Sonic Stop Groundscapes Vol 1 Wav-CoBaLT
Sonic Stop Groundscapes Vol 1 Wav-CoBaLT
Groundscapes Vol. 1 is inspired by the infinite creative options made possible by modern synthesis. These sustained textures, leads and rhythms combine many different synthesis and production techniques to create a complex, yet organic sonic result: a mix of subtractive (vintage and virtual analog synthesizers), FM, granular, "visual" (Metasynth) and modular synthesis with state-of-the-art effects processing. Groundscapes Vol 1 is the ideal sonic arsenal for many kinds of music production, from dance to pop, passing through every type of electronica, industrial, etc. Rendered in full 24-bit and 16-bit Wave versions.
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Sample Logic Tronix v9.0 For ABLETON LIVE ALP Sample Logic Tronix v9.0 For ABLETON LIVE ALP
Tronix is a massive collection of morphed electrified instruments, percussives, atmospheres, leads, basses, pads, and tempo-synced audio loops made for electronic and cinematic music production. By creating new organic electronic instruments derived from real-world acoustic sample material, synthesis and physical modeling, Sample Logic has created a breath-taking set of production-ready instruments and loops. Taking it one step further, Tronix incorporates Live’s powerful instruments and effects all racked up only the way Sample Logic can, truly "blurring the line between music and sound design”. 

The instruments (presets) and clips (audio loops) are seamlessly integrated into Ableton Live, which makes for a smooth workflow and intuitive user controls. Each instrument uses Live’s Rack format, with 8 Macro Controls meticulously mapped to provide powerful performance options and sonic customization on the fly. This also means that all of the instruments and loops are ready to be MIDI mapped to a surface controller, touch screen interface, and automated directly in Live. 

1.47 GB Direct Download
311 instrument Racks
75 tempo synced rhythmic loops.
6 Live demo sets
Designed exclusively for Live
Haunted House Dirty Electronics Vol.2 ACID WAV Haunted House Dirty Electronics Vol.2 ACID WAV
Dirty and destructive synthesis combines with aircraft transmissions and radio interceptions to create 343 filthy riffs, degraded dronescapes, bit-crushed communications and more. Top secret radio and data transmissions, including voice, machine and scrambled signals from aircraft beacons and re-pitched satellite communications are mangled, mashed and processed to create insanely textured and gritty loops laced with distortion: perfect for all forms of electronic dance music: add texture to cinematic electroscapes, nasty noise loops to a industrial techno bruiser or cut chop or sidechain in add depth to electro or breaks stormer.

Dirty Electronics 2 comes with all loops tempo-labeled (120, 128, 130, 135BPM) and each sound is provided with six unique variants, giving you a host of creative possibilities in your next electronic production.

All samples are provided in 24bit 44khz to ensure the highest grade sonic quality. Please note that the drum loops in the demo are not included in the pack.
Shpitz Audio Granular Synthesis Vol. 1 Shpitz Audio Granular Synthesis Vol. 1
Free loops in various BPM. High audio quality – 24 bit, 48khz. All samples made with HourGlass. Don’t expect loops that fit into any musical scale. This sample pack is aimed for experimental, avant garde, industrial, dark ambient, etc. However, you might find some of the loops suitable for more dance oriented music.
Sample pack contains:
3 Bass loops,
10 Drones,
15 Mechanic loops,
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2 Uncategorized
Shpitz Audio Granular Synthesis Vol. 2 Shpitz Audio Granular Synthesis Vol. 2
61 free loops that were made using the CDP software and Xenakios’s Hourglass. This sample pack is aimed for experimental music but can be used for any dance oriented music.
Sample Magic Ableton Magic Racks Processing Racks Sample Magic Ableton Magic Racks Processing Racks
Take your sound processing, track mix-downs and live set performances to the next level with our advanced mixing and creative FX racks. Processing Racks contains five powerful racks designed to give you complex sonic manipulation with the simplest of macro controls.

As always, each rack has been painstakingly sculpted to meet the demands of modern electronic music producers and performers. Vigorously tried and tested both in the studio and in the club, these five racks will help give your music a truly unique sonic stamp.

Built solely using Ableton’s native tools, each rack utilises complex processing chains to offer highly flexible, powerful and dance-tailored FX manipulation and mix processing that will become and indispensable part of your music production arsenal.

All five racks have eight simple macro knobs to control custom reverbs, delays, beat-repeats, gates, distortions, filters and multi-band compressors to offer unrivalled production know-how with the minimum of fuss.

For advanced users there’s endless possibilities as all racks are totally customisable - open them up, tweak parameters, change routings, swap in and out tools - so they fit your workflow seamlessly.

Compiled by Live expert and Magic Racks developer Hedflux, this latest edition is an essential tool for in-the-box producers seeking advanced processing tools.
What's Inside

Spatializer

The ultimate reverb rack.

A one-stop shop for creating depth, space and texture. Ghostly textures, kaleidoscopic ambience and submerged washes are an effortless breeze with the Spatializer. Macros for Hyper, Spacial and Pressure give controllable distance and width with spectral processing and clever delay chains. Then slot sounds into your mix with the wet/dry mix macro.

Percolator

Slice, dice and re-tune and de-tune pitched percussion on the fly.

Random pitched techno bleeps and bloops, re-pitched grooves and randomised rhythms are all possible through a combination of beat-repeat processing, delay devices and pitch-specific controls. Ideal for adding dynamism and detail to tired percussion and top loops.

Philtrator

Custom distortion effects ideal for giving grit, punch and weight to drums, percussion and tops.

Filter your beats through a vintage, distorted or lo-fi distortion unit modelled on classic analogue processing. The Philtrator really comes to life in a sequencing setting - macros like the Crunch, Step and Freak filters can be tweaked on-the-fly to create dynamic transitions and classic low-pass filter rises. Take things to the next level with the pitch-specific Comb and Ambient filters for even more analogue-style noise, grit and authenticity.

Inphiltrator

Custom redux and filtering chains for weird pitched and re-sampled processing.

The Philtrator’s meaner, rougher younger brother is all about spectral transformation and resonant peak processing which create distorted and degraded harmonics. Simulate the dynamic behaviour of a metal tube and pipe works or incrementally lower the sample-rate and bit-depth with the Ruffness macro. Take things further with a time-based loop sweep and gate delay to create evolving rhythmic textures.

Bewilderizer

Time-based processing utilising tape modelling, beat-repeating and degrading delay chains.

Create perplexing layers and sonics like you've never heard. Drip-pitch your synths with Digital Dribble or create dynamic synthesised vocal FX with a combination of Space Warp and Loop Gap macros. Finally, Floppy Delay, Random Tubes and Epic Space utilise chorus, corpus and amp effects to take your sound design to another dimension.
Puremagnetik Phazeform Vol.1 for Live 7 DYNAMiCS Puremagnetik Phazeform Vol.1 for Live 7 DYNAMiCS
The mothership of Casio synthesis, the CZ-1 was a remarkable piece of technology in its day, emulated by other leading synthesizer manufacturers. Casio's CZ line of Phase Distortion synthesizers are incredibly unique devices that used digital synthesis without a filter as opposed to traditional analog subtractive synthesis with a filter. The CZ line used phase distortion to somewhat simulate an analog filter, it had in total eight different waveforms: as well as the standard sawtooth, square, and pulse waveforms, it had a special double sine waveform, a half-sine waveform, and three waveforms with simulated filter resonance: resonant sawtooth, triangle, and trapezoidal waveforms.


The VL-Tone hybrid calculator/synthesizer, has a warm place in the hearts of many with its simple electronic sounds, factory rhythms and built-in speaker. Despite having few synthesis options the VL-Tone has a single note sequencer (fun!), an LFO and ADSR generator. Nevertheless the VL-Tone is a unique little creature that has found its way onto many famous recordings. 

Phazeform Features
Complete palette of famous Phase Distortion sounds
Multi-sampled CZ library with advanced DAW integration
A collection of expertly programmed clips
Sound set of percussion menus
Custom Kontakt KSP GUI and native Kontakt effects