Avid Focusrite d2 d3 Bundle v11.1.80871 WIN x64-AudioUTOPiA
Modeled after their respective Red Range hardware counterparts, the Focusrite d2 and d3 bring high quality equalization and professional dynamic control to Pro Tools.
d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools environment.
d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools.
The d2 software-based digital equalizer, is truly worthy of its lineage: the Red Range 2 Dual EQ. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters.
d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously.
Focusrite's d3 is a world-class, software-based compressor/limiter for Pro Tools and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary.
One d3 plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session.
Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies instant access to the various modules of the d2—six band, four band, or dual/single band—or, in the case of the d3, one-button access to both compressor and limiter modules. A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the keyboard, if desired. For precise processing, independent input and output level controls and high-resolution Plasma-type meters are also provided. With the d2, offset level adjustment is accommodated by use of the left, right and link controls.
Modeled on the highly acclaimed Red 2 equalizer
Six-band, four-band, dual-/single-band, stereo or mono modules
EQ curve display supplies visual feedback of parameters
Left/right controls can be adjusted independently, then linked to retain the offset
Three different mono or stereo modules: 6-band, 4-band, and dual-band/single-band; these versatile configurations provide maximum DSP efficiency
The d2 consists of high- and low-pass filters, high- and low-shelving filters, and high-mid and low-mid peaking filters
Automation features, including dynamic plug-In automation
Filter types and frequency ranges
High-pass: 20 Hz to 6.4 kHz (18dB/oct.)
Low-shelf: 33 Hz to 460 Hz
Low-mid peaking: 40 Hz to 6.4 kHz (Q Range: .7 to 4.0)
High-mid peaking: 120 Hz to 18 kHz (Q Range: .7 to 4.0)
High-shelf: 3.3 kHz to 18 kHz
Low-pass: 100 Hz to 18 kHz (18dB/oct.)
Modeled on the highly acclaimed Red 3 Dual Compressor/Limiter
Two separate Plug-In configurations (Compressor+Limiter and Compressor/Limiter), allowing for maximum efficiency with DSP-powered Pro Tools systems
AudioSuite functionality enables fast and convenient file-based processing
Controls and ranges
Compressor in/out switch
Limiter in/out switch
Engage key input (side-chain)
Audition key input
Threshold: 0 dB to - 48 dB
Ratio: 1.5:1 dB to 10:1 dB
Attack: 1.0 to 150 ms
Release: 25ms to 2.5s
Limiting: 0 dB to -24 d
Avid Pro Multiband Dynamics v12.0.84760 WIN x64-AudioUTOPiA
For music and audio post professionals who demand the highest quality plug-ins to create audio mixes that stand out from the crowd. Pro Multiband Dynamics is a powerful Pro Series 64-bit AAX plug-in that enables you to shape sounds with ease.
Achieve great sounding mixes fast by selectively compressing or expanding audio in up to four frequency bands. Get precision control by applying upward expansion and downward compression only to signals that go below or above the threshold. You can even output each band into separate busses for additional processing. Plus, with its easy-to-use interface, graphic frequency band display, and versatile metering, you have all the feedback you need to hone in the perfect sound.
Experience unrivaled performance
Whether you need a high-quality plug-in that offers ultra-low latency recording and mixing with Pro Tools | HDX, or want advanced features to deliver master-quality productions in Pro Tools and more, Pro Multiband Dynamics will help you achieve the sound you need with ease.
Get ultimate dynamics control
Pro Multiband Dynamics offers several unique features to control and shape sound with precision, including downward and upward compression/expansion and 4-way signal splitting, enabling individual frequency band processing and output.
Take total control with the Pro Series collection
Pro Series plugins are designed for professionals who work in the most demanding music and audio post-production environments. With five stunning plug-ins designed to provide you with the highest quality processing available for native and DSP-based systems—Pro Compressor, Pro Expander, Pro Limiter, Pro Subharmonic—you can quickly and easily create optimized audio mixes that stand out from the crowd.
Blue Cat Audio MB-5 Dynamix v1.21 MacOSX-Kleen
Blue Cat's MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat's Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately.
The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects.
An additional brick wall limiter/clipper protects the output for complete control over the dynamics response.
The plug-in provides comprehensive visual feedback to let you know what's exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band...
The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks.
Thanks to its advanced MIDI and automation output capabilities, Blue Cat's MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects.
Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.
Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.
Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).
Dry/wet control for parallel processing ("New York Compression").
Stereo or mid-side processing with multiple channels linking options.
Post brickwall limiter or waveshaper.
Complete Visual feedback with real time response curves and levels display.
Easy copy/paste settings between bands.
Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
Plug-in window transparency management.
Wave Arts Powersuite v5.84 x32 x64 WiN/MAC
The Wave Arts Power Suite 5 Mixing & Mastering Plug-in Bundle introduces a powerful set of recording and mastering tools for your Audio Suite, RTAS, VST, MAS and DirectX compatible host software. Whether you are a professional or project studio engineer, sound designer or post production video editor, this set of 5 plug-ins deliver professional quality dynamics, EQ, limiting, multiband compression and panoramic processing to suite all of your mixing and mastering needs.
10 bands of professional, 64-bit EQ
EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
Brickwall lowpass/highpass filter section
Third-octave spectrum analysis display
Dual multi-mode compressors and a gate
Clean, vintage, peak, and RMS dynamics modes
Sidechain EQ support on each dynamics section
External sidechain support (RTAS, AU and MAS)
Adjustable lookahead delays
Master preset manager and preset manager per section
Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
Up to 192K support
Mono or stereo
Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
3-band EQs for early and late frequency response adjustment
Early/late and wet/dry controls for adjusting mix
Triggered envelope control for special effects such as gated and reverse reverb
Graphical "character" control allows you to quickly adjust the size and decay time of the space
Time response plot showing delays, early reflections, late reverb, and envelope
3-D frequency response plot of reverb decay
Over 60 presets
Up to 192 kHz support
FinalPlug 5 Peak Limiter / Maximizer
Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
Auto release control for greater sonic clarity
Bit depth truncation from 4 to 24 bits
Comprehensive noise shaping options, choose between 12 noise shapes
Presets for CD and DVD-audio mastering and track compression
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
MultiDynamics 5 Multiband Dynamics
Up to 6 independent bands
Proprietary crossover filter network eliminates amplitude distortion between bands
6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
Full featured compressor or expander/gate per band
Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
Per band and All band control editing
Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
Per band Bypass, Solo and Mute controls
Comprehensive visualization of input levels and dynamic EQ response
No latency if lookahead is off
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
Position and move sound in three dimensions
Cartesian or polar coordinates
Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
Integrated reverberation and distance cues
Separate sections for early reflection modeling and late reverberation
Control dimensions and surface material of all six surfaces of the room
Early reflections are spatialized using HRTFs
Doppler pitch effect
Processing for playback over loudspeakers or headphones
Crosstalk canceling based on real head models
Ships with 10 human and 1 dummy-head HRTF set
Can load user-provided HRTFs
Full automation support for creating moving sounds
Up to 192 kHz sampling rate
Mono or stereo inputs (always stereo outputs)
Wave Arts has updated their plug-ins:
Power Suite - v5.84.
Master Restoration Suite - v5.84.
Tube Saturator 2 - v2.02.
Dialog - v1.34.
Tube Saturator (legacy version) - v1.34.
Fixed missing mkl_wavearts.dll in Windows Dialog installer.
Fixed bug that could cause false noise learning trigger in Dialog and MR Noise.
Fixed Dialog limiter enable affecting compress section preset modified.
Increased size of MR Click event buffer to fix display with small audio buffer sizes.
Updated PN and TP section presets to fix missing section preset issues.
Tools->Use As Default now works properly, loads selected preset when GUI opens for the first time.
To cancel "Use As Default", select Tools->Use As Default menu item holding SHIFT key.
Fixed possible crash with Windows 64-bit plugs when closing GUI due to text edit window not deleted.
Main preset bar shows first preset matching current parameters, else modified preset with "*".
Section presets show first preset matching current parameters, else modified preset with "*".
TS2 now reports latency to host for delay compensation.
Install Instructions: At setup, choose Wave arts in License Method. NOT THE ILOK ONE. And not AAX (ILOK only) Run one of the plugins in your DAW, grab your machine code, run the keygen and generate a key code. Enjoy.
D16 Group Devastor 2 v2.00 [k]
Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!
The plug-in consists of four essential blocks:
• Dynamics-flattener module (one-knob controlled input signal compressor)
• Diode-clipper distortion
• Three multi-mode filter sections
• Optionally activated signal limiter
The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.
Devastor’s filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!
Versatile and advanced
Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.
When designing Devastor, we applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). As a result, Devastor has a warm, musical, and very high quality sound.
We would like to invite you to listen the audio examples to whet your appetite and to check out the demo version for yourself if you need any more convincing. Devastor uses algorithms of such high quality that you'd be forgiven in a blind test for wondering if the sound has somehow been sent from the computer to an external analog distortion unit and back into the computer again!
Blue Cat Dynamics 4 x86 x64 Incl Patched R2R-Based
Blue Cat's Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior.
The plug-in includes several filters to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to.
The plug-in also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose the channels affected by the processor.
An additional brick wall limiter and clipper protects the output for complete control over the dynamics response.
Three different modes are available for external side chaining, using either the external side chain input, MIDI control or automation lanes.
The configurable visual feedback shows every detail of what is going on inside the plug-in. You can also record this information as automation curves, to monitor the modifications applied to the signal on top of the audio representation of your favorite host application.
All these features can be controlled from a fully configurable and "skinnable" user interface, or from any external controller.
The package includes a mono and a stereo version for optimal CPU usage.
- Full featured dynamics processor: compressor, gate, limiter, expander, waveshaper with a unique two thresholds system.
- Total control over the processor: continuous peak/RMS and Opto/VCA modes selection, peak envelope shape control, depth control to limit the gain range.
- Total control over the signal: dry/wet control for parallel compression, input and side chain filters.
- Stereo or mid-side processing with multiple channels linking options.
- Post brickwall limiter or clipper.
- Optimal monitoring: dynamics response, envelopes and gain reduction real time display with zooming capability. The main compression information can be recorded as automation curves.
- Best quality: up to 4x oversampling for the best sounding quality.
- Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.
- Fully configurable user interface for optimal experience.
Blue Cat Audio Standards:
- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
- Skinnable and customizable user interface with transparency management.
- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
- Smooth Bypass: activate/deactivate the plug-in with absolutely no noise.
- Full featured integrated presets manager.
- Copy/paste the plug-in's state between instances using the system clipboard.
- Any sample rate supported.
Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched
The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.
Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities
Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities
Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode