FabFilter Total Bundle v2015.12.11 WiN/OSX Incl Patched and Keygen-R2R
Soft / VST Instruments 17-12-2015
FabFilter Total Bundle v2015.12.11 WiN/OSX Incl Patched and Keygen-R2R
The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, multiband dynamics, compressor, limiter, de-esser and gate/expander, creative multiband distortion, stereo delay, filter and synthesizer plug-ins. 

Offer.

Changes in the latest plug-in versions:

Added Retina support on OS X and High DPI support on Windows (at 150% and 200% scaling) for all plug-ins.
All Audio Unit plug-ins are now sandbox-safe, so they can be used in sandboxed DAWs.
All plug-ins can now operate at any sample rate, without a maximum. This fixes possible issues when running the plug-ins in Pyramix at sample rates of 384 kHz and higher. Furthermore, there's no limit to the oversampled internal sample rate any more in Pro plug-ins.
For all Pro plug-ins, improved Avid control surface page tables, now including support for the S6 range.
Fixed an issue with keyboard handling in Pro Tools 12.2 or higher (e.g. Alt-clicking on a filter in Pro-Q 2 would cause the frequency to jump).
Fixed possible crashes when using the plug-ins in Final Cut Pro X (with the Background Render option enabled).
All dynamics plug-ins now report gain change to Pro Tools (and Avid control surfaces) and Studio One.
In Pro Tools mini track view, Pro plug-ins will now show their distinctive letter (like Q, C, or L) instead of P.
Further optimized RAM usage in most plug-ins.
Fixed audible artifacts (sound shortly shifting to the left) when changing a plug-in (like Pro-Q 2) from Left/Right to Mid/Side processing mode.
Small bug fixes and improvements.
Pro-Q 2: Fixed possible audio drop-outs for specific Notch settings in Linear Phase mode or when using Auto Gain.
All Pro plug-ins: Fixed an issue in the AAX plug-ins when using them as 'Default EQ' or 'Default Dynamics' in Pro Tools on a stereo track (creating a multi-mono version instead of stereo).
Saturn: Added intelligent noise gating that attenuates/removes possible analog noise when the input is (nearly) silent.
Pro-C 2: Fixed possible audible spikes when changing compression styles.
Pro-C 2: When Auto Release is enabled, the release knob now shows its values in a percentage range instead of milliseconds.
Pro-L: Added Full Screen mode, new Medium and Large interface sizes and custom resizing (VST3 only).
Pro-L: Fixed a small bug where dragging the gain slider while toggling the Alt key would result in incorrect linked values for the Output Level.
Pro-L: Improved readability of the output level and gain reduction read-outs above the meters.
Pro-L: Reduced processing latency.
Pro-L and Pro-G: Improved resolution of the real-time level display.
Pro-G: Added circular side-chain input level meter around the Threshold knob.
Pro-MB: Fixed a crash when automating the Audition Side Chain parameter.
Pro-DS and Pro-MB: Fixed a small bug that caused the parameter value display to show 'Mid-only' even when the Stereo Link mode was set to 'Side-only'.

home page:

http://www.fabfilter.com/
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FabFilter Pro-C 2 v2.00 WiN/OSX Incl Patch and Keygen-R2R FabFilter Pro-C 2 v2.00 WiN/OSX Incl Patch and Keygen-R2R
Soft / VST Instruments 16-12-2015
 
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

Key features

Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Auto Release
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW

Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
Acon Digital Equalize v1.1.14 WiN/MAC Acon Digital Equalize v1.1.14 WiN/MAC
Soft / VST Instruments 16-11-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

Highlights

Up to twelve independent bands
Freely adjustable gain, frequency, bandwidth and filter slope
Three different phase modes, including the novel mixed phase mode
Choose channel mode for each band independently (mid, side, left, right or full processing)
Togu Audio Line Sampler v1.5.1 WiN/MAC Togu Audio Line Sampler v1.5.1 WiN/MAC
Soft / VST Instruments 14-11-2015
TAL-Sampler is not just a sample player. It's a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.

Don't expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.

It's possible to choose between different digital analog converters (DAC's) to get the vintage sound of different hardware samplers inside your DAW. We don't make cheap bit crushing or decimation on the output signal. We really down-sample the sample to the desired sampling frequency, then process the data depending on the chosen DAC and up-sample it to the desired pitch. Most DAC modes offer a LEVEL slider. This feature allows the user to reduce the volume of the recorded sample and decreases the sample quality. Load your favorite high quality sample and make it sound vintage and noisy. The 24dB low pass filter will like it!

Following diagram shows the signal flow if you choose the DAC Emu II mode:

The plug-in has four layers an can play four samples simultaneous. There is also a simple SFZ import for samples that imports the mapping and sample paths, but the plug-in also contains an easy to use mapping editor.

TAL-Sampler is available in the VST, Audio Unit and AAX plug-in format. You can load and play your own samples in every common sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac). Import samples with drag & drop from finder or explorer. There is also an intuitive sample browser that helps to find samples fast.

Some nice additions like a vintage real-time time stretcher and the possibility to modulate or automate the sample loop positions.

Features

Vintage DAC modes (Emu II, AM6070, Sample Hold).
Steep 96dB low-pass reconstruction filter (Emu II and AM6070 F).
Variable sample rate.
Powerful MOD-Matrix. 
Four sample layers.
Three AHDSR envelopes with vintage Digital / RC mode.
Three LFO's (Triangle, Saw, Rectangle, Random, Noise).
High Quality effects (Reverb, EQ, Delay).
Self resonating zero feedback delay filter (24/12/6 dB LP).
Wide range of audio formats supported (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac).
Scalable high resolution user interface.
The possibility to change font and background colour.
Fast sample and preset loading.
More than 100 presets available as download (on the right).

History

Crashes when moving loop position while playing fixed (v1.51).
No linked loop points in small wave view. Link mode in mapping view also links loop end to loop start (v1.51).
Keep loop points when load a different sample (v1.51).
Removed clicks when modulate loop / indtroduced by version v1.50 (v1.51).
Microtuning file name now shows up in the menu when file is loaded (v1.5.0).
Possible invalid values in delay filters kills output signal fixed (v1.5.0).
Change filename when file selected not possible in file save dialog fixed (v1.5.0).
User interface updated. Better readable fonts. Mapping dialog view improvements (v1.5.0).
Vertical waveform zoom in mapping dialog added (v1.5.0).
Issue with resampler modes and visible knobs fixed (v1.5.0).
m4a audio file support for OSX and windows when codec is available (v 1.4.7).
Improved linear interpolation (v 1.4.7).
Clean sampling mode added (v 1.4.7).
Disable transpose for sample in mapping dialog added (track button) (v 1.4.7).
SFZ end tag support added (v 1.4.7).
Remember "Play when selected" in sampler instance added (v 1.4.7).
Phase invert in mapping dialog added (v 1.4.7).
Inverted sample stereo fixed. There is now a Stereo Switch option in the mapping dialog (v 1.4.7).
Improved waveform display for stereo samples (v 1.4.7)
Acon Digital Equalize v1.1.12 VST x86 x64-CHAOS Acon Digital Equalize v1.1.12 VST x86 x64-CHAOS
Soft / VST Instruments 10-11-2015
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. 

Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.

New in Version 1.1.12

Fixed occasional CPU overloads in Pro Tools during audio scrubbing
Fixed problem with inactive gain knob in certain situations
Fixed problem with curve updates with disabled analyzers
Increased the maximum resonance to 24 dB
Fabfilter Pro-C 2 x86 x64 Fabfilter Pro-C 2 x86 x64
Soft / VST Instruments 29-09-2015
Incredible sound and character
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Watch demoFabFilter Pro-C 2
Everything you need
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
FabFilter Pro-C 2 Controls
Beautiful interface and optimized workflow
The fully redesigned interface in FabFilter Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like.
 
Pro-C 2 Full Screen
FabFilter goodies
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!
FabFilter Pro-C 2 Help HintsKey features
Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Auto Release
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW
Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
PSP Xenon v1.5.2 AU VST Ked OSX-Kleen PSP Xenon v1.5.2 AU VST Ked OSX-Kleen
Soft / VST Instruments 21-07-2015
Full Band Precision Limiter

PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MAC OSX; featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz. Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your "go to" limiter for mastering and other critical audio applications.

Changes June 23, 2015:

**** 1.5.2 ****
CHANGES:

1. Added short hints to remind most important GUI functions.
BUG FIXES:
1. Fixed PC crash on entering values to edit-boxes. 
2. Fixed MAC edit-box disappearing.