Synchro Arts Revoice Pro v220.127.116.11 x64 WIN-AudioUTOPiA
RevoicePro is a purpose-built, stand-alone program which includes two unique, automatic editing processes, manual time/pitch Warp processes, and tight integration with DAWs.
Revoice Pro's unique APT (Audio Performance Transfer) process can automatically and instantly transfer the timing, pitch, intonation or loudness features from one signal to one or more target signals. This is perfect for matching the timing and tuning of double tracks or syncing ADR - and because you control the tightness, you keep it sounding natural. APT is powered by an advanced version of?VocALign.
If double tracks haven't been recorded, Revoice Pro's Doubler process creates incredibly natural-sounding ones.
What's more, Warp Processing with an improved graphic interface provides fast, manual manipulation of audio timing and pitch with stunningly transparent audio quality. Automatic grid-based pitch correction is also available.
Integration with most DAWs is fast and easy, using simple?Revoice?Pro Link plug-ins or familiar drag-and-drop or copy-and-paste operations.
What's new in Revoice Pro 3.1:
Manual Pitch Editing Tools: with hot keys support.
Track Group Controls: supports group creation, display, solo and mute.
New APT functions: Align using pitch values (for legato phrases).
A/B Comparison: of different process settings on output audio.
Multicore background processing: speeds up large session editing.
Interface and Operational Improvements: more intuitive and faster.
Accusonus ERA-D v1.1.0 Incl Patched and Keygen WiN OSX-R2R
As a sound professional, there are times when you simply can’t afford to throw away a recording contaminated by noise and/or reverberation! An actor’s genius performance, a singer’s perfect vocal take, a musician’s moment of true inspiration: in all these cases you have to save the original sound. ERA-D is your new tool of choice for fast and efficient post-processing!
Outside the protected environment of the studio, noise and reverb are simultaneously present and continuously interact with each other. The patented processing engine of accusonus ERA-D is well aware of that. ERA-D is the first restoration plug-in that simultaneously removes noise and reverberation by design and therefore provides unimaginable performance improvement over existing tools. Despite the complexity of the processing engine, ERA-D comes with an intuitive user interface to manage noise and reverb problems faster and more effectively than any currently available workflow. ERA-D automatically estimates reverb and noise and provides the means to reduce them with just two knobs, achieving high quality enhancement in less than a minute. And for those times where exhaustive focus on the details is needed, ERA-D offers a panel of advanced settings as well as the ability to surgically process across user-defined spectral bands.
Patented processing engine
Reduce both noise and reverb simultaneously, taking also into account their natural interaction
Use the sound from your secondary microphones to improve the enhancement quality in your primary microphone
Automatic de-noise and de-reverb
Obtain the estimation of noise and/or reverb adaptively, without the need to provide noise or reverb profiles
Multiple signal path options
Take advantage of an unprecedented flexibility of internal signal routing.
Fast and easy workflow
Reduce unwanted noise and reverb quickly and efficiently, using the two main knobs
Simple or advanced mode
Achieve quick professional results or focus on exhaustive details
R2R has decided to release some of their earlier INTERNAL releases to the public today
Blue Cat Audio MB-5 Dynamix v1.21 MacOSX-Kleen
Blue Cat's MB-5 Dynamix is an extremely powerful all-in-one multiband dynamics processor: it can be used as a multiband compressor, limiter, gate, expander, waveshaper or all combined at once, on any part of the spectrum. The unique dynamics processing section of the Blue Cat's Dynamics plug-in has been streamlined and integrated in this plug-in to process each one of the 5 bands separately.
The plug-in provides unique envelope detection capabilities that let one band trigger the dynamics response on others (internal side-chain). Combined with the advanced stereo features including mid/side processing and independent channels activation, it gives you full control over the dynamics of the signal for a wide range of effects.
An additional brick wall limiter/clipper protects the output for complete control over the dynamics response.
The plug-in provides comprehensive visual feedback to let you know what's exactly going on at every step of the dynamics processor: for each channel, monitor the spectrum, the in/out levels, dynamics response, compression ratio and in/out level of each band...
The user interface has been designed to streamline the workflow, and despite the wide range of functionalities offered by the plug-in, it is extremely easy to use. Inter-bands controls (copy/paste, link...) lets you create complex treatments with a few clicks.
Thanks to its advanced MIDI and automation output capabilities, Blue Cat's MB-5 Dynamix is capable of advanced side-chaining features: you can control other plug-ins with the output of the dynamics processing stage for simple side chain dynamics effects or more advanced signal-dependent effects.
Full featured multiband dynamics processor: compressor, gate, limiter, expander, waveshaper.
Up to 5 bands, with crossover filters from 6 to 60 dB/Oct for optimal separation.
Unique envelope routing capability for cross-band dynamics effects (one band may trigger another).
Dry/wet control for parallel processing ("New York Compression").
Stereo or mid-side processing with multiple channels linking options.
Post brickwall limiter or waveshaper.
Complete Visual feedback with real time response curves and levels display.
Easy copy/paste settings between bands.
Side chaining made easy: a unique way to perform multi-band side chain compression, ducking, gating and much more.
Plug-in window transparency management.
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”
Clip, Compress, Distort, or Limit: you get to choose
ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.
ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.
Dial-in the sound of your choice, from heavy distortion to subtle compression
ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.
Choose your frequencies (paid feature)
The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).
Oversampling & Doubling (paid feature)
Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.
Mid/Side Processing (paid feature)
Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.
Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing
- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
LVC-Audio Limited-Z v1.0.1 Incl.Patched and Keygen WiN/MAC-R2R
Limited-Z is a specialized and easy-to-use limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-Z dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-Z is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion…AND, IT’S FREE!
Limited-Z is based on LVC-Audio’s full-featured mastering limiter, Limited-MAX. It includes many of the underlying limiting processing engines, while simplifying the user interface. This includes a special customized variable clipping algorithm based on LVC-Audio’s ClipShifter. The result is a mastering limiter that is both configurable and useful, without a significant learning curve. Internally, Limited-Z includes attack and release controls, look-ahead, stereo linking, program-dependent release timing, dynamic EQ, and DC filtering; however, these internal settings are packaged into several unique limiter modes.
Although Limited-Z is a designed to be easy to use, it includes many standard and useful LVC-Audio features. This includes an output meter including VU-style, PPM-style, and loudness metering; waveform history display with RMS; adjustable scale for all metering; AutoGain control (for auditioning the sound of the limiter without volume changes); undo/redo history; and A/B comparison controls.
The paid version of Limited-Z adds the following features:
Selectable secondary metering that includes Input Level, estimated Distortion Level, and ISP meter
K-Metering of input and output levels
Linear-phase oversampling (2x, 4x, or 8x)
Continually adjustable output margin control between 0 dB and -1.5 dB, and 0 dB and -10 dB for post-production
Adjustable X/Y controls for the Dynamic Algorithm settings for easily fine-tuning the limiter’s overall sound and aggressiveness
- Fixed issue with occasional AU validation failure with free version
- Fixed issue with recalling X/Y settings with paid version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
iZotope RX Loudness Control v1.01
RX Loudness Control: Automatic Global Loudness Correction
Deliver transparent audio while meeting global broadcast specifications! RX Loudness Control works faster than real-time to ensure your audio mixes are delivered within the appropriate loudness standards. Designed specifically for audio/video post production and broadcast workflows, RX Loudness Control combines industry-leading, intelligent audio signal processing with an easy-to-use interface.
Efficiently analyze and render your mix to comply with any of the global loudness standards, then instantly create a .CSV loudness report. It's the best-sounding automatic loudness compliance processing available today—unparalleled in speed, accuracy, reliability, and sound quality.
ToneBoosters TB VoicePitcher v3.1.3 Ked MAC OSX-Kleen
Vocal Pitch Shifter
TB VoicePitcher is a simple to use, while very effective plugin to change the overall pitch of dialog and vocals, including singing voices. Because its algorithms are specifically designed for the human voice, the results with TB VoicePitcher will typically sound better, cleaner, and more natural than with other general-purpose pitch shifting algorithms*. Pitch shifting can be performed in real time, with a small latency that is compensated for by the DAW host (if supported). Furthermore, spectral (formant) corrections to improve the timbre of pitched vocals can be applied as well.
*Because TB VoicePitcher is specifically designed to process the human voice, it is less suitable for other content such as polyphonic music or rhythm tracks.