Stw Audio REFLEXplus v3.0.1.DUALOS-REVENGE
REFLEX+ V3 is the third generation of the delay algorithm based echo/reverb unit REFLEX+ ambience effect plugin. It is capable of generating huge spaces as well as modulated echoes and reverb through a cascade of regenerating delays and thus is an ideal tool for big ambient atmospheres. Beside common and expanded mono/stereo and cross delays REFLEX+ provides everlasting reverb as well as special modulation effects which will enrich all kind of sources to an inimitable ambient sound cloud.
REFLEX+ is your perfect companion for unique ambience effects!
Short reflections up to endless reverberation
Syncable delay times
2 independent effect slots (REFLEX lines)
4 syncable LFO with variable target and output settings
Time, Pan, Filter and Amp modulation
7 filter types
7 Delay/Reverb algorithms
Preset manager (ships with more than 150 factory presets)
XILS-Lab XILS 3 LE v2.0.3 MacOSX
Capable of producing both a very wide range of classic analog sounds, and sounds no other analog synth can do, The XILS 3 LE V2.0 cumulates an authentic emulation of the Synthi ( VCS 3 ) modular synthesizer and a replica of the 256 Analog Sequencer, its natural companion.
Add to the pile the Analog Chorus with its three modes, the analog Delay, and the vintage Spring Reverb ... the picture emerges.
In the XILS 3 LE V2.0, you can connect everything with everything, and you get more than 440 possible different connections per patch. At Audio Rate, so that each of the 6 oscillators can perform as an LFO for example.
An endless source of inspiration for those who want to go deep into the heart of Analog Modular Synthesis.
Input modules : Gate, Transient, Envelope Follower and Pitch Tracker also transform the XILS 3 LE V2.0 into a powerful VST-AU Effect Processor !
6 Oscillators grouped in 3 pairs, with WaveShaping (on sine wave, saw, triangle and square)
1 Noise Oscillator ( With Noise color )
1 Analog Filter, Non Linear and zero delay Behaviors, with 3 Modes (12/18/24 dB LowPass)
1 Trapezoidal Envelope Generators, Looping EG in the time of analog (Switchable to ADSR )
Polyphonic Ring Modulator
2 independent outputs feeding the Stereo Bus, each with one analog Lp/Hp filter
Programmable Joystick Vector Controller
Polyphonic Sequencer with 3 independent lines, Slew rates, 3 recording modes.
Sequencer can behave as modulation source.
Pitch Tracker, Envelope Follower, Transient, Gate Modules
Chorus, Delay, Spring Reverb
6 Play modes (including Unison 2/4/6 ), Polyphonic and mono Portamento/Glissando/Legato, 2 different Keyboard Scaling, Polyphonic Aftertouch and VCA handling.
Hundreds of presets made by worldwide famous Sound Designers
Preset Database Engine ( Find the right patch in a flash, create your own tags )
Comprehensive manual with a getting started and tutorial sections
Instrument or Effect plug-in
Wave Arts Powersuite v5.84 x32 x64 WiN/MAC
The Wave Arts Power Suite 5 Mixing & Mastering Plug-in Bundle introduces a powerful set of recording and mastering tools for your Audio Suite, RTAS, VST, MAS and DirectX compatible host software. Whether you are a professional or project studio engineer, sound designer or post production video editor, this set of 5 plug-ins deliver professional quality dynamics, EQ, limiting, multiband compression and panoramic processing to suite all of your mixing and mastering needs.
10 bands of professional, 64-bit EQ
EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
Brickwall lowpass/highpass filter section
Third-octave spectrum analysis display
Dual multi-mode compressors and a gate
Clean, vintage, peak, and RMS dynamics modes
Sidechain EQ support on each dynamics section
External sidechain support (RTAS, AU and MAS)
Adjustable lookahead delays
Master preset manager and preset manager per section
Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
Up to 192K support
Mono or stereo
Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
3-band EQs for early and late frequency response adjustment
Early/late and wet/dry controls for adjusting mix
Triggered envelope control for special effects such as gated and reverse reverb
Graphical "character" control allows you to quickly adjust the size and decay time of the space
Time response plot showing delays, early reflections, late reverb, and envelope
3-D frequency response plot of reverb decay
Over 60 presets
Up to 192 kHz support
FinalPlug 5 Peak Limiter / Maximizer
Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
Auto release control for greater sonic clarity
Bit depth truncation from 4 to 24 bits
Comprehensive noise shaping options, choose between 12 noise shapes
Presets for CD and DVD-audio mastering and track compression
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
MultiDynamics 5 Multiband Dynamics
Up to 6 independent bands
Proprietary crossover filter network eliminates amplitude distortion between bands
6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
Full featured compressor or expander/gate per band
Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
Per band and All band control editing
Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
Per band Bypass, Solo and Mute controls
Comprehensive visualization of input levels and dynamic EQ response
No latency if lookahead is off
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo
Position and move sound in three dimensions
Cartesian or polar coordinates
Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
Integrated reverberation and distance cues
Separate sections for early reflection modeling and late reverberation
Control dimensions and surface material of all six surfaces of the room
Early reflections are spatialized using HRTFs
Doppler pitch effect
Processing for playback over loudspeakers or headphones
Crosstalk canceling based on real head models
Ships with 10 human and 1 dummy-head HRTF set
Can load user-provided HRTFs
Full automation support for creating moving sounds
Up to 192 kHz sampling rate
Mono or stereo inputs (always stereo outputs)
Wave Arts has updated their plug-ins:
Power Suite - v5.84.
Master Restoration Suite - v5.84.
Tube Saturator 2 - v2.02.
Dialog - v1.34.
Tube Saturator (legacy version) - v1.34.
Fixed missing mkl_wavearts.dll in Windows Dialog installer.
Fixed bug that could cause false noise learning trigger in Dialog and MR Noise.
Fixed Dialog limiter enable affecting compress section preset modified.
Increased size of MR Click event buffer to fix display with small audio buffer sizes.
Updated PN and TP section presets to fix missing section preset issues.
Tools->Use As Default now works properly, loads selected preset when GUI opens for the first time.
To cancel "Use As Default", select Tools->Use As Default menu item holding SHIFT key.
Fixed possible crash with Windows 64-bit plugs when closing GUI due to text edit window not deleted.
Main preset bar shows first preset matching current parameters, else modified preset with "*".
Section presets show first preset matching current parameters, else modified preset with "*".
TS2 now reports latency to host for delay compensation.
Install Instructions: At setup, choose Wave arts in License Method. NOT THE ILOK ONE. And not AAX (ILOK only) Run one of the plugins in your DAW, grab your machine code, run the keygen and generate a key code. Enjoy.
STW Audio REFLEX Plus v3.0 WiN/MAC-UNION
REFLEX+ V3 is the third generation of the delay algorithm based echo/reverb unit REFLEX+ ambience effect plugin.
It is capable of generating huge spaces as well as modulated echoes and reverb through a cascade of regenerating delays and thus is an ideal tool for big ambient atmospheres. Beside common and expanded mono/stereo and cross delays REFLEX+ provides everlasting reverb as well as special modulation effects which will enrich all kind of sources to an inimitable ambient sound cloud.
•Short reflections up to endless reverberation
•Syncable delay times
•2 independent effect slots (REFLEX lines)
•4 syncable LFO with variable target and output settings
•Time, Pan, Filter and Amp modulation
•7 filter types
•7 Delay/Reverb algorithms
•Preset manager (ships with more than 150 factory presets)
LiquidSonics Reverberate 2.000 WiN
Reverberate 2 is a modulated true-stereo hybrid convolution reverb audio processor for Mac and PC. Using a unique mix of advanced signal processing technology it creates a unique rich and dynamic reverb with unrivaled sonic capabilities.
Reverberate 2 introduces Fusion-IRs, an innovative approach to convolution reverb creating a lively, organic reverberation that is impossible to achieve with traditional static convolution.
Fusion-IR processing captures the evolving character of time-varying reverbs using multiple true-stereo reverb streams that are processed simultaneously. The inputs to the convolution streams are modulated and the outputs fused into a rich, captivating space that mixes effortlessly with your music.
Fusion-IRs contain separately sampled early and late reverb components for a level of mix control never before found in convolution reverbs or sample packs.
By using a modulated mix of two separately controllable true stereo or Fusion-IRs incredibly musical and convincing reverbs are possible far surpassing traditional convolution plugins.
Further modulation is possible using post-processing effects including an all-pass interpolator chorus, modulated delay, modulated EQ and separately controllable early / late reverb pitch modulators.
Dual True Stereo and Fusion-IR Reverb Processors
The dual reverb processor manipulation views (IR1 and IR2) are shown below using different impulse response modes (true-stereo, Fusion-IR and synthetic IR).
Pre-convolution effects include dedicated time-varying equalisers to control how an EQ develops as a reverb tail progresses. Split early/late pitch modulation can provide a spin and wander modulation effect to the early and late components of a reverb.
Here the browser is hidden to reduce the space taken on-screen.
Reverberate (EQ editor view) Reverberate (EQ editor view) Reverberate (post-effect chorus view)
Post-convolution effects can be used to increase the motion within a reverb. Delay and chorus can be applied to IR1, IR2 and the master chains independently, and a modulated EQ runs on the master.
Reverberate (post-effect EQ view) Reverberate (mixer view) Reverberate (mixer view)
Flexible Mixing and Routing
The final mix page where panning, gain and mix modulation can be applied is shown. The settings page where global plugin controls are made precedes a montage of alternative interface themes.
Togu Audio Line Sampler v1.4.6 WiN/MAC-UNION
TAL-Sampler is not just a sample player. It's a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.
Don't expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.
It's possible to choose between different digital analog converters (DAC's) to get the vintage sound of different hardware samplers inside your DAW. We don't make cheap bit crushing or decimation on the output signal. We really down-sample the sample to the desired sampling frequency, then process the data depending on the chosen DAC and up-sample it to the desired pitch. Most DAC modes offer a LEVEL slider. This feature allows the user to reduce the volume of the recorded sample and decreases the sample quality. Load your favorite high quality sample and make it sound vintage and noisy. The 24dB low pass filter will like it!
Following diagram shows the signal flow if you choose the DAC Emu II mode:
The plug-in has four layers an can play four samples simultaneous. There is also a simple SFZ import for samples that imports the mapping and sample paths, but the plug-in also contains an easy to use mapping editor.
TAL-Sampler is available in the VST, Audio Unit and AAX plug-in format. You can load and play your own samples in every common sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac). Import samples with drag & drop from finder or explorer. There is also an intuitive sample browser that helps to find samples fast.
Some nice additions like a vintage real-time time stretcher and the possibility to modulate or automate the sample loop positions.
Vintage DAC modes (Emu II, AM6070, Sample Hold).
Steep 96dB low-pass reconstruction filter (Emu II and AM6070 F).
Variable sample rate.
Four sample layers.
Three AHDSR envelopes with vintage Digital / RC mode.
Three LFO's (Triangle, Saw, Rectangle, Random, Noise).
High Quality effects (Reverb, EQ, Delay).
Self resonating zero feedback delay filter (24/12/6 dB LP).
Wide range of audio formats supported (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac).
Scalable high resolution user interface.
The possibility to change font and background colour.
Fast sample and preset loading.
More than 100 presets available as download (on the right).
Mark Studio 1.1.1 PC Mobile Device Editon-BEAT
The Mark Studio 1 plugin has been designed to faithfully simulate the sound of Markbass amplification in any DAW application or live situation. No matter what kind of bass you use, the Mark Studio 1 plugin will always give you a very musical array of bass sound choices. It's an indispensable tool to anyone who records on a computer and wants to improve the sound of the bass either during or after recording.
* Three top-class Markbass amp models: TA501, R500 and Classic 300
* Six Markbass cabinets: STD 151HR (rear-ported 1x15"),STD 152HR (rear-ported 2x15"), STD 104HR (rear-ported 1x15"),STD 104HF (front-ported 4x10"), STD 106HF (front-ported 6x10"), and Classic 108(sealed 8x10")
* Choice of 6 microphones, plus a preset combination of 2 front microphones
* Faithful reproduction of every characteristic and nuance of Markbass amps and cabinets
* Ultra-flexible signal path makes it easy to balance the Direct (plugin) input, Line Out (amp direct Out) and Mic Output levels
* More than one microphone can be used simultaneously: main (woofer), tweeter and, where applicable, rear bass reflex (port).
* Each mic/cabinet combination has been recorded in a high-end studio by the best Italian sound engineers
* Ultra Bass frequency control for extra-deep sound with one mouse click
* 64 factory presets designed by top engineers and Markbass artists and 64 storable user presets