FXpansion Bloom v18.104.22.168 WIN OSX Incl Patched and Keygen-R2R
Bloom is a creative delay effect plugin with additional diffusion network, effects, advanced modulation and much more. Bloom's varied delay modes and lush diffusion reverb instantly introduce new textures and spaces to your productions.
At Bloom's core is a stereo delay line switchable between analogue BBD, tape and digital models, with a lush diffusion reverb algorithm providing spaciousness and dimension. With 3 switchable routings for the diffusor and the effect section containing filtering, chorus, frequency shifting and more, an extremely wide variety of effects are possible. Other highlights include reverse, ping-pong and freeze functions.
Bloom's TransMod modulation system lets you modulate almost all its parameters with a variety of sources - built-in step-sequencers, LFOs, envelope follower and more. Additional MIDI-derived sources let you change the delay time per note or vary the feedback amount with note velocity. The plugin also includes an internal MIDI learn system for tweaking parameters live, turning Bloom into a versatile performance effect.
Creative delay and diffusion effect plugin.
Digital, Analogue BBD and Tape emulations.
Syncable, reverse, ping-pong and freeze delay modes.
Diffusion reverb, additional effects, EQ, drive and saturation.
Flexible routing for processing blocks.
2x oversampling with 4x Hi Def mode for extremely high quality.
TransMod modulation with step-sequencers, LFOs and more.
Comprehensive MIDI control.
32-bit and 64-bit support.
VST, AU and RTAS plugin formats on Windows 7 or higher / Mac OS X 10.6.2 or higher.
R2R has decided to release some of their earlier INTERNAL releases to the public today
FXpansion Geist v22.214.171.124 WIN OSX Incl Patched and Keygen-R2R
Geist is FXpansion's next-generation sampling drum machine, designed to create evolved, custom beats and grooves, freeing you from the limits of pre-packaged loops and over-complicated DAWs.
Geist fuses creative sample-sculpting tools with fast pattern step-sequencing and arrangement. Browse through sounds with lightning speed, slice and assign loops to pads with a single click; sample, resample and build beats in a slick unified environment. Geist makes fiddly tasks with multiple apps a thing of the past.
Geist runs as a plug-in and as a standalone application, perfect for laptop beat making. Export creations as audio clips or load sessions back into the plug-in to resample, reslice, remix, rearrange and transform your beats even further. Geist is a complete, integrated rhythm production sandbox for the studio, the tour bus or the stage.
Feature Highlights Include:
Sampling & resampling.
Dirac3 time-stretch / pitch-shift.
Powerful full-featured slicing & hit detection.
30+ effect types inc. DCAM circuit modeled filters / dynamics / drive & Overloud Breverb.
Integrated song mode.
Real-time record & retro capture.
Step-automation for parameters.
Intuitive and powerful browser.
Full MIDI and audio export.
Standalone / VST / AU / RTAS.
Exclusive sounds & presets from Armin van Buuren, D. Ramirez, Dom Kane, KJ Sawka, Goldbaby, Groove Criminals, Portion Control and more.
R2R has decided to release some of their earlier INTERNAL releases to the public today
FXpansion Strobe 2 v126.96.36.199 WIN OSX Incl Patched and Keygen-R2R
Strobe2 is a software polysynth which puts diverse new sounds effortlessly within your reach. It builds on the original's realistic analogue modelling and deep but intuitive synthesis with a slew of enhancements and requested features. Highlights include a stunning effects section, revamped arpeggiator, deeper modulation processing, preset-morphing, randomizing and a scalable vector interface for retina and 4K displays.
Analogue-modelled performance synth
Multi-waveform osc with sub osc and noise
Hard-sync, osc stack/detune, phase-reset
Multimode filter with 22 modes and drive
Saturating OTA-modelled VCA
Powerful LFO with clock-divided 'sub LFO'
Intuitive TransMod modulation
New Euclid & Curve modulation processors
6 effects blocks with over 25 processors
Arpeggiator with modulation-sequencer
Preset morphing and randomizing
Scalable vector interface for retina/4K
Over 900 inspirational presets
VST, AU, AAX64 and RTAS formats for Mac & Windows
R2R has decided to release some of their earlier INTERNAL releases to the public today
SoulViaSound SKRUM DRUM KONTAKT
SKRUM is a drum library for Kontakt owners. This Kontakt library can’t be loaded in an older version than Kontakt 5.0.2. In this library you’ll find some agressive and unconventional sample drums from Anamorphic, Percussive and Azalera, retuned in Kontakt under a GUI script. This GUI script gives you quick access to samples envelope, volume, pan, tune, compressor, filters, effects and also to a tape saturator.
The samples are arranged in the 16 pad configuration and you can easily modifiy the parameters for each of the 16 pad. Just choose the pad and modify parameters for that specific pad. You can also select a pad via MIDI and you can also easily remap the assigned MIDI note for that specific pad. The channel strip of each pad it’s based on the ”SOLID” series effects from Kontakt 5, a truly great effects series. Another included feature is a programmable sequencer that can handle 8 patterns. Each of the 8 patterns can be triggered by MIDI notes and you also can remap the default notes assigns. SKRUM contain 20 drum kits and over 700 samples.
Here you can modify volume, panorama balance, tunning, envelope, compressor parameters and the activity status (mute, solo) for the select pad.
Here you can add a low pass or high pass filter for the selected pad, modify the cutoff frequency, filter resonance and the cutoff modulation amount received from the note velocity. You can also add EQ to your selected pad.
Here you can modify the reverb and delay return amount for the selected pad and you can also add a tape saturator on the main bus. The SKRUM reverb it’s based on IR’s and you can browse through 7 type of reverbs:
Sonic Reality Cinema Sessions Symphonic Effects KONTAKT-MAGNETRiXX
Symphonic Effects contains over 400 orchestral effects for film, TV, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate soundtrack. Expanding on Sonic Reality's latest "Sounds for Film" and other media category, Cinema Sessions offers unique sonic effects with a musical twist! Whether it is orchestral hits and swells or wild symphonic effects you'd hear in a blockbuster movie, three-dimensional WHOOSHES for a car commercial or a transition cue on TV, or the exotic ambience of ancient Aztecs to use in film, music or any media production, Cinema Sessions is the ideal source for any music composer, DJ or media producer.
Symphonic Effects contains over 400 orchestral effects for film, tv, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate sound track. Special features include instant forward and reverse playback, time stretch, built-in effects and quick layering capabilities for building an infinite amount of complex new textures. Symphonic Effects offers world-class film score quality effects to use in any style of music or multimedia production royalty free.
Over 400 effects patches of textures, ambiences, horror sounds, orchestral build-ups, and more!
High-quality sounds encoded for Sonic Reality's Infinite Player, making Symphonic Effects part of an easily and infinitely expandable library!
Instant ability to forward, reverse, and manipulate the time, pitch and timbre of sounds
Stack, layer and process with built-in DSP effects for unlimited sound design possibilities
Perform or sequence, and match sounds to workspace ambience with convolution reverb
Cinema Sessions: Symphonic Effects is a powerful virtual instrument and sound library with sounds that can be used in any style of composition for Film, TV, Video Games, Radio and any genre of music that calls for special effects. The concept behind this powerful series is to provide scoring effects that can be called up and instantly molded like clay into an infinite range of possible sounds designed and performed in real time. Powerful scoring effects can be used to make world-class soundtracks faster than ever before. Whether you need a powerful workstation of every type of effect on hand or you want to use the fast and easy on board manipulation features, built-in DSP effects and layering to create unique sounds where people will wonder how you did it, Cinema Sessions: Symphonic Effects is a must-have for any media producer, music composer or sound designer. Here are more details about the product.
A Kontakt Plug-in or Standalone Application for the Mac and PC
The playback software that Cinema Sessions: Symphonic Effects uses is Sonic Reality’s "Infinite Player” expandable "library” module which resides inside either the (free) Kontakt Player 4 from Native Instruments or the (optional) full version of Kontakt 4. You simply authorize the Infinite Player with NI’s service center and from there on you are a simple drag and drop away from adding more Sonic Reality Infinite Player/Kontakt format sounds to your virtual instrument set up. Using Kontakt as its engine, the Infinite Player-based Cinema Sessions: Symphonic Effects works either stand alone for the Mac or PC or as an RTAS, VST or Audio Units plug-in for products such as ProTools®, Cubase®, Logic® and other compatible DAW applications.
A Tour of the Interface and Features
The Mode Page
Each sound in Cinema Sessions: Symphonic Effects can instantly be called up and manipulated in many ways. There are four different modes of playback.
The default mode is to play the sound forward ("forward” mode) but you can also play any sound backwards simply by selecting the "reverse” mode. If you want to turn any effect into an unpredictable exciting harmonic synthesizer then you can choose "formant” mode and for experimenting with the engine’s convenient time stretch capabilities there is the final "Time Stretch” mode for fitting a sound into a scene or doing creative grain-style synthesis.
In this page there is also a "Sample Start” which is controlled by a midi keyboard’s modwheel (or midi CC knob). With this you can instantly dive into any point in the duration of the sound and then by hitting the "lock” button on (white) it makes that the new start point of the sound for that patch! You can also choose to have the pitch tracking on or off and even set the sound to trigger upon release of the midi note for advanced interactive performance effects.
The Amp Page
This page offers a variety of control over the amplitude of the sound from simple volume and pan to an ADSR sound shaping envelope to velocity/dynamic response from a midi controller.
The LFO Page
Bringing in fun experimental synth features such as LFO modulators is a welcome addition for any sound designer. A variety of different waveforms and parameters can modulate Amplitude, Panning, Pitch or Filter.
The FX Page
Cinema Sessions: Symphonic Effects has a wide variety of built-in DSP effects to instantly process sounds with and providing an infinite range of sonic results. Here in this section you have insert effects such as:
Filters (Multi Mode)
3 Band Parametric EQ
In the Auxiliary Sends and Output Mixer Inserts there are even more DSP effects on hand including a powerful Convolution Reverb which allows you to drag and drop an impulse response from a scene or field recording and match the ambience between the effect and the dialog or other sounds in the scene.
All of these features can be tweaked easily by any user and saved back with infinite variations without losing the original factory settings. Sounds can be layered together as "Multis” or they can be individual "Instruments” with unique sonic qualities that can make someone wonder how you got THAT sound. This is why the entire Sounds for Film category for the Infinite Player is a treasure chest of creative sources for any producer or composer.
You need Sonic Reality Infinite Player v1.1
Ableton Max for Live Essentials v2
Max for Live Essentials is a collection of audio effects, MIDI effects, drum synthesizers and control devices made with Max for Live, exclusively for Live 9.
Max for Live Essentials features 29 Max for Live Devices, including 16 Instruments, 10 audio effects, and 8 MIDI effects. The Pack also includes Demo Live Sets featuring the Max for Live Synths, Drum Synths, Racks and Audio and MIDI Effect Racks featuring the devices.
Max for Live Essentials include:
BASS: is a virtual analog, monophonic synthesizer that brings the whole sonic palette of deep and classic to heavily distorted, rumbling bass sounds.
POLI is a classic sounding virtual analog synth designed for polyphonic chords and phrases. Its character comes from de-tunable oscillators, a diverse modulation section and a built in chorus.
MULTI is a versatile and fun multimode synthesizer which features 6 synth engines in a single device. It has 8 knobs and 4 of the knobs change the parameters according to one of the selected modes. The global controls are Mode, Attack, Release and Volume.
Drum Synths: 13 custom-created synthesizers for drum and percussion sounds, with velocity control over just about every parameter. Don’t be afraid to try them for leads and basses too.
Convolution Reverb: A sample-based reverb suite with hundreds of impulse responses of real spaces and world class hardware such as the Bricasti M7. Features two reverb devices, Convolution Reverb and Convolution Reverb Pro for added controls, plus a utility for creating your own reverb spaces.
Buffer Shuffler 2.0: An improved version of Live 8’s Buffer Shuffler, with new effects to sequence (including stutter, gate, pitch, frequency shift, amp, and pan), plus a redesigned interface with improved layout and pattern storage. New, intelligent options for "dice” modes mean that you can precisely fine tune how sequences change over time.
Pitch Drop recreates the sound of a vinyl record slowing down after the turntable's motor is stopped. This results in the effect of the sound being pitched down.
Arp is an advanced pattern-based midi Arpeggiator. It can sort, repeat and transpose incoming midi notes in various ways, while controlling a number of other parameters such as note length, velocity and more.
MonoSequencer: Sequence a melody according to a flexible grid, with separate dedicated sequencers for note, velocity, octave, duration, and note repeats. Notes can be locked to key and scale, and each sequence comes with an intelligent randomizer. Sync your sequence with Live, or trigger it with MIDI input.
Instant Haus is a beat generator optimized for house music or broken beats and contains a large variety of patterns for both styles.
NoteEcho: A MIDI Echo with unique features
Take total control over your Live Sets and sounds.
MAP8 is a utility macro device especially useful with Push and other 8 knob controllers.
LFO is a Max for Live device that uses an LFO (low frequency oscillator) to modulate a single parameter in your Live Set. There’s also A MIDI version of the LFO
MultiMap is a control Device that allows you to map up to eight parameters anywhere in your Live se
XYPad let’s you control 2 Live parameters with XY pad.
Envelope is a Max for Live device that uses an envelope function generator to modulate a single parameter in your Live Set
Envelope Follower is a Max for Live device that tracks the changes in volume of an incoming audio signal and uses this information to modulate a mapped parameter
Requires Ableton Suite 9.5 and Cycling Max 7.0.6!!!
Fluffy Audio AURORA v1.2 UPDATE KONTAKT
Aurorror features the same modulation engine of Aurora, but contains ghostly sounds, atonal soundscapes, thrilling atmospheres and other scary sounds. It allows the user to experiment modulation on different parameters, for example, to automate the cutoff of a filter with a step modulator to simulate a vibrato.
850 MB Sample library (compressed in Kontakt’s NCW Format)
630 Samples (44Khz/24Bit)
25+ NKI Presets
More than 25 unique sound sources (multisampled instruments)
Build your unique patches by layering up to 3 layers of sound sources
Total control over the sound sources
Arpeggiator and Polystep modes
13 different modulators avaiable for complex sounds that can change at specific time intervals or on user’s input.
Synced Delay, Step Modulator and LFOs
5 different modulation shapes for LFOs (SINE, SAWTOOTH, TRIANGLE, SQUARE and RANDOM)
Unique chain of custom effects
18 unique Convolution IRs
Please keep just the "Samples" folder and replace all the existing content (instrument folders, resource files, init file) with the content of the 1.2 update.
In order for everything to work correctly, the AURORROR content should be extracted inside the AURORA folder, so the content of AURORROR and AURORA will integrate. When extracting the AURORROR Samples.rar you'll be asked to overwrite the samples: just select ignore and "apply to all".
In the end the structure of the file folder should be:
[folder] AURORA 1.2 Instruments
[folder] AURORROR Instruments
Scoring Textures Resources.nkc
Scoring Textures Resources.nkr
AURORA - Init.1.2.nki
AURORROR - init.nki