LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
Soft / VST Instruments 11-12-2015
LVC-Audio ClipShifter v2.3.3.Incl Patched and Keygen WiN/MAC-R2R
"The latest addition to my mastering chain is LVC-Audio’s ClipShifter. It’s the plugin I was looking for a long time and it even surprised me with a whole bunch of additional useful features. It’s a must have for modern urban and dance production!”

Clip, Compress, Distort, or Limit: you get to choose

ClipShifter is a wave-shaping audio plugin that functions like a clipping-style limiter. It provides enough user controls to be useful in all mixing stages: from distorting basses and drums, to maximizing mix buses and warming-up overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.

Dynamic Control

ClipShifter can function as a static clipping effect, but it can also respond to the transient qualities of the incoming signal. The threshold for clipping can be set to either rise or fall as the level of audio increases. The speed can be set using the Attack Time control and the Fast Release button. Let the transients through while distorting the rest, or distort that initial bass thump while letting the rest sound clean. A new feature in version 2.2 is the independent Left/Right (or Mid/Side) Threshold Control. Choose between Independent, Maximum, or Average to determine how the the clipping thresholds dynamically change.

Dial-in the sound of your choice, from heavy distortion to subtle compression

ClipShifter includes controls to change the clip shape and to adjust the harmonic content. Setting the Clip Shape control to maximum produces a hard-clipped sound, while lesser settings verge on subtle compression with minimal auditory distortion. The harmonics control allows you to control the amount of even-order and odd-order distortion.

Choose your frequencies (paid feature)

The multiband crossover gives you finer control. The revised 3-band crossover controls lets you pick which frequencies are processed, and which frequencies are passed through to the output. Each of the three frequencies can be processed independently for maximum versatility. For example, you can choose to process the middle band without processing the hi or low frequencies. The Gain Select control determines if you want the EQ gains to be applied before clipping, after clipping, or as a SideChain effect (i.e., increases and decreases of gain are nullified post processing).

Oversampling & Doubling (paid feature)

Oversampling improves the audio quality on maximum-clipped sounds. For many digital effects, oversampling improves the audio by reducing aliasing effects. ClipShifter internally filters and processes audio at 2X, 4X, or 8X the sample rate to reduce aliasing artifacts. The Double feature processes that entire audio through the clipping algorithm an additional time. This prevents any "overs” (when using ClipShifter as a brickwall limiter) and also alters the harmonic content of the output.

Mid/Side Processing (paid feature)

Similarly to the multiband frequency control, ClipShifter 2.2 allows you to process stereo information separately through the clipping algorithm. The revised M/S controls provide independent clipping processing to the Mid and Side channels. Controls for Gain and Width lets you tailor the output of ClipShifter to the desired depth of stereo field.

Main Features:

Clipping style limiter: from transparent sounding compression to hard clipping distortion
Controls for Clip Shape (hard to soft) and harmonics (even- and odd-order), so you can be in control of the sound
Low CPU usage for running multiple instances on multiple tracks
Visual display of signals using VU-style, PPM-style, and loudness meters to easily monitor input and output levels
Scalable waveform history view with click-and-drag editing of threshold controls to easily change and set clipping levels based on the incoming signal
3-band crossover (paid feature) control utilizing 4th order LR filters for flat crossover response
Independent frequency clipping (paid feature) to target the right frequencies for processing
Selectable EQ gain controls that can be used pre- or post-processing
Oversampling with Double Processing (paid feature) at 2X, 4X, and 8X the incoming sample rate for reducing aliasing

Version 2.3.3

- Fixed issue with AU validation when using free version
- Changed font on OS X so that text is easier to see
- Improved issue with starting/stopping playback and audio glitches

home page:

http://lvcaudio.com/plugins/clipshifter
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Limited-Z is a specialized and easy-to-use limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-Z dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-Z is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion…AND, IT’S FREE!

Limited-Z is based on LVC-Audio’s full-featured mastering limiter, Limited-MAX. It includes many of the underlying limiting processing engines, while simplifying the user interface. This includes a special customized variable clipping algorithm based on LVC-Audio’s ClipShifter. The result is a mastering limiter that is both configurable and useful, without a significant learning curve. Internally, Limited-Z includes attack and release controls, look-ahead, stereo linking, program-dependent release timing, dynamic EQ, and DC filtering; however, these internal settings are packaged into several unique limiter modes.

Although Limited-Z is a designed to be easy to use, it includes many standard and useful LVC-Audio features. This includes an output meter including VU-style, PPM-style, and loudness metering; waveform history display with RMS; adjustable scale for all metering; AutoGain control (for auditioning the sound of the limiter without volume changes); undo/redo history; and A/B comparison controls.

The paid version of Limited-Z adds the following features:

Selectable secondary metering that includes Input Level, estimated Distortion Level, and ISP meter
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Adjustable X/Y controls for the Dynamic Algorithm settings for easily fine-tuning the limiter’s overall sound and aggressiveness

Version 1.0.1c

- Fixed issue with occasional AU validation failure with free version
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- Changed font on OS X so that text is easier to see
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Kazrog KClip v1.0.2 VST AU AAX Kazrog KClip v1.0.2 VST AU AAX
Soft / VST Instruments 11-11-2015
Kazrog KClip is the most transparent way to increase the apparent loudness of your mixes during mastering. If you’ve been envious of pro mastering studios with expensive high end converters that clip elegantly as a final mastering stage, KClip will get you as good (if not better) results 100% in the box. Whether you want to make smooth, dynamic mixes, or whether you have clients who demand you help them win the loudness wars (does anyone win?) – KClip will ensure that your mix retains clarity and musicality.

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Insanely high quality 16x oversampling implementation – lower aliasing noise than any competing clipper plugin we’ve tested (check out our tests here.)
Linear phase signal path.
Adjustable clipping shape (all the way from hard clipping to soft clipping, and everything in between.)
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Not just for mastering – use KClip to fatten up synths, add warm overdrive to vocals, bass, guitar, and more!
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Blue Cat's Dynamics is a full featured dynamics processor: it can be used as a compressor, limiter, gate, expander, waveshaper or all at once! The dynamics response of the plug-in can be tweaked with a unique two-thresholds system, and provides detailed visual feedback about its behavior.

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The package includes a mono and a stereo version for optimal CPU usage.

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- Best quality: up to 4x oversampling for the best sounding quality.
- Multiple side chaining modes: a unique way to perform side chain compression, ducking, gating and much more.
- Fully configurable user interface for optimal experience.

Blue Cat Audio Standards:

- Native DSP code for optimal performance.
- Full MIDI control and automation support with silent, zipper-free parameters update, advanced response control and MIDI Learn.
- No CPU load on idle: when the plug-in is fed with silence, the processing smoothly shuts down, to optimize the CPU usage of your Digital Audio Workstation.
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- Automation and MIDI output: record output parameters as automation curves or send MIDI CC messages to other plug-ins for powerful side chain effects.
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- Any sample rate supported.
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Whether you want to make smooth, dynamic mixes, or whether you have clients who demand you help them win the loudness wars (does anyone win?) – KClip will ensure that your mix retains clarity and musicality.
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Insanely high quality 16x oversampling implementation – lower aliasing noise than any competing clipper plugin we’ve tested (check out our tests here.)
Linear phase signal path.
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Not just for mastering – use KClip to fatten up synths, add warm overdrive to vocals, bass, guitar, and more!
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Kazrog KClip is the most transparent way to increase the apparent loudness of your mixes during mastering. If you’ve been envious of pro mastering studios with expensive high end converters that clip elegantly as a final mastering stage, KClip will get you as good (if not better) results 100% in the box. 

Whether you want to make smooth, dynamic mixes, or whether you have clients who demand you help them win the loudness wars (does anyone win?) – KClip will ensure that your mix retains clarity and musicality.
KClip Features

Insanely high quality 16x oversampling implementation – lower aliasing noise than any competing clipper plugin we’ve tested (check out our tests here.)
Linear phase signal path.
Adjustable clipping shape (all the way from hard clipping to soft clipping, and everything in between.)
Guard toggle ensures that no intersample peaks exceed 0dB.
Not just for mastering – use KClip to fatten up synths, add warm overdrive to vocals, bass, guitar, and more!
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News V2.0

New compressors inside
New parameters for compression
New saturation system
New shortcuts
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS