern tube compression by adding dedicated Saturation and Character modes and additional controls for complete sonic fine-tuning.
Supercharger GT was designed for simple yet comprehensive sound shaping. Producers can quickly dial in a wide range of compression effects using a single 'Compress' knob. The effect's automatic make-up gain allows them to stay focused on the sound of the effect without having to compensate for the drop in volume compression can sometimes cause. Pre-set Attack and Release settings provide a starting point for setting Supercharger GT's response to incoming signals – producers can start with Punch, Gentle, and Slam modes. Dedicated Attack and Release controls allow an additional degree of fine-tuning.
Aside from compression, Supercharger GT also delivers a set of tone-shaping controls that make it more than just a compressor effect. A 'Saturation' knob with Mild, Crisp, and Slam saturation types give users three ways to add harmonic content to their tracks. At lower settings, Supercharger GT offers subtle harmonic enhancement. At more extreme settings it delivers raw, distorted coloration. The 'Character' knob can fill in missing low end and smooth out unruly high frequencies with Fat, Warm, and Aggressive character modes adding to its versatility. Furthermore, a mid/side mode lets producers create space in a mix by applying the effect only to the left and right sides of a signal – perfect for adjusting stereo imaging. A detector high pass prevents unruly low end signals from mis-triggering the compressor. Combined, these features provide producers dynamic control, warmth, and sonic shaping in one convenient plug-in.
Bayou Media Drum Gator v1.0.4 MacOSX Incl. Keygen HEXWARS
Drum Gator is a unique noise gate and envelope shaper designed specifically for drums and percussion. It is available for Windows platforms in VST (32 bit 64 bit) and AAX formats and Mac OSX in VST, VST3, AU, and AAX formats.
WHAT’S WRONG WITH NOISE GATES?
Traditional noise gates are triggered when the signal level reaches a threshold set by the user. Gates triggered in this way may chop off the initial onset of the drum hit, creating noticeable artifacts. These artifacts vary depending on the intensity of each drum beat. Also, in order to make sure that all drum hits are allowed through the gate, the user may be tempted to lower the threshold. This can have the side effect of allowing unwanted signals through the gate. The result is a tradeoff, with some drum hits gated out while some unwanted signals are passed through.
WHAT’S DIFFERENT ABOUT DRUM GATOR?
Drum Gator does not suffer from the issues experienced with traditional noise gates. It uses a transient detection algorithm combined with spectral analysis to provide an almost uncanny ability to remove only the unwanted drum hits while preserving other program material. It can also do things that are not possible with any other noise gate, opening up creative possibilities that were previously unavailable.
ACCURATE BEAT DETECTION
Drum Gator is triggered by a transient detection algorithm which monitors the rate of increase in the initial onset of the drum hit. This algorithm makes Drum Gator much less susceptible to the varying intensities of individual drum hits than conventional gates. It can accurately detect the initial onset of a drum hit resulting in a much more natural sound as the gate opens.
FREQUENCY SELECTIVE OPERATION
Drum Gator categorizes individual drum hits based on their spectral (frequency) content and provides a separate level control for each category. For example, you can reduce the snare drum "bleed" from a kick drum track or remove it completely by setting its level control to zero. Drum Gator doesn’t depend on the snare drum bleeding through at a lower level than the kick drum in order to remove it. If the signal bleeding through matches the spectral content of the snare drum, it can be removed regardless of its level. This approach is superior to the side chain tuning used by conventional gates and virtually eliminates false triggers.
TRANSIENT AND ENVELOPE SHAPING
Enhance or soften transients. Soften the hi-hat while simultaneously adding "snap" to the kick drum. Remove the excess reverb from the tail of the snare. Drum Gator can easily do all these things and more.
The "Closed" control allows you to control the amount of signal passed through when no transients are present, allowing for transient softening as well as "reverse gating" effects. The "Floor" control functions much like the "Range" control of conventional gates, allowing you to add some dry signal back into the mix.
There’s an almost infinite variety of drum and percussion sounds out there, and each instrument has unique spectral characteristics. You can easily train Drum Gator to recognize and process the unique spectral characteristics of your program material. You are not limited to built-in spectral filters.
DMG Audio Compassion v1.14 Incl.Patch and Keygen
Compassion is a fully-featured dynamics processor, ready for any dynamic processing on any signal.
Behind the UI lies perhaps the most flexible dynamics engine ever designed. Any channel, any task, Compassion is ready to enable you to get the job done.
Unprecedented level of flexibility.
Multiple styles of dynamic processing available, with in-depth control.
Advanced mode for fine-tweaking, Main mode for fast usage.
Mods system for rapid configuration.
Zero latency (with lookaheads and oversampling disabled).
Low CPU usage.
Windows VST,VST3,VST 64,VST3 64,RTAS. Mac VST,VST3,VST 64,VST3 64,AU32+64bit,RTAS
Fully configurable topology; to sound like any compressor you want.
Compression, Expansion, Upward Expansion and Upward Compression
Wet/Dry for "New York"/Parallel Compression
Linear Phase Split EQ mode for "Dynamic EQ" processing
Fully configurable detectors with M/S processing
Transient Shaper and Clip Limiter modules.
Oversampling mode for alias-free operation.
Signal path and sidechain EQs
Large, intuitive waveform/gr display.
Knee and Response graphs.
Advanced mode, with pages for each section.
Sidechain and signalpath EQ graphs.
Configurable VU, supporting K-metering and variable ballistics
Mods system for fast workflow
8 banks of A/B
Full preset management system
- Fix bug with AAX automation whereby discrete parameters could jump.
- Fix bug with mousewheel on windows to left of main screen on windows.
- Improve determinism of automation when rendering.
- Improve handling of OS load dialog for presets.
- Improvements for latency reporting both realtime and offline.
- Fix bug with GR time-alignment when oversampled and bypassed.
Audio Assault MultiTrans WIN/MAC PROPER-BEAT
Multi Transient is a powerful tool for tone shaping, control the amount of attack and sustain for every band, including the master output.
Multi Transient is the perfect tool to control and shape your drum sound, before reaching for a high shelf try boosting the attack on the highs, and boosting the sustain in the low mids, and if that isn't enough each band has a 2x button that doubles the intensity of the effect.
Using Multi Transient on all your drums you can make sure you get them to behave exactly how you want, and sound as powerful as you need them to be, and if you need even more of a boost you can adjust the final output with the master envelope shaper.
And If you had to record drums with 1 or 2 mics, you can use multi transient to bring out the cymbals,snare and kick easily.
Clean up vocals
Got a great vocal take but you don't like the sound of the room? No Problem!
Simply lower the sustain knob on the lower mid band and click the 2x button if necesary.
Mastering a track but can't get enough kick or snare? maybe the cymbals can't be heard properly?
Use Multi Transient to zone in and boost those problem areas.
Multi Transient coupled with a synth can be used to make even more exciting sounds,
using the 2x, Clip and Sustain options can add new and interesting textures to your sounds.