AIR Creative FX Collection Plus WIN-AudioUTOPiA
AIR is excited to announce the Creative FX Collection Plus. This world-class new collection includes our twenty classic AIR FX plugins for the first time in AU/VST Formats plus eight all-new FX (AU/VST/AAX), expertly created by our team based on extensive feedback and requests from customers.
The original AIR Creative FX collection has been included as part of Pro Tools® since Version 8 and is considered the reference FX suite by some of the world’s most respected audio professionals. AIR FX has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.
This exclusive and diverse collection provides all you need for creative production, mixing and mastering, including reverbs, compressors, equalizers, delays, filters and so much more.
Discover what our amazing AIR FX can do for you with our free 15-day unlimited trial!
INCLUDED FX BREAKDOWN:
Twenty Classic FX from Pro Tools (AU64, VST32, and VST64):
Lets you apply a short modulated delay to give depth and space to an audio signal.
Lets you apply fluid, shimmering modulation effects to the audio signal.
Lets you apply a short modulating delay to the audio signal.
Plug-in that lets you apply a thick, complex Chorus effect to an audio signal.
Applies a phaser to an audio signal for that wonderful"wooshy," "squishy" sound.
Use the Reverb effect to apply Reverb to the audio signal, creating a sense of room or space. Typically, you'll want to use Reverb on one of the Effect Send inserts or Main Effects inserts.
Use the Non-Linear Reverb plug-in to apply special gated or reversed Reverb effects to the audio signal, creating a synthetic, processed ambience.
Use the Spring Reverb plug-in for that classic spring reverb sound. Just don't kick your computer trying to get the springs to rattle! The Spring Reverb plug-in models an analog spring reverb. An analog spring reverb is an electromechanical device much like a plate reverb.
Use the Multi-Delay plug-in to apply up to five delay lines to the audio signal.
Use the Dynamic Delay Plug-In for a delay line that can synchronize to the DAW session tempo and be modulated by an Envelope follower.
Use the Frequency Shifter plug-in to shift the audio signal's individual frequencies, creating a unique effect.
Plug-in that you can use to create a wider stereo presence.
Instantly adds color to your audio signal with various types and varying amounts of distortion.
Lets you add color to an audio signal with various types and varying amounts of transistor-like distortion.
Plug-in that you can use to bit-crush, down-sample, clip, rectify, and mangle an input signal.
Enhances the low and high broadband frequencies of an audio signal.
Use the Kill EQ plug-in to zap out the Low, Mid or High broadband frequency range from an audio signal. This is a popular effect with DJs and is commonly used in electronic music production (especially in dance music).
Plug-in that applies a modulating, resonant filter to an audio signal. Have fun with filter sweeps or give your sounds that extra-resonant aura.
Highly acclaimed plug-in that you can use to chop up an audio signal into staccato rhythmic patterns with variable filtering, amplitude, and panning.
Plug-in that lets you add voice-like resonances to audio signals.41.MAC.OSX-UNION.rar.html
CL-Projects Hypernova KONTAKT
is the new 'Top of the line' Kontakt synthesizer from CL-Projects. Based on a well known polyphonic synthesizer from the late 90's that was capable of emulating Minimoog, Jupiter 8, Juno 106 and ARP 2600 sounds. The Hypernova Kontakt synth is no different. It can also emulate classic synthesizer sounds, making use of sampling technology instead of the virtual analog and substractive technology the original synth used. Hypernova is a 3 oscillator synthesizer which uses 50 different sound sets per oscillator. The sounds were sampled without the filter, LFO and effects settings. All the sounds were recreated with the Kontakt's filters, LFO's and effects. Hypernova is therefore an ideal tool for sound designers and musicians who want to make their own sounds.
THE CONTROLS PAGE
contains the parameters to completely alter and edit the sound. The Hypernova synthesizer has a 3 oscillator architecture. All the parameters on the controls page are available for the 3 oscillators seperately. Four different waveforms can be selected for each oscillator: square, saw, noise and special. The special waveform is a choice between 50 different waveforms, selectable via a menu. Each oscillator has level, pan, tuning and modulation parameters. The global section contains the parameters that affects all three oscillators at once. On the the top left are the poly, solo, legato and offset settings with the possibility to change the note order in which the notes are played when set to solo, legato or offset: last, next, low and high. On the top right you can find the Portamento and Unisono parameters. The filter section contains 5 different filters of which 4 are ladder filters known for their Moog like character and the fifth filter is the well known Pro53 filter. Each filter has its own frequency and resonance setting, also accompanied with their modulation settings for velocity, modwheel, pressure and key track. The envelopes section contains three different envelopes for amp, filter and pitch each with their own presets. Last but not least there is a very extensive LFO section. Each oscillator has an LFO for pitch, filter, level and pan with a choice between four different waveforms: square, saw, tri (triangle) and s/h (sample and hold).
THE EFFECTS PAGE
contains 7 different effects. A convolution reverb with a choice between 7 different spaces: chamber, room, hall, church, plate, spring and gate. Other effects are delay, chorus, flanger, phaser, distortion and a 3-band equalizer, each with their own effect presets.
THE ARP & MODS PAGE
exists out of a 64 step arpeggiator with a random arp generator. Beneath the arpeggiator there's a small mod section where you can change the bend range, the pitch LFO and level LFO sensitivity for the modwheel and pressure for the three oscillators.
This includes Pulsar Project from SubsonicArtz
Pulsar Project consists of more than 100 new free patches (instruments and multis).
The full version of HYPERNOVA is required to run this add-on.
FXpansion Bloom v126.96.36.199 WIN OSX Incl Patched and Keygen-R2R
Bloom is a creative delay effect plugin with additional diffusion network, effects, advanced modulation and much more. Bloom's varied delay modes and lush diffusion reverb instantly introduce new textures and spaces to your productions.
At Bloom's core is a stereo delay line switchable between analogue BBD, tape and digital models, with a lush diffusion reverb algorithm providing spaciousness and dimension. With 3 switchable routings for the diffusor and the effect section containing filtering, chorus, frequency shifting and more, an extremely wide variety of effects are possible. Other highlights include reverse, ping-pong and freeze functions.
Bloom's TransMod modulation system lets you modulate almost all its parameters with a variety of sources - built-in step-sequencers, LFOs, envelope follower and more. Additional MIDI-derived sources let you change the delay time per note or vary the feedback amount with note velocity. The plugin also includes an internal MIDI learn system for tweaking parameters live, turning Bloom into a versatile performance effect.
Creative delay and diffusion effect plugin.
Digital, Analogue BBD and Tape emulations.
Syncable, reverse, ping-pong and freeze delay modes.
Diffusion reverb, additional effects, EQ, drive and saturation.
Flexible routing for processing blocks.
2x oversampling with 4x Hi Def mode for extremely high quality.
TransMod modulation with step-sequencers, LFOs and more.
Comprehensive MIDI control.
32-bit and 64-bit support.
VST, AU and RTAS plugin formats on Windows 7 or higher / Mac OS X 10.6.2 or higher.
R2R has decided to release some of their earlier INTERNAL releases to the public today
Output SIGNAL Tape Loop Expansion v1.2
Expansion for Output SIGNAL:
125 Signal Presets
Unique rhythmic and creative playable tape loops for modern production
Sonic Reality Cinema Sessions Symphonic Effects KONTAKT-MAGNETRiXX
Symphonic Effects contains over 400 orchestral effects for film, TV, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate soundtrack. Expanding on Sonic Reality's latest "Sounds for Film" and other media category, Cinema Sessions offers unique sonic effects with a musical twist! Whether it is orchestral hits and swells or wild symphonic effects you'd hear in a blockbuster movie, three-dimensional WHOOSHES for a car commercial or a transition cue on TV, or the exotic ambience of ancient Aztecs to use in film, music or any media production, Cinema Sessions is the ideal source for any music composer, DJ or media producer.
Symphonic Effects contains over 400 orchestral effects for film, tv, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate sound track. Special features include instant forward and reverse playback, time stretch, built-in effects and quick layering capabilities for building an infinite amount of complex new textures. Symphonic Effects offers world-class film score quality effects to use in any style of music or multimedia production royalty free.
Over 400 effects patches of textures, ambiences, horror sounds, orchestral build-ups, and more!
High-quality sounds encoded for Sonic Reality's Infinite Player, making Symphonic Effects part of an easily and infinitely expandable library!
Instant ability to forward, reverse, and manipulate the time, pitch and timbre of sounds
Stack, layer and process with built-in DSP effects for unlimited sound design possibilities
Perform or sequence, and match sounds to workspace ambience with convolution reverb
Cinema Sessions: Symphonic Effects is a powerful virtual instrument and sound library with sounds that can be used in any style of composition for Film, TV, Video Games, Radio and any genre of music that calls for special effects. The concept behind this powerful series is to provide scoring effects that can be called up and instantly molded like clay into an infinite range of possible sounds designed and performed in real time. Powerful scoring effects can be used to make world-class soundtracks faster than ever before. Whether you need a powerful workstation of every type of effect on hand or you want to use the fast and easy on board manipulation features, built-in DSP effects and layering to create unique sounds where people will wonder how you did it, Cinema Sessions: Symphonic Effects is a must-have for any media producer, music composer or sound designer. Here are more details about the product.
A Kontakt Plug-in or Standalone Application for the Mac and PC
The playback software that Cinema Sessions: Symphonic Effects uses is Sonic Reality’s "Infinite Player” expandable "library” module which resides inside either the (free) Kontakt Player 4 from Native Instruments or the (optional) full version of Kontakt 4. You simply authorize the Infinite Player with NI’s service center and from there on you are a simple drag and drop away from adding more Sonic Reality Infinite Player/Kontakt format sounds to your virtual instrument set up. Using Kontakt as its engine, the Infinite Player-based Cinema Sessions: Symphonic Effects works either stand alone for the Mac or PC or as an RTAS, VST or Audio Units plug-in for products such as ProTools®, Cubase®, Logic® and other compatible DAW applications.
A Tour of the Interface and Features
The Mode Page
Each sound in Cinema Sessions: Symphonic Effects can instantly be called up and manipulated in many ways. There are four different modes of playback.
The default mode is to play the sound forward ("forward” mode) but you can also play any sound backwards simply by selecting the "reverse” mode. If you want to turn any effect into an unpredictable exciting harmonic synthesizer then you can choose "formant” mode and for experimenting with the engine’s convenient time stretch capabilities there is the final "Time Stretch” mode for fitting a sound into a scene or doing creative grain-style synthesis.
In this page there is also a "Sample Start” which is controlled by a midi keyboard’s modwheel (or midi CC knob). With this you can instantly dive into any point in the duration of the sound and then by hitting the "lock” button on (white) it makes that the new start point of the sound for that patch! You can also choose to have the pitch tracking on or off and even set the sound to trigger upon release of the midi note for advanced interactive performance effects.
The Amp Page
This page offers a variety of control over the amplitude of the sound from simple volume and pan to an ADSR sound shaping envelope to velocity/dynamic response from a midi controller.
The LFO Page
Bringing in fun experimental synth features such as LFO modulators is a welcome addition for any sound designer. A variety of different waveforms and parameters can modulate Amplitude, Panning, Pitch or Filter.
The FX Page
Cinema Sessions: Symphonic Effects has a wide variety of built-in DSP effects to instantly process sounds with and providing an infinite range of sonic results. Here in this section you have insert effects such as:
Filters (Multi Mode)
3 Band Parametric EQ
In the Auxiliary Sends and Output Mixer Inserts there are even more DSP effects on hand including a powerful Convolution Reverb which allows you to drag and drop an impulse response from a scene or field recording and match the ambience between the effect and the dialog or other sounds in the scene.
All of these features can be tweaked easily by any user and saved back with infinite variations without losing the original factory settings. Sounds can be layered together as "Multis” or they can be individual "Instruments” with unique sonic qualities that can make someone wonder how you got THAT sound. This is why the entire Sounds for Film category for the Infinite Player is a treasure chest of creative sources for any producer or composer.
You need Sonic Reality Infinite Player v1.1
Ableton Max for Live Essentials v2
Max for Live Essentials is a collection of audio effects, MIDI effects, drum synthesizers and control devices made with Max for Live, exclusively for Live 9.
Max for Live Essentials features 29 Max for Live Devices, including 16 Instruments, 10 audio effects, and 8 MIDI effects. The Pack also includes Demo Live Sets featuring the Max for Live Synths, Drum Synths, Racks and Audio and MIDI Effect Racks featuring the devices.
Max for Live Essentials include:
BASS: is a virtual analog, monophonic synthesizer that brings the whole sonic palette of deep and classic to heavily distorted, rumbling bass sounds.
POLI is a classic sounding virtual analog synth designed for polyphonic chords and phrases. Its character comes from de-tunable oscillators, a diverse modulation section and a built in chorus.
MULTI is a versatile and fun multimode synthesizer which features 6 synth engines in a single device. It has 8 knobs and 4 of the knobs change the parameters according to one of the selected modes. The global controls are Mode, Attack, Release and Volume.
Drum Synths: 13 custom-created synthesizers for drum and percussion sounds, with velocity control over just about every parameter. Don’t be afraid to try them for leads and basses too.
Convolution Reverb: A sample-based reverb suite with hundreds of impulse responses of real spaces and world class hardware such as the Bricasti M7. Features two reverb devices, Convolution Reverb and Convolution Reverb Pro for added controls, plus a utility for creating your own reverb spaces.
Buffer Shuffler 2.0: An improved version of Live 8’s Buffer Shuffler, with new effects to sequence (including stutter, gate, pitch, frequency shift, amp, and pan), plus a redesigned interface with improved layout and pattern storage. New, intelligent options for "dice” modes mean that you can precisely fine tune how sequences change over time.
Pitch Drop recreates the sound of a vinyl record slowing down after the turntable's motor is stopped. This results in the effect of the sound being pitched down.
Arp is an advanced pattern-based midi Arpeggiator. It can sort, repeat and transpose incoming midi notes in various ways, while controlling a number of other parameters such as note length, velocity and more.
MonoSequencer: Sequence a melody according to a flexible grid, with separate dedicated sequencers for note, velocity, octave, duration, and note repeats. Notes can be locked to key and scale, and each sequence comes with an intelligent randomizer. Sync your sequence with Live, or trigger it with MIDI input.
Instant Haus is a beat generator optimized for house music or broken beats and contains a large variety of patterns for both styles.
NoteEcho: A MIDI Echo with unique features
Take total control over your Live Sets and sounds.
MAP8 is a utility macro device especially useful with Push and other 8 knob controllers.
LFO is a Max for Live device that uses an LFO (low frequency oscillator) to modulate a single parameter in your Live Set. There’s also A MIDI version of the LFO
MultiMap is a control Device that allows you to map up to eight parameters anywhere in your Live se
XYPad let’s you control 2 Live parameters with XY pad.
Envelope is a Max for Live device that uses an envelope function generator to modulate a single parameter in your Live Set
Envelope Follower is a Max for Live device that tracks the changes in volume of an incoming audio signal and uses this information to modulate a mapped parameter
Requires Ableton Suite 9.5 and Cycling Max 7.0.6!!!
K-Devices TED Max for Live
TED is a Max For Live highly editable LFO that may act also as a function generator. With TED’s signal, you can modulate any parameter in Ableton Live: from other devices’s parameter, to Live’s UI, to any third party plug-in.
TED is very easy to use: just click the "select” toggle, then click the parameter in your Ableton Live set to apply its modulation signal.
It is composed of three main areas: the main oscillator, with 6 morphable waveforms (SINE TRIANGLE SAWTOOTH PULSE 50%/50% PULSE 90%/10% RANDOM ), a sample and hold circuit with adjustable amount, and an effect section.
The effect section contains a wave-folding effect that may act as wave-folder, wave-wrapper or wave-clipper, a smoothing effect and a scalable output, where you can select the minimum and the maximum range of modulation.
TED is also CV/GATE compatible, to use with your CV/GATE compatible hardware, as a modular system. Please note that in order to use the CV/GATE feature a DC coupled audio interface or D/A converter is required.