u-he ACE v220.127.116.1198 FIXED HAPPY NEW YEAR-R2R
ACE belongs to a new generation of synthesizers developed with the latest, fastest computers in mind. ACE offers classic modular synthesis and more at a fraction of the cost of dedicated hardware. But like its hardware forebears, you can patch any output into any input: the number of different ways to connect modules together is practically infinite. Needless to say, you will never run out of cables!
The careful selection of modules and clear layout make ACE the ideal instrument for newcomers delving into the fascinating world of modular synthesis. But ACE also delivers the goods: like any medium-sized professional hardware system, ACE has enough synthesis power to keep you discovering new tricks for many years to come!
List of Modules
- 2 x LFO (0Hz - 20kHz)
- 2 x ADSSR envelopes
- 2 x VCO (0Hz - 20kHz, PWM, VCO1-linked sub)
- 2 x VCF (LP1/LP2/LP3/LP4 and HP/BP/BR each)
- 2 x VCA with pan
- 2 x multiples (with modulation input)
- 1 x mixer (for standard sources + aux)
- 1 x ramp generator (loopable)
- 1 x mapping generator (up to 128 values)
- 1 x noise (white, pink)
- 3 x global effects (chorus, delay, 2 x tone)
At first glance ACE may seem overly simplistic, but remember that virtually anything can be plugged into anything else. For instance, try plugging an LFO into a Filter, then use that filter as an FM source for an oscillator. Crazy routing is possible, endless fun is guaranteed!
semi-modular architecture, with default routing like ARP 2600
- 25 signal sources, 30+ signal targets
- up to 8 times unison with +/-2 octave detune range each
- exceptional filters, can self-oscillate
- LFOs can be used as VCOs and vice versa
- sync, FM, cross modulation
- use multiples for inversion, amp / ring modulation etc.
- custom LFO waveform "tap map"
- microtuning (Scala .tun standard)
- 100% free of Supersaws!
CL-Projects Hypernova KONTAKT
is the new 'Top of the line' Kontakt synthesizer from CL-Projects. Based on a well known polyphonic synthesizer from the late 90's that was capable of emulating Minimoog, Jupiter 8, Juno 106 and ARP 2600 sounds. The Hypernova Kontakt synth is no different. It can also emulate classic synthesizer sounds, making use of sampling technology instead of the virtual analog and substractive technology the original synth used. Hypernova is a 3 oscillator synthesizer which uses 50 different sound sets per oscillator. The sounds were sampled without the filter, LFO and effects settings. All the sounds were recreated with the Kontakt's filters, LFO's and effects. Hypernova is therefore an ideal tool for sound designers and musicians who want to make their own sounds.
THE CONTROLS PAGE
contains the parameters to completely alter and edit the sound. The Hypernova synthesizer has a 3 oscillator architecture. All the parameters on the controls page are available for the 3 oscillators seperately. Four different waveforms can be selected for each oscillator: square, saw, noise and special. The special waveform is a choice between 50 different waveforms, selectable via a menu. Each oscillator has level, pan, tuning and modulation parameters. The global section contains the parameters that affects all three oscillators at once. On the the top left are the poly, solo, legato and offset settings with the possibility to change the note order in which the notes are played when set to solo, legato or offset: last, next, low and high. On the top right you can find the Portamento and Unisono parameters. The filter section contains 5 different filters of which 4 are ladder filters known for their Moog like character and the fifth filter is the well known Pro53 filter. Each filter has its own frequency and resonance setting, also accompanied with their modulation settings for velocity, modwheel, pressure and key track. The envelopes section contains three different envelopes for amp, filter and pitch each with their own presets. Last but not least there is a very extensive LFO section. Each oscillator has an LFO for pitch, filter, level and pan with a choice between four different waveforms: square, saw, tri (triangle) and s/h (sample and hold).
THE EFFECTS PAGE
contains 7 different effects. A convolution reverb with a choice between 7 different spaces: chamber, room, hall, church, plate, spring and gate. Other effects are delay, chorus, flanger, phaser, distortion and a 3-band equalizer, each with their own effect presets.
THE ARP & MODS PAGE
exists out of a 64 step arpeggiator with a random arp generator. Beneath the arpeggiator there's a small mod section where you can change the bend range, the pitch LFO and level LFO sensitivity for the modwheel and pressure for the three oscillators.
This includes Pulsar Project from SubsonicArtz
Pulsar Project consists of more than 100 new free patches (instruments and multis).
The full version of HYPERNOVA is required to run this add-on.
Amazing Machines AM102 Programmable Wavetable Oscillator v1.0 REAKTOR BLOCKS
AM102 Programmable Wavetable Oscillator for Reaktor Blocks:
A Programmable Wavetable Oscillator, featuring a 16 Stages Wavetable with 3 selectable Playback Modes and 3 types of Output Curves, AM102 is a Shape Shifter yet to be rivalled.
Click and drag the faders in the Wavetable Display to draw your own Waveforms, use the CURVE and MODE controls to modify Waveforms even further, connect AM102 to a FREE AM103 Expander Module in order to control the Modulation Inputs of Stages 1, 5, 9 and 13.
AM102 also features a Pulse Waveform Output with a PWM Input, in Backward (BWD) and Forward (FWD) Playback Modes the Pulse Waveform is tuned 1 Octave below the Wavetable, serving as a Sub Oscillator or a Synchronization Source for other Oscillators.
- 1 Reaktor Block
- 16 Stages Programmable Wavetable
- Stages 1, 5, 9 and 13 with Dedicated CV Inputs
- Sync Hardness Control (HDN) with a Dedicated CV Input
- Reset On/Off Switch with Phase Control and Phase Modulation Input
- Wavetable Playback Mode Rotary Switch Selects between Backward, Alternating or Forward
- Curve Control Crossfades between Stepped, Linear and Exponential Output Curves
- Curve Modulation Input
- Coarse and Fine Tune Controls with 2 Independent CV Inputs
- CV2 and CV3 Range Switches to select between Semitones or Cents
- Additional Pulse Waveform Output
- PWM Input
Native Instruments' Reaktor 6.0 or newer (Full Version).
K-Devices Ref for LIVE
REF allows you to modulate anything you want in Ableton Live: other devices, the user interface, and third party plug-ins, using sound as source.
You can shape the incoming audio source with the low/high pass filter, listening the source in peak or rms modes, then design the envelope exactly how you need it, using tools as relative/absolute modes, linear/logarithmic modulation, and positive/negative directions. You can even work on your envelopes with standard EG parameters as attack, hold, release, and a global delay time.
REF uses a big display to give you an accurate visual feedback: it will help you to check the incoming audio signal, set the threshold level, and view the real envelope generated, which will control the chosen target parameter.
REF is a great tool for any kind of modulation: kick/bass side-chain combinations, driving filters, and experimental uses asking for controlling parameters from an audio source.
Developed on the Max 6 engine, taking advantage of gen~, REF supports both 32 and 64 bit mode.
REF is developed using exclusively standard Max objects, to guarantee compatibility with latest Live and Max For Live versions.
Best Service SYNTH-WERK Virtual Instrument DVD-KRock
The ultimate collection of sounds for electronic music in one virtual instrument from the makers of TITAN!
1300 ELECTRONIC SOUNDS
Electronic Speech Synthesizers, Choirs, Vocoders
Musical Patterns and Sequences
TI Language Translator: german-english-french-spanish
FX-501P Pocket Calculator
Speak & Spell
BG Rhythm Machine
1500 ELECTRONIC DRUMS, FX AND RHYTHM SOUNDS
DMS - Digital Modular System
Flexible routing of all modules und effects
Extreme fast Sound-Loading, average access and loading of a new instruments with all its parameters and effects in less than a second
Direct stepping through the soundpool
Analog reproduction of digital sounds
Solo-Mode, Legato Mode, Portamento und Samplestart shifting
Multi Mode Filter / Resonator
QuickEditPage: Green english SYNTH-WERK interface with instant access to all important parameters
ProEdit Page: Offers every possible parameter, FX-Rack with 46 effects, Convolution Reverb etc.
Infinite number of modulators*
Infinite number of effects*
Extrem flexible Arpeggiator including MIDI-file player
Step and Modular Sequencer
Library size 8GB
System requirements: Best Service ENGINE 2 Sample Player
K-Devices TED Max for Live
TED is a Max For Live highly editable LFO that may act also as a function generator. With TED’s signal, you can modulate any parameter in Ableton Live: from other devices’s parameter, to Live’s UI, to any third party plug-in.
TED is very easy to use: just click the "select” toggle, then click the parameter in your Ableton Live set to apply its modulation signal.
It is composed of three main areas: the main oscillator, with 6 morphable waveforms (SINE TRIANGLE SAWTOOTH PULSE 50%/50% PULSE 90%/10% RANDOM ), a sample and hold circuit with adjustable amount, and an effect section.
The effect section contains a wave-folding effect that may act as wave-folder, wave-wrapper or wave-clipper, a smoothing effect and a scalable output, where you can select the minimum and the maximum range of modulation.
TED is also CV/GATE compatible, to use with your CV/GATE compatible hardware, as a modular system. Please note that in order to use the CV/GATE feature a DC coupled audio interface or D/A converter is required.
Xfer Records Serum v1.06 b6 Update MAC
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to "go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
IMPORT YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).
MODULATION - WORK THE WAY YOU WANT TO
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.
REALTIME WAVETABLE MANIPULATION
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including "Remap” modes - a graph editor for drawing your own custom table manipulations.
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.
BUILT-IN SUITE OF EFFECTS
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for Serum, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.
Serum will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.