SoundMorph TimeFlux WAV
TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software.
Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.
You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.
TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!
Load up to 4 sound files
Load up to 4 VST plugins within TimeFlux
8 snapshot Sphere Controller
Optional Leap Motion controller. Leap Motion sold separately
2 time stretchers
Record and Export your performance in WAV files
3.6Gb TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
Compatible with Mac and PC (32 bit and 64 bit)
Sample Magic Ableton Magic Racks Processing Racks
Take your sound processing, track mix-downs and live set performances to the next level with our advanced mixing and creative FX racks. Processing Racks contains five powerful racks designed to give you complex sonic manipulation with the simplest of macro controls.
As always, each rack has been painstakingly sculpted to meet the demands of modern electronic music producers and performers. Vigorously tried and tested both in the studio and in the club, these five racks will help give your music a truly unique sonic stamp.
Built solely using Ableton’s native tools, each rack utilises complex processing chains to offer highly flexible, powerful and dance-tailored FX manipulation and mix processing that will become and indispensable part of your music production arsenal.
All five racks have eight simple macro knobs to control custom reverbs, delays, beat-repeats, gates, distortions, filters and multi-band compressors to offer unrivalled production know-how with the minimum of fuss.
For advanced users there’s endless possibilities as all racks are totally customisable - open them up, tweak parameters, change routings, swap in and out tools - so they fit your workflow seamlessly.
Compiled by Live expert and Magic Racks developer Hedflux, this latest edition is an essential tool for in-the-box producers seeking advanced processing tools.
The ultimate reverb rack.
A one-stop shop for creating depth, space and texture. Ghostly textures, kaleidoscopic ambience and submerged washes are an effortless breeze with the Spatializer. Macros for Hyper, Spacial and Pressure give controllable distance and width with spectral processing and clever delay chains. Then slot sounds into your mix with the wet/dry mix macro.
Slice, dice and re-tune and de-tune pitched percussion on the fly.
Random pitched techno bleeps and bloops, re-pitched grooves and randomised rhythms are all possible through a combination of beat-repeat processing, delay devices and pitch-specific controls. Ideal for adding dynamism and detail to tired percussion and top loops.
Custom distortion effects ideal for giving grit, punch and weight to drums, percussion and tops.
Filter your beats through a vintage, distorted or lo-fi distortion unit modelled on classic analogue processing. The Philtrator really comes to life in a sequencing setting - macros like the Crunch, Step and Freak filters can be tweaked on-the-fly to create dynamic transitions and classic low-pass filter rises. Take things to the next level with the pitch-specific Comb and Ambient filters for even more analogue-style noise, grit and authenticity.
Custom redux and filtering chains for weird pitched and re-sampled processing.
The Philtrator’s meaner, rougher younger brother is all about spectral transformation and resonant peak processing which create distorted and degraded harmonics. Simulate the dynamic behaviour of a metal tube and pipe works or incrementally lower the sample-rate and bit-depth with the Ruffness macro. Take things further with a time-based loop sweep and gate delay to create evolving rhythmic textures.
Time-based processing utilising tape modelling, beat-repeating and degrading delay chains.
Create perplexing layers and sonics like you've never heard. Drip-pitch your synths with Digital Dribble or create dynamic synthesised vocal FX with a combination of Space Warp and Loop Gap macros. Finally, Floppy Delay, Random Tubes and Epic Space utilise chorus, corpus and amp effects to take your sound design to another dimension.
Producers Choice J Dilla Boom Bap Phonetics Drum Kit WAV
Our sound designers painstakingly mimicked the EXACT drum sounds used by J Dilla, Kev Brown & Mad Lib.
The Boom Bap Phonetics drum kit is the 'go to' drum library for Boom Bap drum samples. The kit captures J Dilla's signature styled drums by using the same filtering techniques, creative EQ & compression, and drum machines as the legendary producer.
This J Dilla inspired drum kit is packed with over 170+ drum samples, crafted using the following equipment:
• Akai MPC3000
• SP-303 Sampler
• P-505 Sampler
• Technics Turntables w/ Dirty Vinyl Drums
• MPC READY - pgm files included so you can load into your unit fast and easily!
Each sound was recorded from vinyl record and split tested through different chains to get the perfect boom bap sound:
• 1200 → Preamp → Sp 303 → Product
• 1200 → Preamp → Sp 505 → Product
• 1200 → Sp 303 → Product
• 1200 → Sp 505 → Product
• 1200 → Preamp → Sp 303 → Mpc 3000 → Product
• 1200 → Preamp → Sp 505 → Mpc 3000 → Product
• Num → Preamp → Sp 303 → Mpc 3000 → Product
• Num → Preamp → Sp 505 → Mpc 3000 → Product
This kit has become the 'go to' kit for hundreds of leading producers - and now you can benefit from a real, authentic boom bap flavour.
Channel Robot Grid Machine Chain KONTAKT DVDR
GRID MACHINE//CHAIN, the third instrument from the grid machine series comes set up to deliver cascading melodic grooves for use in every genre of modern electonic music. From simple Phillip Glass like endless repeats, thru house key parts and on into downtempo atmospheric hooks. Not just simple 4/4 grooves either, Chain can build bubbling strange time signatures thru three/four, five/four, six four time and on. Anything that needs a melodic twist, or anytime you need melodic inspiration Chain is there to provide the input. Use the internal sounds or route Kontakt to your favourite synth for your own entirely unique compositions.
Featuring 50 sound banks custom designed and multi-sampled for use in Grid Machine Chain by GM//CHAIN creators Channel Robot. Endless engaging varying patterns are available at your fingertips. All this from a new approach to sequencing, that will have you building completely original tracks straight away.
Kontakt 4.2+ Instrument
50 Sound Banks
Over 2.1Gb of samples
Over 50 Presets
WeatherM Artmosphere For XFER RECORDS SERUM FXP
‘Spectrum’ is the most beautiful sound that a designer can ‘draw’. The sound drawn with Spectrum is so beautiful, but it is meaningless if it is not moving. However, Serum can add that motion through its wavetable, and this wavetable can contain large amount of those ‘pictures’. Imagine, if the spectrum is in motion, we shall call the wavetable as a ‘motion picture’, and this is another form of an art.
So, if wavetable is a motion picture and Serum is the tool to draw it, I would call this form of art an ‘Artmosphere’. Artmosphere is an art made by atmosphere, And this beautiful art was born for Ambient and Soundscapes. 50 pads, atmosphere sounds, and other various well-programmed macro knobs will add another artistic taste to your tones and sounds.
Now, get your Artmosphere and start drawing the art.
• 26 Atmospheric pads & 24 Ambient pads.
• 5 Bonus presets of outside the theme.
• All sounds are perfectly assigned to modulation wheel and velocity.
• Nearly all sounds are assigned to all(four) macro knobs.
• 32 Additional wavetables useful for ambient sound.
• Requires: Xfer Records Serum 1.044 or Higher.
Impact Soundworks Furia Staccato Strings KONTAKT
FURIA Staccato Strings: A streamlined orchestral library designed solely for powerful ensemble string staccatos, Furia delivers instant gratification for film, TV, game & trailer scoring. The ideal tool for epic action string stabs and ostinatos, dramatic builds, and tense underscore rhythms!
FURIA - Key Features:
• Focused and powerful staccatos strings
• Instantly playable for fast, epic results
• Up to 16x round robin layers
• Ensemble size multiplier 1-8x
• Close + hall mic positions
• Easy envelope + sample shaping controls
• Brand-new virtual FX rack with randomizers
• Dozens of custom IRs - halls, rooms + more
String ensemble staccatos are a composer's best friend. Whether you need to accentuate dramatic rhythms in an action cue, create tension with a repeating ostinato line, build an epic swashbuckling main melody, or weave ominous arpeggiating textures, staccato strings are de facto standard.
Furia is a library tailor-made to deliver that very sound, and ONLY that sound. It is simple and streamlined, with no extraneous features or samples. As soon as you load it up and begin playing, you'll see the appeal of this elegant design. With no complex UI or exhaustive patch lists, you instead have an instant, highly-versatile staccato sound out-of-the-box.
Use Furia on its own with either (or both) of two included mic positions and a handy FX rack, or layer it with other orchestral sounds like our Bravura Scoring Brass for even more 'oomph'. Either way, we know you'll find it a fantastic and very practical tool for your template!
1. Ensemble Multiplier:
FSS was recorded with a 22-piece string ensemble. With this control, you can multiply the size of the ensemble up to 8x for an even more epic sound!
2. Timing Controls:
The Ensemble Timing knob controls the amount of random timing variation in the ensemble multiplier, while Sample Offset adjusts the sample playback to be more aggressive (at the cost of some pre-bow noise).
3. Mic Mixer:
Here you can load or unload either of the two included mic positions, plus change or automate their volume & stereo width.
4. Envelope Shaping:
Dial down the decay and sustain for a very tight and aggressive staccato sound, or turn them up with release to let each note ring out.
Selections from our brand-new, custom FX rack are also included with over 30 impulse responses to pick from. Or roll the dice with the (*) randomizer to inspire your creativity!
Below are required & recommended system specs for FURIA:
• Kontakt 5.3 or higher (FULL version, not player)
• 200MB disk space
• 2GB RAM
• Core i3 processor or better
Xfer Records Serum v1.06 b6 Update MAC
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to "go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
IMPORT YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).
MODULATION - WORK THE WAY YOU WANT TO
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.
REALTIME WAVETABLE MANIPULATION
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including "Remap” modes - a graph editor for drawing your own custom table manipulations.
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.
BUILT-IN SUITE OF EFFECTS
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for Serum, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.
Serum will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.