FXpansion Maul v1.0.0.7 WIN OSX Incl Patched and Keygen-R2R
Soft / VST Instruments 12-12-2015
FXpansion Maul v1.0.0.7 WIN OSX Incl Patched and Keygen-R2R
Maul is a multi-band distortion and tone-shaping plug-in with advanced modulation. It is suited to all music requiring powerful sound-sculpting abilities - everything from subtle warming and loudness generation to shredding distortion and experimental creative effects. 

Maul features 3 separate drive stages, each of which can act on a different frequency range with any of 32 distortion types. The available algorithms include DCAM-modelled germanium diode, tube and transistor-based circuits, clippers, overdrives, waveshapers of various kinds and bit-crushing devices for digital distortion flavours. Each drive stage also features control over transient-shaping, saturation circuitry and additional post-process tone filtering.

The built-in TransMod modulation system allows you to animate Maul's parameters with the internal LFOs, envelope follower and sample & hold devices as well as with external MIDI note input. This turns Maul into an extremely flexible device capable of dynamic filter patterns, rhythmic gating effects with extra bite, loudness and harmonic excitation effects and wild, dynamic distortion that can transform your audio.

3-band creative distortion and tone-shaping device.
DCAM-modelled circuits, clippers, waveshapers, overdrive, bitcrushing and more.
Additional per-band transient-shaping control.
Saturation circuitry modelling.
2x oversampling with 4x Hi Def mode for extremely high quality.
Advanced TransMod modulation and MIDI note control.
Built-in MIDI Learn for plugin controls.
32-bit and 64-bit support.
VST, AU and RTAS plugin formats on Windows 7 and Mac OS X 10.6.2 or later.

Side Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today

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The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.

Dual filter section with a Highpass followed by a Lowpass filter.
7 Highpass and 7 Lowpass circuit modelled filters from classic synths.
Loads of drive and character.
Full frequency range and perfect resonance tracking without oversampling so there is no delay for live use.
Huge amounts of resonance, also a resonance limit button for DJ use.
Two LFOs, one basic, one powerful with step sequencer for levels.
Two Envelopes / Followers, diode modelled, from input or sidechain.
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Stereo and Mono processing.

Side Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
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"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”

Clip, Compress, Distort, or Limit: you get to choose

ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.

Dynamic Control

ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.

Dial-in the sound of your choice, from heavy distortion to subtle compression

ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.

Choose your frequencies (paid feature)

The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).

Oversampling & Doubling (paid feature)

Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.

Mid/Side Processing (paid feature)

Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.

Main Features:

Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing

Version 2.3.3

- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
SuperWave Sirius v1.0 Incl.Keygen-R2R SuperWave Sirius v1.0 Incl.Keygen-R2R
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Sirius is a powerful virtual analogue synthesizer incorporating a Moog Filter for that nostalgic warm and fat analogue sound.

If you're looking for a synthesizer capable of huge leads, pads, strings and basses, then you must check out the Sirius. The Sirius features much of the technology used in the Tarkus synthesizer, but has a Moog 4-Pole 24dB Filter instead of a State Variable Filter. In short, think of the Sirius as a Mini Moog Synthesizer using the Korg MS2000 Block diagram for the sound structure. The Sirius features four sixteen step Sequencers, Arpeggiator and Multi-Effects which include Chorus, Phaser, Delay, Distortion and EQ. If you're lucky enough to own a Korg MS2000, then you can use the MS2000's control surface to edit most of the Sirius's common control parameters.

Side Notes

R2R has decided to release some of their earlier INTERNAL releases to the public today
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The Tone That Reinvented Rock ‘N’ Roll

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BIAS Pedal is seamlessly integrated with BIAS FX, now you can add your custom distortion to your BIAS FX pedalboard.

Side Notes

R2R has decided to release some of their earlier INTERNAL releases to the public today
Plugin Boutique Carbon Electra v1.0.0 WiN/OSX Incl Keygen-R2R Plugin Boutique Carbon Electra v1.0.0 WiN/OSX Incl Keygen-R2R
Soft / VST Instruments 1-12-2015
4 Oscillator subtractive synthesiser featuring informative displays, editable step sequencer, vocal filter, integrated distortion and analog control.

Plugin Boutique & Samplify Present Carbon Electra. Carbon Electra is a powerful and intuitive synth built by producers, for producers. It's a four-oscillator subjective synth with a modern feature set. It has been developed as an advanced learning tool whilst also being a powerful and easy to program synth. Being based on vintage analogue routing and featuring flexible modulation options including an editable stepper and note performer.
The graphical displays act as a comprehensive information tool aswell as an accurate guide to each parameter change. Best of all, it sounds incredible.

Key Features:
Powerful synth engine that is easy to learn and use with no hidden menus.
4 Analog style sync-able oscillators with adjustable pulse width, frequency modulation and multiple wave types including pitch-able noise.
Informative physics based graphic displays with comprehensive info pane.
6 filter types including powerful vocal filter with filter drive and saturation.
Simple, incredibly usable and useful FX section, like having a bunch of great guitar pedals.
Editable step sequencer that can be assigned to pitch, volume or cut off independently or simultaneously with various wave types and edit mode allowing node creation and line curves.
Over 600 factory presets covering sequences, chords, motions, bass, leads, keys, pads and effects.
Ability to run the amp section "too hot" into the built in optional limiter at the main output, creating a modern hyper-compressed sound.
Super flexible unison control ranging from subtle warmth to massive super saw or super square sound.
Multiple stereo width parameters allowing high precision control of the stereo field

Side Notes

Because there are issues with the v1.1.0 release R2R decided to release their v1.0.0 INTERNAL from 8/20015
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