McDSP DE555 v6.1.0.8 WIN-AudioUTOPiA
VST Instruments / VST Plugins 20-12-2015
McDSP DE555 v6.1.0.8 WIN-AudioUTOPiA
The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

Features

Advanced de-essing technology
Unique key filter focus and de-essing controls
Real-time metering and key filter response plot
High frequency (HF) only option
Double precision processing
Ultra low latency
Mono and stereo versions

home page:

http://mcdsp.com/plug-ins/de555/
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McDSP Analog Channel v6.1.0.8 WIN-AudioUTOPiA McDSP Analog Channel v6.1.0.8 WIN-AudioUTOPiA
Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.
Analog Channel is 2 plug-ins:

AC101 – Emulates analog channel amplifier circuits
AC202 – Emulates analog tape machines

The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio "sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.

The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

Features

Library of presets emulating analog mixing systems
Real-time display of saturation curves and calibrations
Analog Saturation modeling
Double precision processing
Ultra low latency
Mono and stereo versions
TDR Kotelnikov GE v1.0.6 Incl Patched & Keygen WiN OSX-R2R TDR Kotelnikov GE v1.0.6 Incl Patched & Keygen WiN OSX-R2R
Soft / VST Instruments 19-12-2015
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.

With a sonic signature best described as "stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.

The "Gentleman’s Edition” (GE) adds several improvements to the standard edition’s feature set. The most obvious being an intuitive access to various equal loudness workflows, the ability to specify ratio in a frequency dependent manner, as well as a powerful sidechain high-pass filter allowing continuously variable access over slope and frequency. The Yin/Yang functions allow manipulating the harmonic pattern produced during compression, and a new "insane” quality mode increases processing fidelity even further.

Kotelnikov does not try to to emulate any previously available device. The concept is a proud digital processor, it is the original!

Key specs and features
64bit floating point precision for all relevant calculations
Multi-rate processing structure for highest accuracy
"Delta” oversampled signal path (bit transparent at 0dB gain reduction)
Super fast, yet natural sounding compression
"Crest factor” based control scheme offering independent release controls for peak and RMS events
Flexible sidechain highpass filter offering continuously variable control over slope and frequency
Advanced stereo linking options optimized for the stereo bus
Delta preview (difference between compressed and original signal)
Latency compensated parallel bypass (i.e. processing not interrupted)
Extensive documentation

Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy
Acon Digital Equalize v1.1.14 WiN/MAC Acon Digital Equalize v1.1.14 WiN/MAC
Soft / VST Instruments 16-11-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

Highlights

Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Wave Arts Dialog v1.34 incl.Keygen WiN/MAC Wave Arts Dialog v1.34 incl.Keygen WiN/MAC
Soft / VST Instruments 14-11-2015
Dialog combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.

Dialog includes brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.

The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.

Tech Specs: 

10-band EQ section with 11 different filter types and 64-bit processing
Low and high pass brickwall filters with various rolloff slopes
Hum and buzz removal
Broadband noise reduction
De-plode function for plosive or wind rumble attenuation
De-ess function for sibilant attenuation
Compressor
Peak limiter
Comprehensive metering
Master preset manager and preset manager per section
Latency compensation
Fully automatable
Up to 192K support
Mono or stereo

Wave Arts has updated their plug-ins:

Power Suite - v5.84.
Master Restoration Suite - v5.84.
Tube Saturator 2 - v2.02.
Dialog - v1.34.
Tube Saturator (legacy version) - v1.34.

All formats:
Fixed missing mkl_wavearts.dll in Windows Dialog installer.
Fixed bug that could cause false noise learning trigger in Dialog and MR Noise.
Fixed Dialog limiter enable affecting compress section preset modified.
Increased size of MR Click event buffer to fix display with small audio buffer sizes.
Updated PN and TP section presets to fix missing section preset issues.
Tools->Use As Default now works properly, loads selected preset when GUI opens for the first time.
To cancel "Use As Default", select Tools->Use As Default menu item holding SHIFT key.
Fixed possible crash with Windows 64-bit plugs when closing GUI due to text edit window not deleted.
Main preset bar shows first preset matching current parameters, else modified preset with "*".
Section presets show first preset matching current parameters, else modified preset with "*".
TS2 now reports latency to host for delay compensation.

Installation Notes: Choose Wave Arts in License Method. NOT THE ILOK ONE. And not AAX (ILOK only). Run one of the plugins in your DAW, grab your machine code, run the keygen and generate a key code.
If you don't see your machine code go to the plugin menu Tools / Unlock Plugin. Enjoy. 

MAC Users. Install the plugin, get your Machine Code, and use Parallels or a VM to run the keygen and generate your Key code.
TDR VOS SlickEQ GE v1.2.0 x86 x64 TDR VOS SlickEQ GE v1.2.0 x86 x64
Soft / VST Instruments 20-10-2015
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic "Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands.

SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical "mojo” often associated with high quality analogue audio gear, up to more obvious saturation.

An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. "internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.

Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see "M/S” microphony).

Key specs and features

Modern user interface with outstanding usability and ergonomics
Carefully designed 64bit "delta” multi-rate structure
Three semi-parametric filter bands, each with two shape options
Five distinct EQ models: American, British, German, Soviet and Japanese
Low band offers an optional phase-lag able to delay low frequencies relative to higher frequencies
High pass filter with optional "Bump” mode
Low pass filter with two different slopes (6dB/Oct and 12dB/Oct)
Parametric Tilt filter with optional "V” mode.
Seven output stages: Linear, Silky, Mellow, Deep, Excited, Toasted and Funky
Highly effective loudness compensated auto gain control
Expandable frequency magnitude response display including a realtime analyzer
Stereo, mono, left, right and sum/difference (mid/side) processing options
Tool-bar with undo/redo, A/B, advanced preset management and more
Acon Digital Equalize v1.1.12 x86 x64 Acon Digital Equalize v1.1.12 x86 x64
Soft / VST Instruments 29-09-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

Great care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.

Highlights
Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth, resonance and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Acon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.