Avid X-Form v12.0.84738 WIN x64-AudioUTOPiA
X-Form™ represents the pinnacle of time compression/expansion and pitch-shifting technology. Available for all Pro Tools® and Avid DNA™ systems, this high-quality AudioSuite™ plug-in delivers professional time stretching and formant-correct pitch shifting with professional results, even at extreme settings. X-Form is ideal for music production, sound design, post production, or any other application that requires natural-sounding time stretch and pitch shift processing.
The Right Tools
To help give you the best results with a wide variety of source material, X-Form provides a choice of two time-stretching/pitch-shifting algorithms. The Polyphonic algorithm is ideal for use on complex audio files, such as chords or an entire stereo mix. This algorithm is truly "best in breed,” and when used with the Transient Sensitivity control, it allows you to compress or stretch drum loops and other percussive material without losing crucial attack transients. When working with solo instruments or vocals, choose the Monophonic algorithm. Of course, experimenting with both algorithms is the key to obtaining the perfect effect.
Unparalleled Sound Quality
Each algorithm was designed to provide exceptional results capable of preserving proper stereo imaging, attack transients, and timing accuracy—even at extreme settings. With X-Form, you can process files within a mind-blowing range of 12.5 to 800 percent of the original length (1/8 to 8x the original duration). The pitch shifting is equally impressive, allowing you to shift a file up or down three octaves with proper formant correction—even on polyphonic material—so the audio sounds completely natural. How is this possible? The secret is the X-Form plug-in’s frequency domain processing, a technology proven more effective than the "frame overlap” algorithms used in most time-stretching products.
Eventide 2016 Stereo Room v2.1.5 WIN-AudioUTOPiA
THE LEGENDARY REVERB ALGORITHM OF EVENTIDE'S SP2016
Long used as an essential reverb for mixing hit records, the Eventide SP2016, while long discontinued, is still in use in places like Ocean Way. Creating a reverb algorithm is part art and part science.
The science bit is all about the naturalness of the sound - whether the simulation convincingly conveys the "feel" of a real room.
Some digital reverbs don't have the horsepower to run a sufficiently complex program to achieve "naturalness." Without enough processing power the effect will suffer from low echo density or unnatural density growth with time or comb filter effects, etc. As Einstein is alleged to have said "things should be as simple as possible, but no simpler." This principle certainly applies to reverb algorithms.
The art of reverb algorithm design begins with simulating a 'room' that actually sounds good. Needless to say, rooms exist in the real world that sound awful. The structure of the reverb algorithm combined with the choices of delay lengths, interconnects, filter placement, early reflections, etc. all contribute to the overall sound. The final element of the art of reverb design is the designer's choice of the ways in which, and the extent to which, the artist/engineer/producer is permitted to modify the effect. What are the parameters and what do they do?
The degrees of freedom available to the designer guaranty that no two (sufficiently complex) reverb algorithms will sound the same. Each will be unique. There are a number of popular digital reverberators for good reason. Each has a distinctive sound, each has a particular set of possibilities. The SP2016 reverbs have attracted a loyal user base because of a particular blend of art and science. They sound natural. They sound distinctive. And, although they allow the user to vary the effect dramatically, the controls can't be set in such a way as to create an unnatural sounding effect - this is a good thing.
The algorithms naturally simulate every aspect of the sound of a real enclosure - from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. A powerful simulation that lends itself to parametric control - a good thing indeed.
Avid Smack v12.0.86554 x64 AAX-AudioUTOPiA
Smack! is a professional compressor/limiter plug-in designed specifically for music applications but capable of accommodating virtually any kind of audio material with equal success. Smack! features three compression modes, unique compression ratios, and harmonic distortion ideally suited for achieving a wide range of sonic variations and colorations. Additionally, the plug-in supports side-chain processing, multichannel track types, and the full range of Pro Tools sample rates and plug-in formats.
If you’re a Pro Tools music maker who requires a great-sounding, flexible, and easy-to-use compression tool, this is it. Accurately modeling automatic gain reduction devices previously found only in hardware, Smack! controls the volume of just about any source in a very "musical” manner, adding fullness, intelligibility, and excitement to any track. Its user interface is intuitively constructed, with a look and feel reminiscent of vintage devices, enabling you to create an amazingly wide range of tonal coloration with a minimal set of controls.
Foolproof operation—easily get great results with any kind of audio material
Three compression modes—includes a mode for emulating classic electro-optical limiters
Unique compression ratios—from subtle compression to hard limiting
Harmonic distortion—add subtle analog-sounding distortion
Side-chain support—get external or internal side-chain processing and a side-chain EQ
Multichannel support—add life to all Pro Tools multichannel track types
Full sample rate support—work on sessions at up to 192 kHz sample rates
Avid ReVibe II v12.0.84714 WIN x64-AudioUTOPiA
ReVibe is a powerful room-modeling plug-in designed to take advantage of the supercharged DSP processing capabilities of Pro Tools|HDX, Pro Tools|HD Accel, and VENUE systems with its AAX DSP and TDM formats, but can also be used natively on other Pro Tools systems with AAX Native. Optimized for sessions up to 192 kHz (AAX only)
ReVibe provides nine reverb algorithms combined with over 200 room reflection/coloration models to deliver pristine, high-quality sound. With its intuitive user interface and detailed controls, ReVibe handles nearly any reverberation task with ease.
The plug-in supports up to 5.1 multichannel mixes, and includes independent reverb, early reflection, and level controls for the rear channels. You can also use the rear-channel reverb controls in mono or stereo instances, enabling you to add more presence and density to the reverb character.
ReVibe is ideal for adding an accurate representation of a room’s sound or ambience to your mix. The plug-in offers highly detailed models of a number of real spaces—as well as springs and plates—making it a perfect complement to the classic digital reverb sound of Reverb One.
Add ambience to your mix with accurate, professional room models
Customize the sound with a choice of nine different reverb algorithms
Fine-tune the room with multichannel reverb controls
View EQ, Decay Color, Early Reflections, and Reverb Shape through interactive displays
Gain infinite possibilities with the extensive set of Early Reflections and Room Types
Work on 5.1 multichannel format sessions—at up to 192 kHz
Compatible with Pro Tools|HD, Pro Tools, and VENUE family systems
Synchro Arts Revoice Pro v188.8.131.52 x64 WIN-AudioUTOPiA
RevoicePro is a purpose-built, stand-alone program which includes two unique, automatic editing processes, manual time/pitch Warp processes, and tight integration with DAWs.
Revoice Pro's unique APT (Audio Performance Transfer) process can automatically and instantly transfer the timing, pitch, intonation or loudness features from one signal to one or more target signals. This is perfect for matching the timing and tuning of double tracks or syncing ADR - and because you control the tightness, you keep it sounding natural. APT is powered by an advanced version of?VocALign.
If double tracks haven't been recorded, Revoice Pro's Doubler process creates incredibly natural-sounding ones.
What's more, Warp Processing with an improved graphic interface provides fast, manual manipulation of audio timing and pitch with stunningly transparent audio quality. Automatic grid-based pitch correction is also available.
Integration with most DAWs is fast and easy, using simple?Revoice?Pro Link plug-ins or familiar drag-and-drop or copy-and-paste operations.
What's new in Revoice Pro 3.1:
Manual Pitch Editing Tools: with hot keys support.
Track Group Controls: supports group creation, display, solo and mute.
New APT functions: Align using pitch values (for legato phrases).
A/B Comparison: of different process settings on output audio.
Multicore background processing: speeds up large session editing.
Interface and Operational Improvements: more intuitive and faster.
QuikQuak UpStereo Pro v2.00d WiN/OSX Incl.Keygen-R2R
This plug-in uses unique technology for stereo enhancement. Unlike traditional techniques that can introduce phasing and inversion effects.
UpStereo Pro uses spectral processing and is engineered to shift actual pan locations of sound around the stereo field.
The punch and sizzle parameters finely control the transient attack and intensity of bass and top end.
The equaliser fine tunes your mix with easy to control spline editing, and uses linear processing to ensure the sharpest and cleanest results.
* Unique technology that stretches sound
locations toward the stereo extremes,
keeping central sounds intact.
* Punch control for enhancing or dampening
initial bass or kick sounds.
* Sizzle parameter for giving high end transients
a fizz and sparkle.
* Linear equaliser with 16 point spline editing.
* Waveshaper with extreme settings.
* Full linear processing.
* On screen information panels for each of
* 64 & 32 bit versions in VST
ToneBoosters TB VoicePitcher v3.1.3 Ked MAC OSX-Kleen
Vocal Pitch Shifter
TB VoicePitcher is a simple to use, while very effective plugin to change the overall pitch of dialog and vocals, including singing voices. Because its algorithms are specifically designed for the human voice, the results with TB VoicePitcher will typically sound better, cleaner, and more natural than with other general-purpose pitch shifting algorithms*. Pitch shifting can be performed in real time, with a small latency that is compensated for by the DAW host (if supported). Furthermore, spectral (formant) corrections to improve the timbre of pitched vocals can be applied as well.
*Because TB VoicePitcher is specifically designed to process the human voice, it is less suitable for other content such as polyphonic music or rhythm tracks.