Slate Digital Virtual Buss Compressors v1.2.6.4 WIN VST-AudioUTOPiA
VST Instruments / VST Plugins 22-12-2015
Slate Digital Virtual Buss Compressors v1.2.6.4 WIN VST-AudioUTOPiA
Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.

Virtual Buss Compressors contains 3 models of some of the industry's most sought after analog gear:

The FG-GREY is a replication of the classic British console compressor, with some fat sounding transformers added in to beef up the low end. The GREY is designed to give a mix that classic glue and punch.
The FG-RED is a replication of the classic RED mixbuss compressor that has been used for decades by some of the world's top mixers. It is designed to sound tight, punchy, with rich harmonics from the output transformers.
The FG-MU is a hybrid of several tube compressor designs that are lush, warm, fat, and open sounding.

Each compressor also includes a hi-pass filter and parallel mix wet/dry knob for flexibility. Finally, some of the most common professional presets have been added to each compressor to get a user started quickly.

home page:

http://www.slatedigital.com/products/virtual-buss-compressors
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Slate Digital VMR Complete Bundle v1.1.0.4 WIN VST-AudioUTOPiA Slate Digital VMR Complete Bundle v1.1.0.4 WIN VST-AudioUTOPiA
Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed.

The 'VMR' operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with the Slate 'VMR'.

The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70's. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. This equalizer is lush, fat, and bold. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks.

The FG-S is a digital recreation of one of the most famous British console equalizers from the 80's. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. This is the ultimate workhorse mix eq that can be used on any track. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.

The FG-116 is the most precise digital replication of the classic American FET limiter. No expense was spared to capture every nuance of this classic sounding compressor/limiter. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars.

The FG-401 started as a recreation of the classic british console channel compressor, but morphed into quite a lot more. First, we gave it variable attack and release with increased range which added more tonal options. But then, we added an optimal transformer inout, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor. Last, we added an entirely unique second circuit path that provides and additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it.

Unlike so many 'analog modeled' equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone.

The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.
Cytomic TheGlue v1.3.12 MacOSX Incl.Patched and Keygen-HEXWARS Cytomic TheGlue v1.3.12 MacOSX Incl.Patched and Keygen-HEXWARS
Soft / VST Instruments 10-12-2015
The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some additional features. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. It's quick and easy to use and has an uncluttered interface.

Additions over the original circuit include an ultra-fast attack time down to 0.01mS and a Range knob, which backs off the compression to give incredibly natural sounding attacks and also limit the maximum amount of compression applied. There is also external sidechain support and an adjustable sidechain highpass filter.

Accurate analog model of classic 80's British big console buss compressor
Ultra-fast attack time of up to 0.01 mS
Range knob to naturally control the maximum compression applied
Peak Clip to optionally hard limit transients
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
Password protected copy protection
Boz Digital Labs Manic Compressor v1.0.3 WiN RETAiL Boz Digital Labs Manic Compressor v1.0.3 WiN RETAiL
Soft / VST Instruments 2-12-2015
Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power

Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors

Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse

With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past (unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.
Boz Digital Labs Manic Compressor v1.0.2 WiN/MAC RETAiL Boz Digital Labs Manic Compressor v1.0.2 WiN/MAC RETAiL
Soft / VST Instruments 29-10-2016
Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power

Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors

Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse

With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past
(unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.


Boz Digital Labs Manic Compressor v1.0.2B MAC OSX-Kleen Boz Digital Labs Manic Compressor v1.0.2B MAC OSX-Kleen
Soft / VST Instruments 28-11-2015
Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power
Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors
Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse
With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past (unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.

INSTALLATION

– Copy cracked AU or VST into your Plug-Ins folder
– Copy Presets folder "Manic Compressor" into your Library>Application Support folder
– Enjoy!

Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro
Soft / VST Instruments 13-09-2015
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models,
with some added features such as noise reduction and wide stereo control for
each individual freq-band.
The DNX-03 is able to split the incoming signal into three frequency-bands using a
6dB per octave crossover.

First-order filters are considered by many audiophiles to be ideal for crossovers.

Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.

News V2.0

New compressors inside
New parameters for compression
New saturation system
New shortcuts
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS