Best Service SYNTH-WERK Virtual Instrument DVD-KRock
The ultimate collection of sounds for electronic music in one virtual instrument from the makers of TITAN!
1300 ELECTRONIC SOUNDS
Electronic Speech Synthesizers, Choirs, Vocoders
Musical Patterns and Sequences
TI Language Translator: german-english-french-spanish
FX-501P Pocket Calculator
Speak & Spell
BG Rhythm Machine
1500 ELECTRONIC DRUMS, FX AND RHYTHM SOUNDS
DMS - Digital Modular System
Flexible routing of all modules und effects
Extreme fast Sound-Loading, average access and loading of a new instruments with all its parameters and effects in less than a second
Direct stepping through the soundpool
Analog reproduction of digital sounds
Solo-Mode, Legato Mode, Portamento und Samplestart shifting
Multi Mode Filter / Resonator
QuickEditPage: Green english SYNTH-WERK interface with instant access to all important parameters
ProEdit Page: Offers every possible parameter, FX-Rack with 46 effects, Convolution Reverb etc.
Infinite number of modulators*
Infinite number of effects*
Extrem flexible Arpeggiator including MIDI-file player
Step and Modular Sequencer
Library size 8GB
System requirements: Best Service ENGINE 2 Sample Player
Sonic Reality Cinema Sessions Symphonic Effects KONTAKT-MAGNETRiXX
Symphonic Effects contains over 400 orchestral effects for film, TV, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate soundtrack. Expanding on Sonic Reality's latest "Sounds for Film" and other media category, Cinema Sessions offers unique sonic effects with a musical twist! Whether it is orchestral hits and swells or wild symphonic effects you'd hear in a blockbuster movie, three-dimensional WHOOSHES for a car commercial or a transition cue on TV, or the exotic ambience of ancient Aztecs to use in film, music or any media production, Cinema Sessions is the ideal source for any music composer, DJ or media producer.
Symphonic Effects contains over 400 orchestral effects for film, tv, games and popular music styles. From sci-fi/suspense/horror hits, drones and intertwining melodies to emotional build-ups this collection offers a wide assortment of hard to find symphonic effects you can use to create the ultimate sound track. Special features include instant forward and reverse playback, time stretch, built-in effects and quick layering capabilities for building an infinite amount of complex new textures. Symphonic Effects offers world-class film score quality effects to use in any style of music or multimedia production royalty free.
Over 400 effects patches of textures, ambiences, horror sounds, orchestral build-ups, and more!
High-quality sounds encoded for Sonic Reality's Infinite Player, making Symphonic Effects part of an easily and infinitely expandable library!
Instant ability to forward, reverse, and manipulate the time, pitch and timbre of sounds
Stack, layer and process with built-in DSP effects for unlimited sound design possibilities
Perform or sequence, and match sounds to workspace ambience with convolution reverb
Cinema Sessions: Symphonic Effects is a powerful virtual instrument and sound library with sounds that can be used in any style of composition for Film, TV, Video Games, Radio and any genre of music that calls for special effects. The concept behind this powerful series is to provide scoring effects that can be called up and instantly molded like clay into an infinite range of possible sounds designed and performed in real time. Powerful scoring effects can be used to make world-class soundtracks faster than ever before. Whether you need a powerful workstation of every type of effect on hand or you want to use the fast and easy on board manipulation features, built-in DSP effects and layering to create unique sounds where people will wonder how you did it, Cinema Sessions: Symphonic Effects is a must-have for any media producer, music composer or sound designer. Here are more details about the product.
A Kontakt Plug-in or Standalone Application for the Mac and PC
The playback software that Cinema Sessions: Symphonic Effects uses is Sonic Reality’s "Infinite Player” expandable "library” module which resides inside either the (free) Kontakt Player 4 from Native Instruments or the (optional) full version of Kontakt 4. You simply authorize the Infinite Player with NI’s service center and from there on you are a simple drag and drop away from adding more Sonic Reality Infinite Player/Kontakt format sounds to your virtual instrument set up. Using Kontakt as its engine, the Infinite Player-based Cinema Sessions: Symphonic Effects works either stand alone for the Mac or PC or as an RTAS, VST or Audio Units plug-in for products such as ProTools®, Cubase®, Logic® and other compatible DAW applications.
A Tour of the Interface and Features
The Mode Page
Each sound in Cinema Sessions: Symphonic Effects can instantly be called up and manipulated in many ways. There are four different modes of playback.
The default mode is to play the sound forward ("forward” mode) but you can also play any sound backwards simply by selecting the "reverse” mode. If you want to turn any effect into an unpredictable exciting harmonic synthesizer then you can choose "formant” mode and for experimenting with the engine’s convenient time stretch capabilities there is the final "Time Stretch” mode for fitting a sound into a scene or doing creative grain-style synthesis.
In this page there is also a "Sample Start” which is controlled by a midi keyboard’s modwheel (or midi CC knob). With this you can instantly dive into any point in the duration of the sound and then by hitting the "lock” button on (white) it makes that the new start point of the sound for that patch! You can also choose to have the pitch tracking on or off and even set the sound to trigger upon release of the midi note for advanced interactive performance effects.
The Amp Page
This page offers a variety of control over the amplitude of the sound from simple volume and pan to an ADSR sound shaping envelope to velocity/dynamic response from a midi controller.
The LFO Page
Bringing in fun experimental synth features such as LFO modulators is a welcome addition for any sound designer. A variety of different waveforms and parameters can modulate Amplitude, Panning, Pitch or Filter.
The FX Page
Cinema Sessions: Symphonic Effects has a wide variety of built-in DSP effects to instantly process sounds with and providing an infinite range of sonic results. Here in this section you have insert effects such as:
Filters (Multi Mode)
3 Band Parametric EQ
In the Auxiliary Sends and Output Mixer Inserts there are even more DSP effects on hand including a powerful Convolution Reverb which allows you to drag and drop an impulse response from a scene or field recording and match the ambience between the effect and the dialog or other sounds in the scene.
All of these features can be tweaked easily by any user and saved back with infinite variations without losing the original factory settings. Sounds can be layered together as "Multis” or they can be individual "Instruments” with unique sonic qualities that can make someone wonder how you got THAT sound. This is why the entire Sounds for Film category for the Infinite Player is a treasure chest of creative sources for any producer or composer.
You need Sonic Reality Infinite Player v1.1
Sonic Reality World Instruments MULTIFORMAT DVDR-DYNAMICS
Sonic Reality's World Kapsule for Infinite Player offers rare and esoteric playable wind and string instruments including dulcimers, zithers and other plucked, hammered and bowed string instruments as well as exotic wind instruments.
Sonic Reality's Kapsules series for Infinite Player provides a vast array of instruments for every style of music. Instruments range from acoustic to electric, vintage to electronic, classic to rare and esoteric. The Kontakt Player interface allows the user to manipulate the sounds with effects (compressor, distortion, reverb, delay), EQ, envelope, filters, and LFO, as well as basic panning, volume and velocity. Each Kapsule provides an assortment of essential instruments for any musician or producer!
This product requires a registered Infinite Player. Remember that while Kontakt Player itself is FREE from Native Instruments (we provide it to you for convenience), these third party sounds do require a "gateway” for them to be played in Kontakt Player or the full version of Kontakt. The gateway that unlocks Sonic Reality sounds with NI’s service center is called the "Infinite Player.” You must have the Infinite Player in order to play Sonic Reality sounds. If you do not already own Infinite Player, it can be purchased below.
Ableton Max for Live Essentials v2
Max for Live Essentials is a collection of audio effects, MIDI effects, drum synthesizers and control devices made with Max for Live, exclusively for Live 9.
Max for Live Essentials features 29 Max for Live Devices, including 16 Instruments, 10 audio effects, and 8 MIDI effects. The Pack also includes Demo Live Sets featuring the Max for Live Synths, Drum Synths, Racks and Audio and MIDI Effect Racks featuring the devices.
Max for Live Essentials include:
BASS: is a virtual analog, monophonic synthesizer that brings the whole sonic palette of deep and classic to heavily distorted, rumbling bass sounds.
POLI is a classic sounding virtual analog synth designed for polyphonic chords and phrases. Its character comes from de-tunable oscillators, a diverse modulation section and a built in chorus.
MULTI is a versatile and fun multimode synthesizer which features 6 synth engines in a single device. It has 8 knobs and 4 of the knobs change the parameters according to one of the selected modes. The global controls are Mode, Attack, Release and Volume.
Drum Synths: 13 custom-created synthesizers for drum and percussion sounds, with velocity control over just about every parameter. Don’t be afraid to try them for leads and basses too.
Convolution Reverb: A sample-based reverb suite with hundreds of impulse responses of real spaces and world class hardware such as the Bricasti M7. Features two reverb devices, Convolution Reverb and Convolution Reverb Pro for added controls, plus a utility for creating your own reverb spaces.
Buffer Shuffler 2.0: An improved version of Live 8’s Buffer Shuffler, with new effects to sequence (including stutter, gate, pitch, frequency shift, amp, and pan), plus a redesigned interface with improved layout and pattern storage. New, intelligent options for "dice” modes mean that you can precisely fine tune how sequences change over time.
Pitch Drop recreates the sound of a vinyl record slowing down after the turntable's motor is stopped. This results in the effect of the sound being pitched down.
Arp is an advanced pattern-based midi Arpeggiator. It can sort, repeat and transpose incoming midi notes in various ways, while controlling a number of other parameters such as note length, velocity and more.
MonoSequencer: Sequence a melody according to a flexible grid, with separate dedicated sequencers for note, velocity, octave, duration, and note repeats. Notes can be locked to key and scale, and each sequence comes with an intelligent randomizer. Sync your sequence with Live, or trigger it with MIDI input.
Instant Haus is a beat generator optimized for house music or broken beats and contains a large variety of patterns for both styles.
NoteEcho: A MIDI Echo with unique features
Take total control over your Live Sets and sounds.
MAP8 is a utility macro device especially useful with Push and other 8 knob controllers.
LFO is a Max for Live device that uses an LFO (low frequency oscillator) to modulate a single parameter in your Live Set. There’s also A MIDI version of the LFO
MultiMap is a control Device that allows you to map up to eight parameters anywhere in your Live se
XYPad let’s you control 2 Live parameters with XY pad.
Envelope is a Max for Live device that uses an envelope function generator to modulate a single parameter in your Live Set
Envelope Follower is a Max for Live device that tracks the changes in volume of an incoming audio signal and uses this information to modulate a mapped parameter
Requires Ableton Suite 9.5 and Cycling Max 7.0.6!!!
Puremagnetik Phazeform Vol.1 for Live 7 DYNAMiCS
The mothership of Casio synthesis, the CZ-1 was a remarkable piece of technology in its day, emulated by other leading synthesizer manufacturers. Casio's CZ line of Phase Distortion synthesizers are incredibly unique devices that used digital synthesis without a filter as opposed to traditional analog subtractive synthesis with a filter. The CZ line used phase distortion to somewhat simulate an analog filter, it had in total eight different waveforms: as well as the standard sawtooth, square, and pulse waveforms, it had a special double sine waveform, a half-sine waveform, and three waveforms with simulated filter resonance: resonant sawtooth, triangle, and trapezoidal waveforms.
The VL-Tone hybrid calculator/synthesizer, has a warm place in the hearts of many with its simple electronic sounds, factory rhythms and built-in speaker. Despite having few synthesis options the VL-Tone has a single note sequencer (fun!), an LFO and ADSR generator. Nevertheless the VL-Tone is a unique little creature that has found its way onto many famous recordings.
Complete palette of famous Phase Distortion sounds
Multi-sampled CZ library with advanced DAW integration
A collection of expertly programmed clips
Sound set of percussion menus
Custom Kontakt KSP GUI and native Kontakt effects
Olson Audio Synthetic Instruments Library KONTAKT-DELiRiUM
Synthetic Instruments (SI-KTK) is a CD-ROM library with 43 waveform sets and more then 250 individual synthesizer instruments. SI-KTK will work in Kontakt version 1.2 and up. SI-KTK's instruments are true subtractive synthesizer programs, taking advantage of Kontakt's synthesizer engine, filters and modulation capabilities. Carefully prepared and unfiltered audio spectrums has been programmed and sampled, using an Analogue Systems 5-VCO modular and a Waldorf Microwave XT. The instruments were made by combining the audio data with parameter and filter tweaking - inside Kontakt.
To form the instrument sounds and characteristics, Kontakt's filters, modulation routings are extensively utilized. Key velocity, pressure and modulation wheel are programmed for huge articulations. Amp and filter ENV parameters, controlled by key velocity, increases the sense of physical instrument behavior and feel..
The instruments are named by their sample set labels plus an indication of their styles - Bass, kbd, ld and pad. A wide mix of warm analogue style and ice cold digital modes. Evolving sounds, oscillator syncs, deep spacious pads, synth basses, detuned VCO patches with extreme saturation. But also chord friendly, thin and discreet instruments, suitable for piano style playing.
- True subtractive synthesis
- More than 250 patches
- 43 sample sets
- Huge articulations and instrument feel
- VCO audio data from Analogue Systems modular synthesizer
- Digital mode audio from Waldorf's Microwave II series
- Sound shaping utilizing Kontakt's synthesizer engine & filters
- Audio, carefully looped in natural sound cycles
- Evolving and static unfiltered spectrums
Ultimate X Sounds - Atmosphere X Sounds Vol. 3 for Virus TI
Atmosphere X Sounds Vol.3 is a collection of 128 high quality patches for Access Virus TI, full of energetic sequences, gritty basslines, deep pads, dark soundscapes, Vintage sounds, roaring ( punchy ) basses, driving electronics and atmospherics sounds.
We aim to provide cutting-edge digital Electronic sounds for hybrid film scoring , atmospheric Electronica, Chillout, emotional Electronica, Trance, Progressive, Ambient ,Film, Tv, Video Game but also it's flexible enough to fit in any music genre.
The soundset has also been inspired by a number of soundtracks , including the work of Hanz Zimmer, Steven Price, Michael McCann or Jesper Kyd. This collection provides you with a huge range of sonic possibilities.
Atmosphere X Sounds Vol.3 is the most inspiration inspiring tool you ever had for your Virus TI.