Zynaptiq Morph v2.00 WIN VST-AudioUTOPiA
MORPH 2 is a real-time plug-in for structural audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming ("morphing" into) another. MORPH creates seamless morphing transitions, hybrid sounds that combine aspects of existing ones, physically impossible instruments, unique creature and robot voices, talkbox-like effects, surreal sound-scapes and other unheard new sounds. MORPH not only offers a wealth of creative potential for game-/film-sound design, but also for music producers and remixers, allowing them to develop new content from existing recordings – all in sync and in real-time.
The MORPH 2 features at a glance:
5 Unique feature-aware structural audio morphing algorithms.
Morphs between two input channels or input and side-chain.
Dual morphing circuits with crossfade option.
High-quality formant shifter.
Uses proprietary signal transform technology for ehnanced fidelity and intelligibility.
Both inputs can be mixed into the output or switched to solo.
Built-In Hall Reverb.
Fully real-time for immediate results.
Zynaptiq UNMIX_DRUMS v1.0.0 WIN VST-AudioUTOPiA
UNMIX::DRUMS is a plugin that allows attenuating or boosting drums in mixed music, in real-time. Using advanced source signal separation (a.k.a. de-mixing, unmixing, sound extraction, sound isolation) technology under the hood, UNMIX::DRUMS provides frequency dependent drum level control that ranges from up to +18dB of boost to virtually complete removal* – while always sounding great. Whether used on a full mix or on a drum bus, UNMIX::DRUMS can be used to shape and enhance the impact of drums in a unique new way. Sporting an intuitive multi-level GUI, frequency dependent control of key parameters, a sample accurate sub-bass (re)synthesizer, a high-precision analyzer display, M/S operation and an output limiter, UNMIX::DRUMS opens up exciting new options for mastering, music production, sample-based music creation, mash-up artists, remixers and DJs.
* Actually achievable amounts depend on input signal specifics.
The UNMIX::DRUMS features at a glance:
Source Separation-Based Control of Drum Level in Mixed Music.
SMOOTH and PUNCHY Boost Modes.
Sample-Accurate Sub-Bass (Re)Synthesizer.
Frequency Dependent Control of Key Parameters.
Intuitive 3-way GUI Design.
Applications for UNMIX::DRUMS include:
Balancing drums against the rest of a song in mastering.
Restoring dynamics to over-limited music in mastering.
Unique EQ alternative for mixed music.
Suppression of drums in sampled audio to remove "clashing" or "flamming" when mixing with new content.
Pre-procesing for drum extraction to create new drum-kits.
Drum suppression for Mash-Up creation.
"Drum Kill Switch" for Dj applications.
Pre-processing for voice extraction or similar applications.
Creative tweaking of drum stems - this can be used as a very unique dynamics processor/EQ hybrid.
UNMIX::DRUMS supports all common sampling rates from 44.1kHz to 192kHz, mono and stereo, as AAX native, AU, RTAS and VST, on Mac & Windows.
McDSP DE555 v184.108.40.206 WIN-AudioUTOPiA
The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.
Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.
Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.
Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.
Real-time displays of de-essing amounts and key filter response enable quick and easy setup.
Advanced de-essing technology
Unique key filter focus and de-essing controls
Real-time metering and key filter response plot
High frequency (HF) only option
Double precision processing
Ultra low latency
Mono and stereo versions
Native Instruments Absynth 5 v5.3.1 Update Incl Patched and Keygen-R2R
Semi-modular synthesizer offering a vast range of sonic possibilities. Perfect for pads, endlessly evolving soundscapes, synth sounds and more.
Addicted To Sound
Semi-modular sound architecture
Powerful Sound Mutator to create new sounds
1,800 inspiring, atmospheric presets
LOST IN SOUND
ABSYNTH 5 is an exceptional synthesizer with unique sonic potential and more than 2,100 preset sounds. Its speciality is a limitless spectrum of unusual, evolving sounds created using the powerful, hybrid synthesis architecture and sophisticated modulation and effect system - resulting in sounds far removed from the everyday. What's more ABSYNTH 5 is not just a synthesizer, but a powerful effect plug-in for treating audio tracks using the unique ABSYNTH 5 effects bank.
ONE-CLICK SOUND DESIGN
Version 5 sees ABSYNTH make creative sound design simpler than ever before. With the innovative Sound Mutator it's now possible to create completely new sounds by combining the characteristics of other sounds, generated without delving into the depths of the synthesis architecture. ABSYNTH 5 also contains new and unusual effects and filters such as the Aetherizer, Cloud Filter and Supercomb, as well as 250 new presets that explore previously uncharted regions of sound.
2,100 FIRST CLASS SOUNDS
Full of endlessly expressive sounds, ABSYNTH 5 hosts a collection of 2,100 sounds ranging from classic keyboard sounds to complex grooves, abstract soundscapes and endlessly transforming sonic landscapes.
THE ARCHITECTURE OF SOUND
ABSYNTH 5 is unrivalled as a tool for creating unique sounds. The hybrid architecture features three oscillator channels and a semi-modular signal flow combined with diverse sound generating methods such as subtractive synthesis, FM, wave-table, granular sampling, and sampling with wave-morphing, filters, modulators and effects. In addition, a uniquely flexible envelope control with 68-stage envelopes allows for sounds to be subtly or radically animated. From softly undulating pads to aggressive rhythmic synth attacks - everything is possible with ABSYNTH 5.
R2R has decided to release some of their earlier INTERNAL releases to the public today
Acon Digital DeVerberate v1.6.0 Incl Keygen WiN OSX
The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation.
Attenuate reverberation in existing recordings
Change the perceived distance in a mix by changing the balance between the direct sound and the reverberation
Improve dialog and location sound
Forensic specialists can improve speech intelligibility
Boost the natural reverberation in existing recordings
New Features and Fixes:
Improved algorithm preserves the direct sound better and reduces unwanted effects on the envelope curve.
New Automatic Estimation button estimates the reverberation time automatically based on the incoming audio.
The graphical user interface is now resizable.
Fixed code signing issues under OS X.
OS X installer now lets users choose which plug-ins to install (AAX, AU or VST).
Xfer Records Serum v1.0.7b4 OSX
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to "go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
IMPORT YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).
MODULATION - WORK THE WAY YOU WANT TO
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.
REALTIME WAVETABLE MANIPULATION
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including "Remap” modes - a graph editor for drawing your own custom table manipulations.
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.
BUILT-IN SUITE OF EFFECTS
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for Serum, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.
Serum will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.
Serum comes with over 450 presets, 144 wavetables.
Available as VST, AU, AAX both 32 and 64bit.
iZotope Trash 2 v2.03 patched WiN X86 X64 NO iLOK
Trash 2 takes the best of Trash and makes it even better. With an entirely new sonic architecture, brand new features, optimized performance, better sound quality, and support for modern hosts and formats, Trash 2 is primed for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue.
Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard.
Design your own unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper.
Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave.
Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more.
Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear.
What can Trash do?
Trash and burn
Not all distortions are created equal. Trash 2 combines the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation. Give your low end some thump, get a warm crunch on the midrange, and let your high end soar—all without the over-hyped side effects (unless, of course, that's what you want). Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more. A distortion engine like no other, this is Trash 2.
Invent a distortion that the world has never heard. Design your own distortion algorithms with Trash 2's new customizable Waveshaper. If the physics of waveshaping have your brain in a knot—not to worry. With Trash 2 it's easy: simply draw in, tweak, and create infinite distortions. Don't know where to start? Load one of Trash 2's 60+ distortion algorithms and adjust at will. Trash has shaped everything from major music releases to film and game sound effects over the past decade. Your audio is next.
Follow your impulses
The power to morph sound from one object to another is yours with the new Convolve module. Melt your synth bass into a metal bowl, push your electric piano into a vintage cabinet, or play your guitar tone through a human voice box. Convolve includes over 100 impulse responses—a collection of amps, objects, animal sounds and mouth shapes that are ready and waiting to transform your sound. Or, concoct a unique convolution and load any .wav or .aiff file into Trash 2. Impress the sonic characteristics of your wildest imagination onto any track or instrument. A single mouse click is all you need.
Explore new sonic dimensions with the Filter, Delay and Dynamics modules. Breathe life and movement into your audio using the dual Filters, each with 20+ evocative filter types to shape your tone. Modulate, invigorate and apply exotic filter sounds, then control and manipulate each node with LFOs, envelopes and side-chaining. A filter bank unlike any other, you're free to custom-design your ultimate filter styles and reach the bleeding edge of sound design. Polish it all off with Trash 2's rich, organic Delay options and a new analog-modeled compressor worth turning up to 11. Throughout the wild ride, the ear-friendly Limiter keeps you and your speakers safe.
No need for ilok :)