Sonoris Multiband Compressor v1.0.0.0 Incl Patch and Keygen WiN/OSX-R2R
Soft / VST Instruments 10-12-2015
Sonoris Multiband Compressor v1.0.0.0 Incl Patch and Keygen WiN/OSX-R2R
The Sonoris Multiband Compressor is a versatile multiband compressor suitable for mastering or mixing. It is meant to be a compressor that can be very transparent but also have some "character”.

It has three independent frequencybands followed by three compressors based on the Sonoris Compressor. The three bands are created with special designed filters to avoid phase cancellation problems. These filters are known as Linkwitz-Riley crossover filters and have a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce delay and are more efficient in use.

Transparency can be achieved by selecting auto-release and opto envelope emulation together with two soft knees. If a more warm sound is needed you can for example choose RC envelope emulation with a harder knee.

The SMBC has three high resolution gain reduction meters and a transfer graph, so you can actually see what you are doing. The ratio is allowed to be lower than 1 so it’s also an expander. Maximum ratio is infinity for limiting action.

The individual bands can also set to limiting, what results in a multiband limiter!

The output section of the SMBC also features a limiter. This guarantees that the output will never exceed the 0dB point. This limiter can also be used as an effect to "warm” up a signal.

The SMBC is able to process one channel only. With this feature, in combination with the Sonoris MS Codec, it is possible to perform very powerful processing in the MS domain. 

Side Notes

R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy

home page:

http://www.sonorissoftware.com/catalog/multiband-compressor-p-36.html
Related articles
Lindell ChannelX (All) OSX Plugins-0RGan1c Lindell ChannelX (All) OSX Plugins-0RGan1c
Soft / VST Instruments 19-11-2015
The Channel X bundle contains the 3 plugins :

6X-500 preamp / filters plugin
7X-500 FET compressor plugin
PEX-500 passive EQ plugin

Key features
Pre

Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities

Comp

Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities

EQ

Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode

Compatibility
Mac

AudioUnits : 32 bits, 64 bits
VST : 32 bits, 64 bits
VST3 : 32 bits, 64 bits
AAX : 32 bits, 64 bits
RTAS
Wave Arts Powersuite v5.84 x32 x64 WiN/MAC Wave Arts Powersuite v5.84 x32 x64 WiN/MAC
Soft / VST Instruments 14-11-2015
The Wave Arts Power Suite 5 Mixing & Mastering Plug-in Bundle introduces a powerful set of recording and mastering tools for your Audio Suite, RTAS, VST, MAS and DirectX compatible host software. Whether you are a professional or project studio engineer, sound designer or post production video editor, this set of 5 plug-ins deliver professional quality dynamics, EQ, limiting, multiband compression and panoramic processing to suite all of your mixing and mastering needs.

TrackPlug 5

10 bands of professional, 64-bit EQ
EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
Brickwall lowpass/highpass filter section
Third-octave spectrum analysis display
Dual multi-mode compressors and a gate
Clean, vintage, peak, and RMS dynamics modes
Sidechain EQ support on each dynamics section
External sidechain support (RTAS, AU and MAS)
Adjustable lookahead delays
Peak limiter
Comprehensive metering
Master preset manager and preset manager per section
Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
Latency compensation
Fully automatable
Up to 192K support
Mono or stereo

MasterVerb 5

Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
3-band EQs for early and late frequency response adjustment
Early/late and wet/dry controls for adjusting mix
Triggered envelope control for special effects such as gated and reverse reverb
Graphical "character" control allows you to quickly adjust the size and decay time of the space
Time response plot showing delays, early reflections, late reverb, and envelope
3-D frequency response plot of reverb decay
Over 60 presets
No latency
Fully automatable
Up to 192 kHz support

FinalPlug 5 Peak Limiter / Maximizer

Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
Auto release control for greater sonic clarity
Bit depth truncation from 4 to 24 bits
TPDF dithering
Comprehensive noise shaping options, choose between 12 noise shapes
Presets for CD and DVD-audio mastering and track compression
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo

MultiDynamics 5 Multiband Dynamics

Up to 6 independent bands
Proprietary crossover filter network eliminates amplitude distortion between bands
6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
Full featured compressor or expander/gate per band
Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
Per band and All band control editing
Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
Per band Bypass, Solo and Mute controls
Comprehensive visualization of input levels and dynamic EQ response
Adjustable lookahead
No latency if lookahead is off
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo

Panorama 5

Position and move sound in three dimensions
Cartesian or polar coordinates
Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
Integrated reverberation and distance cues
Separate sections for early reflection modeling and late reverberation
Control dimensions and surface material of all six surfaces of the room
Early reflections are spatialized using HRTFs
Doppler pitch effect
Processing for playback over loudspeakers or headphones
Crosstalk canceling based on real head models
Ships with 10 human and 1 dummy-head HRTF set
Can load user-provided HRTFs
Full automation support for creating moving sounds
Up to 192 kHz sampling rate
Mono or stereo inputs (always stereo outputs)

Wave Arts has updated their plug-ins:

Power Suite - v5.84.
Master Restoration Suite - v5.84.
Tube Saturator 2 - v2.02.
Dialog - v1.34.
Tube Saturator (legacy version) - v1.34.

All formats:
Fixed missing mkl_wavearts.dll in Windows Dialog installer.
Fixed bug that could cause false noise learning trigger in Dialog and MR Noise.
Fixed Dialog limiter enable affecting compress section preset modified.
Increased size of MR Click event buffer to fix display with small audio buffer sizes.
Updated PN and TP section presets to fix missing section preset issues.
Tools->Use As Default now works properly, loads selected preset when GUI opens for the first time.
To cancel "Use As Default", select Tools->Use As Default menu item holding SHIFT key.
Fixed possible crash with Windows 64-bit plugs when closing GUI due to text edit window not deleted.
Main preset bar shows first preset matching current parameters, else modified preset with "*".
Section presets show first preset matching current parameters, else modified preset with "*".
TS2 now reports latency to host for delay compensation.

Install Instructions: At setup, choose Wave arts in License Method. NOT THE ILOK ONE. And not AAX (ILOK only) Run one of the plugins in your DAW, grab your machine code, run the keygen and generate a key code. Enjoy.
Voxengo Deft Compressor v1.6.1.Incl.Keygen WiN/MAC Voxengo Deft Compressor v1.6.1.Incl.Keygen WiN/MAC
Soft / VST Instruments 14-11-2015
Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce "slim” and "slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and release stages. S-curve timing function also helps compressor to sound "warm” and "clean” at most settings.

While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to "smash” audio signal if you use attack settings as low as 0.01 millisecond. Even though the S-curve is the marked feature of Deft Compressor, you can smoothly change it to a steeper L-shape by adjusting the "Punch” parameter.

Deft Compressor also features a so called "vintage” compression mode which produces compression sound reminiscent of analog tube compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Beside that, you may switch between the "feed-forward” and "feedback” compression modes. 

Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.

Deft Compressor features:

Adjustable S-curve timing function
"Vintage” compression mode
Feedback compression mode
Auto make-up gain
External side-chaining
Key signal filtering
Stereo and multi-channel processing
Internal channel routing
Channel grouping
Up to 8x oversampling
64-bit floating point processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages
All sample rates support
Zero processing latency

Version 1.6 includes the following changes:

Fixed crash in WaveLab 8.5.
Implemented color scheme editor with load and save functions.
Added "Brown", "White" and "Cyan" color schemes.
Redesigned the infrastructure controls.
Made internal channel names start at "C" to reduce confusion with the A/B comparison buttons.
D16 Group Devastor 2 v2.00 [k] D16 Group Devastor 2 v2.00 [k]
Soft / VST Instruments 28-10-2015
Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

Structure

The plug-in consists of four essential blocks:
• Dynamics-flattener module (one-knob controlled input signal compressor)
• Diode-clipper distortion
• Three multi-mode filter sections
• Optionally activated signal limiter

The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.

Devastor’s filters are not simply the peaking EQ type which are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, band pass and band reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!

Versatile and advanced
Devastor can be used to distort and enhance a wide range of sounds, from full-on acid synth sounds to guitar fuzz or an analog amp with speaker combo. It can even be used with drums to make them sound dirtier and more dynamic! Devastor isn't just good at creating distorted, monster sounds: it can also be used subtly to improve the timbre and character of gentler sounds. For example, reducing the preamp gain, increasing the threshold, and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.

When designing Devastor, we applied special antialiasing techniques to the output signal to make sure it was devoid of aliasing (one of the reasons why digital distortion units can sound so cold and un-musical). As a result, Devastor has a warm, musical, and very high quality sound.

We would like to invite you to listen the audio examples to whet your appetite and to check out the demo version for yourself if you need any more convincing. Devastor uses algorithms of such high quality that you'd be forgiven in a blind test for wondering if the sound has somehow been sent from the computer to an external analog distortion unit and back into the computer again!
Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched
Soft / VST Instruments 10-10-2015
The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ. 

Key features:

Pre

Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities

Comp

Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities

EQ

Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode
Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro Synthblitz Audio DNX 03 Multiband Compressor v2.0 Hy2ro
Soft / VST Instruments 13-09-2015
DNX-03 is a three-band stereo Compressor (win vst plugin) inspired by the analog models,
with some added features such as noise reduction and wide stereo control for
each individual freq-band.
The DNX-03 is able to split the incoming signal into three frequency-bands using a
6dB per octave crossover.

First-order filters are considered by many audiophiles to be ideal for crossovers.

Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.

News V2.0

New compressors inside
New parameters for compression
New saturation system
New shortcuts
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS