Boz Digital Labs Manic Compressor v1.0.3 WiN RETAiL
Soft / VST Instruments 2-12-2015
Boz Digital Labs Manic Compressor v1.0.3 WiN RETAiL
Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power

Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors

Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse

With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past (unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.

home page:

http://www.bozdigitallabs.com/product/manic-compressor
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Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power

Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors

Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse

With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past
(unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.


Boz Digital Labs Manic Compressor v1.0.2B MAC OSX-Kleen Boz Digital Labs Manic Compressor v1.0.2B MAC OSX-Kleen
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Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.

Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.

Maximum Parallel Power
Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.

With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.

6 Different Compressors
Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.

Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.

Built for Abuse
With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past (unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.

INSTALLATION

– Copy cracked AU or VST into your Plug-Ins folder
– Copy Presets folder "Manic Compressor" into your Library>Application Support folder
– Enjoy!

Lindell ChannelX (All) OSX Plugins-0RGan1c Lindell ChannelX (All) OSX Plugins-0RGan1c
Soft / VST Instruments 19-11-2015
The Channel X bundle contains the 3 plugins :

6X-500 preamp / filters plugin
7X-500 FET compressor plugin
PEX-500 passive EQ plugin

Key features
Pre

Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities

Comp

Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities

EQ

Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode

Compatibility
Mac

AudioUnits : 32 bits, 64 bits
VST : 32 bits, 64 bits
VST3 : 32 bits, 64 bits
AAX : 32 bits, 64 bits
RTAS
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Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce "slim” and "slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve (sigmoid curve) on both attack and release stages. S-curve timing function also helps compressor to sound "warm” and "clean” at most settings.

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Deft Compressor also features a so called "vintage” compression mode which produces compression sound reminiscent of analog tube compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Beside that, you may switch between the "feed-forward” and "feedback” compression modes. 

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Deft Compressor features:

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"Vintage” compression mode
Feedback compression mode
Auto make-up gain
External side-chaining
Key signal filtering
Stereo and multi-channel processing
Internal channel routing
Channel grouping
Up to 8x oversampling
64-bit floating point processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages
All sample rates support
Zero processing latency

Version 1.6 includes the following changes:

Fixed crash in WaveLab 8.5.
Implemented color scheme editor with load and save functions.
Added "Brown", "White" and "Cyan" color schemes.
Redesigned the infrastructure controls.
Made internal channel names start at "C" to reduce confusion with the A/B comparison buttons.
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with some added features such as noise reduction and wide stereo control for
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The DNX-03 is able to split the incoming signal into three frequency-bands using a
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First-order filters are considered by many audiophiles to be ideal for crossovers.

Each band is passed through a compressor and then through a stereo processor
where compression,gain and stereo image can be altered and improved.
The outputs of the compressors and processors are then re-combined and
fed to the master output.

News V2.0

New compressors inside
New parameters for compression
New saturation system
New shortcuts
New Fine and Ultrafine Control for Knobs (improve controls for mastering session)
Four modes of operation
New Frequency band parameters (now 33Hz to 18.000Hz - full control sub and super-high)
New Vu Meter (virtual coil) over 6dB
New LED Meters (large scale) for reduction
New Vu Meter LED for output (large scale) over 8 dB
New numerical meters for dB RMS