Tokyo Dawn Labs Releases TDR Nova Dynamic Equalizer WiN/MAC
Soft / VST Instruments 21-11-2015
Tokyo Dawn Labs Releases TDR Nova Dynamic Equalizer WiN/MAC
Tokyo Dawn Labs has introduced TDR Nova, a freeware parallel dynamic equalizer effect in VST/AU/AAX plugin formats for Windows and Mac OS based host applications.

Apparently, the latest Tokyo Dawn Labs freebie is based on the fantastic free Nova-67P equalizer which was actually selected as the #1 pick in our last year’s epic round-up of top freeware VST plugins. The old Nova-67P was developed as a KVR Developer Challenge entry by Vladislav Goncharov aka vladg/sound, who is now a member of the Tokyo Dawn Labs developer trio (joined by Bootsy from Variety Of Sound). We like to call these guys the freeware developer supergroup.

The brand new TDR Nova equalizer brings an improved set of features, packed in a much more refined user interface (although we were quite fond of the no-frills scientific look of the original Nova-67P plugin). TDR Nova sports a classic parametric equalizer layout, expanded with an elaborate dynamics section. The plugin is suitable for extremely precise and versatile dynamic processing of the audio material on the input, be it a full stereo mix or a single audio track. It can work well as your standard bread and butter parametric EQ, as well as a powerful dynamics processor with frequency selective compression and multi-band compression for mastering purposes.

Users who haven’t used dynamic equalizers in the past should definitely take a look at the provided user manual in PDF format, as it describes the basic concepts of dynamic EQ processing and explains how they apply to TDR Nova. The built-in spectrum analyzer and the excellent equal loudness functionality make TDR Nova an intuitive mixing and mastering equalizer for newcomers, as well as experienced users. The most impressive thing about TDR Nova is how easily it transforms from a simple parametric EQ into a super-precise dynamic equalizer.

home page:
Related articles
Plug And Mix PRO-Series v1.0.2 MAC OSX Plug And Mix PRO-Series v1.0.2 MAC OSX
Soft / VST Instruments 19-11-2015
The "Pro Series” collection includes "E-Max” a transparent linear phase equaliser, "OptoMax” a powerful opto compressor and "Tube Exciter” a subtile tube exciter and sub bass enhancer. 

The Ultimate Precision 'Pro Series' Pack includes 3 professional plug-ins that are part of a new collection called "Pro Series” Plug-ins. The "Pro Series” plug-ins have been designed to reflect the need and requests of P&M’s most demanding professional customers that use the 'V.I.P. Series' plug-ins in their daily tasks. The "Pro Series” collection includes "E-Max” a transparent linear phase equaliser, "OptoMax” a powerful opto compressor and "Tube Exciter” a subtil tube exciter and sub bass enhancer.

Emax :
The P&M "Emax” is a professional Equalizer that is one of the most essential tools for any producer, mixing or mastering engineer. P&M E-Max Equalizer provides the highest quality tool for sculpting your sound with a stunning new interface for precise control. E-Max goes beyond the expectations of a normal EQ with its built in Sonic Maximizer for extra "sweetening” and a Linear Phase mode for mixing & mastering which preserves the transients and transparency of your music.

OptoMax :
The P&M "OptoMax” is a state of the art plug-in for use in your favorite digital audio workstation. OptoMax is designed to give you precision dynamic control over any type of media whether its vocals, drums or entire compositions. The plug-ins intuitive user interface allows for effortless control over compression levels, and frequency side-chaining, as well as other crucial sonic analysis tools.

Tube Exciter :
The P&M Tube Exciter delivers punch, clarity and sparkle to any signal you run through it. The plug-in features Tube Exciter, Tube Saturation and Sub Bass enhancers which can enrich your sound in subtle and drastic ways. The plug- in’s unique interface allows for precision adjustments using elegant graphical curves and audio analysis tools giving you a realtime window into the sound processing. P&M Pro Tube Exciter can be used on practically any audio source to improve the sound: From Broadcast and Live P.A. systems, to recording Guitars, Vocals and Bass, to Mixing and Mastering your songs.

Use the included Keygen to authorize the Plug-Ins!
Or use the included Serial Numbers.

System Requirements:
Mac OS 10.6 and above
Macintosh Intel 1.5 GHz
32 & 64 bit Support

Updated: November 13, 2015 
Today we are proud to announce the 1.0.2 version of the Pro Series Plug-ins. Included in this new version are improved ProTools 11 and 12 compatibility and minor bug fixes.
Lindell ChannelX (All) OSX Plugins-0RGan1c Lindell ChannelX (All) OSX Plugins-0RGan1c
Soft / VST Instruments 19-11-2015
The Channel X bundle contains the 3 plugins :

6X-500 preamp / filters plugin
7X-500 FET compressor plugin
PEX-500 passive EQ plugin

Key features

Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Passive Pultec Equalizer
Transformer Balanced Input and Output
Precision 5 Slopes Low Pass and High Pass Filters
Analog Warmth and Non Linearities


Faithful hardware circuit emulation of the Lindell audio 7X-500 module
FET feedback compressor with classic 1176 sound
Mix control for parallel compression
3 step or continuous attack time
3 step or continuous release time
High pass side chain filter
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Transformer balanced output
Adjustable stereo link
Analog warmth and non linearities


Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Pultec Style Equalizer
Passive Eq design with a hybrid opamp gain make up circuit
Transformer balanced output
Analog warmth and non linearities
Mid / side stereo processing mode


AudioUnits : 32 bits, 64 bits
VST : 32 bits, 64 bits
VST3 : 32 bits, 64 bits
AAX : 32 bits, 64 bits
Mercuriall Audio U530 Guitar Amplifier WiN/MAC Mercuriall Audio U530 Guitar Amplifier WiN/MAC
Soft / VST Instruments 16-11-2015
Mercuriall Audio Software has introduced U539 Free, a freeware feature-limited version of their Tube Amp Ultra 530 virtual guitar amplifier in VST and AU plugin formats for Windows and Mac OS.

The free version of the plugin is based on the same user interface as the full product, however most of the on-screen controls are actually inactive. The gain controls and equalizers on both channels are set to a fixed value, the chorus parameters can’t be changed and the plugin is locked to 2X aliasing, fast processing algorithm, a single tube emulation (12AX7-TS) and a single cabinet model (4×12 Modern V30). Apart from these limitations, U539 Free is the same as the full product and it can definitely come in handy for processing guitars if you don’t mind the lack of the aforementioned features.

The plugin emulates the ENGL E530 tube preamp. It sounds really well on metal guitars of course, but I’ve also gotten some interesting results on other types of sounds like pads/textures and even percussion. The fact that the cabinet module is fully operational makes U539 Free a very interesting tool for achieving lo-fi style effects such as emulating the sound of speakers and old audio gear in general. The microphone position can be altered as well (smooth crackle-free adjustments across both axes), adding to the plugin’s tonal flexibility despite the lack of EQ control in the free version. The CPU hit is reasonably low for a guitar tube emulation, ranging between 4% and 7% on a single core processor.

The full version of Tube Amp Ultra 530 is priced at $59.99 and includes all of the features that are disabled in the free version. U539 Free can be downloaded directly from the developer’s website. There’s no need to sign up for a user account or join a mailing list.

Voxengo Soniformer v3.6 Incl.Keygen WIN.MAC OSX Voxengo Soniformer v3.6 Incl.Keygen WIN.MAC OSX
Soft / VST Instruments 11-11-2015
Voxengo has released Soniformer version 3.6. Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications, available in AudioUnit, VST and VST3 plugin formats (including native 64-bit support), for Mac OS X (v10.6 and later), and Windows computers.

The update includes the following changes:
Added "Cyan" color scheme.
Added 90%, 110% and 150% visual scales.
Made the user interface scale switchable without host reload.

Every parameter in Soniformer is defined by means of a graphic envelope which is freely-modifiable and which may contain unlimited number of control points. Beside usual threshold, attack, release and compression/expander ratio parameters Soniformer offers a user control over "stereo width" and "panning" parameters designed to make Soniformer an effective tool for stereo field adjustments.

Soniformer features:
32-band dynamics processor.
Envelope-driven parameters.
32-band "analog" spectrum analyzer.
Stereo balance and correlation meters.
Multi-band panning.
Narrow-band sweeping.
Stereo and multi-channel processing.
Internal channel routing.
Channel grouping.
Mid/side processing.
Up to 8x oversampling.
64-bit floating point processing.
Preset manager.
Undo/redo history.
A/B comparisons.
Contextual hint messages.
All sample rates support.
11 ms compensated processing latency.
G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro G-Sonique GSXL4070 Parametric Equalizer (x86/x64) Hy2ro
Soft / VST Instruments 21-09-2015
GSXL4070 is G-Sonique´s new parametric equalizer inspired / based on the famous British mix console equalizers. GSXL4070 offers a modern solid
state analog electronic sound without any unwanted or over saturated coloring of the signal (like with vacuum tube or vintage EQ's), but it still has a very
intense, rich and significant sound.

GSXL4070 is a fully parametric stereo equalizer with 4 bands (LF, LMF, HMF, HF) and HP (BASS CUT), Q control, and +-12db attenuation/boosting of each
band. Ideal for mixing and mastering purposes.

For the best possible clarity of sound and minimum artifacts, 2x internal oversampling algorithms were used.
- British mix-console EQ "solid state electronics" style of sound without unwanted coloration or an overly saturated sound. With 2x internal oversampling
for double precise DSP algorithms, calculations for the minimum of unwanted artifacts.

- 4 fully parametric EQ bands:

LF - Low frequency, (20-500Hz)
LMF - Low mid frequency, (200 Hz - 3 kHz)
HMF - high mid frequency, (700 Hz - 12 kHz)
HF - high frequency ( 1.5 kHz - 20 kHz)

HP (High pass - Bass cut) filter 15 - 400 Hz bass cut with on/off switch

with Q-control (bandwidth), attenuation/boost ( + / - 12db per band),

- Output Volume knob

- Bypass switch

- Preset manager
Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS Kuassa EVE-AT v1.1.1 VST VST3 x86 x64-CHAOS
Soft / VST Instruments 15-09-2015
The EVE-AT bundle is a compadre of equalizers modeled after the classic Neve* 1081 and 1084. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.

The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.

EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.

Both the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications.