reFuse Software Lowender v1.4 MacOSX Incl. Patched and Keygen HEXWARS
Soft / VST Instruments 11-12-2015
reFuse Software Lowender v1.4 MacOSX Incl. Patched and Keygen HEXWARS
Lowender is a subharmonic synthesizer inspired by hardware units like famous DBX 120 line.
No FFT tricks, straight modelling!

TEAM HEXWARS NOTES
@ reFuse:
How many times are you going to change again protection 
pissin off legit users who need to reissue keyfiles each time?

home page:

https://www.refusesoftware.com/lowender
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Enjoy some release from hexwars internals vault!

TEAM HEXWARS NOTES:
XMas come earlier this year!

To our dear MacOSX friends:
U better get yourself a good Windows machine...
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Additions over the original circuit include an ultra-fast attack time down to 0.01mS and a Range knob, which backs off the compression to give incredibly natural sounding attacks and also limit the maximum amount of compression applied. There is also external sidechain support and an adjustable sidechain highpass filter.

Accurate analog model of classic 80's British big console buss compressor
Ultra-fast attack time of up to 0.01 mS
Range knob to naturally control the maximum compression applied
Peak Clip to optionally hard limit transients
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
Password protected copy protection
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Side Notes

R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy
reFUSE Software Lowender 1.4 VST reFUSE Software Lowender 1.4 VST
Soft / VST Instruments 19-09-2015
From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!

While taking the classic "Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.

Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).

Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.