BeatSkillz SlamDawg v1.0.0 MacOSX Incl. Keygen HEXWARS
Soft / VST Instruments 11-12-2015
BeatSkillz SlamDawg v1.0.0 MacOSX Incl. Keygen HEXWARS
As a creative Musician, Artist, Producer or Engineer today, you need speed, inspiration, and Club, Radio ready mixes fast. The Slam Dawg is an audio processing plugin that can get your mixes to sound pro with easy controls.

We have carefully designed this plugin to be extremely intuitive, and easy to get "PHAT” results within minutes.

Easily "HEAT” up your beats , busses, tracks or entire mixes by easily dialing in Tube Harmonics, making your sounds "FULL” & "RICH”, widen your tracks with full mono compatibility with just one dial, or dial in some "AIR” (High Frequency Clarity).

Your tracks today need great Low End Management, and we have designed the perfect controls for that, just use the "BOOM” "THUMP!” & "MUD OUT” controls for just HUGE Low end without the problems.

The "POP” & "CRUSH” Controls are perfect for increasing the loudness of a stem or mix and also retain the "POP” of the transients keeping the mix punchy via "thrusty”compression!

This Plugin is created by modeling the desirable cool settings of popular American and British, compressors, eq’s and Tube Distortion Units.

Get ready to dial in great mixes and beats within minutes.
No need for chains of different plugins anymore!

home page:

http://www.beatskillz.com/shop/slam-dawg/
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LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
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"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”

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ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.

Dynamic Control

ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.

Dial-in the sound of your choice, from heavy distortion to subtle compression

ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.

Choose your frequencies (paid feature)

The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).

Oversampling & Doubling (paid feature)

Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.

Mid/Side Processing (paid feature)

Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.

Main Features:

Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing

Version 2.3.3

- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches
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A plugin to measure and adjust the loudness
similar to the human perception of loudness.

It also provides a unique and fast way to create initial faders up mixes.

All versions of the LUFS Meter are contained in one single plugin. At first it operates as the Evaluation LUFS Meter. If you want to get the Discounted or the full LUFS Meter you can upgrade from within the plugin. If you do so you'll get a license key file which you need to drag and drop over the LUFS Meter to switch to that version.
It is recommended to try the Evaluation LUFS Meter before buying another version.

Side Notes

R2R has decided to release some of their earlier INTERNAL releases to the public today
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Beatskillz Slam Dawg v1.0 Beatskillz Slam Dawg v1.0
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As a creative Musician, Artist, Producer or Engineer today, you need speed, inspiration, and Club, Radio ready mixes fast. The Slam Dawg is an audio processing plugin that can get your mixes to sound pro with easy controls.

As a creative Musician, Artist, Producer or Engineer today, you need speed, inspiration, and Club, Radio ready mixes fast. The Slam Dawg is an audio processing plugin that can get your mixes to sound pro with easy controls.

The SLAM DAWG was designed to take your mixes to the next level from just one plugin.

Slam Dawg

Easy to use
Great on Tracks, Busses and Mixes
Punchy, Clear and Wide Sound
SLAM your Drums, Bass, Vocals, Synths and other sounds
Dry and Wet controls built in
Pro Results without chains of plugins or confusing parameters

We have carefully designed this plugin to be extremely intuitive, and easy to get "PHAT” results within minutes.

Easily "HEAT” up your beats , busses, tracks or entire mixes by easily dialing in Tube Harmonics, making your sounds "FULL” & "RICH”, widen your tracks with full mono compatibility with just one dial, or dial in some "AIR” (High Frequency Clarity).

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This Plugin is created by modeling the desirable cool settings of popular American and British, compressors, eq’s and Tube Distortion Units.

Get ready to dial in great mixes and beats within minutes.

No need for chains of different plugins anymore!

INSTALLATION

OSX :

Double click on the DMG image SlamDawg.dmg
Right click on the package SlamDawg.mpkg and click open
Follow the instructions to install the plug-in(s)
Windows :

Extract SlamDawg.rar
Run SlamDawg.exe
Follow the instructions to install the plug-in(s)
REGISTRATION

In demo mode the plugin will output silence for 3 seconds every 30 seconds.
To register it, you should have a valid license file (slamdawg_license.atl).

Click on the More button and then choose Registration.

A popup window will open, click on Load License File… and locate your license file (slamdawg_license.atl).

SYSTEM REQUIREMENTS

Plugin Formats :

VST/AU/AAX – 64bit /32 Bit

PC/MAC :

Windows XP SP2 or later / OSX 10.6.8 or later
Intel Core 2 Duo 2GHz / AMD Athlon 64 or equivalent
2 GB RAM / 300 MB HD
Screen resolution: 1024×768
VST2, AU, or AAX 32-bit or 64-bit host
Beatskillz That Thing v1.1 WiN/MAC-UNION Beatskillz That Thing v1.1 WiN/MAC-UNION
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There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds.

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Features:

Multi Effects Plugin- Customize your tracks to sound different.
Bit Crusher – Emulate Vintage Drum Machines.
Analog Modelled Chorus – For wide, thick & rich sounds.
Soundscape Generator: Vinyl, Tape, Tube & Nature – 50 included.
Analog Modelled Filters – Low Cut and High Cut Filters.
Great on Drums, Synths, Vocals, Bass, Pads and other sounds.
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Compatibility

DAW application supporting VST 2.4/VST 3/AAX/AU (Mac only) formats

PC: CPU with SSE2 support (Intel Pentium 4 or AMD Athlon 64 and newer), Windows Vista, Windows 7, 8 (32-bit/64-bit)

Mac: Intel Core, Mac OS X 10.7, 10.8, 10.9, 10.10 
CPU speed 1.5 GHz, 50 MB of HDD space, Screen resolution at least 1024x768 (recommended 1280x800 and more)