Writing About Music: A Style Sheet, 3rd edition
Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane's album A Love Supreme? Is it "premiere" or "premiere"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers - anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema.
This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.
William Russo Composing Music A New Approach PDF
Aimed at those who have some knowledge of music but not formal training in composition, this concise introduction to composing starts right in with a brief composition exercise, then proceeds step by step through a series of increasingly complex and challenging problems, gradually expanding the students musical grammar.
"This is a wonderful book for anyone who is developing improvising skills or who would like a fun way to explore music."-Jim Stockford, Co-Evolution Quarterly
Piano Scales, Chords & Arpeggios Lessons with Elements of Basic Music Theory
This new edition book is all that you will ever need for learning piano chords, scales, arpeggios, how to read music, and basic music theory!
Piano Professor Damon Ferrante guides you through 140 step-by-step lessons (for beginner to advanced levels).
This easy-to-follow method, used by thousands of piano students and teachers, is designed to be interactive, engaging and fun.
The lessons will greatly improve your piano technique, creativity, and understanding of music. Whether you are teaching yourself piano or learning with a music instructor, this book and video course will take your piano playing to a whole new level!
Ask yourself this:
1. Have you always wanted to learn how to play piano scales, chords, and arpeggios, but did not know where to start?
2. Did you start piano lessons once and give up because the lessons were too difficult?
3. Are you struggling to follow online piano lessons that seem to jump all over the place without any sense of direction or consistency?
4. Would you like to expand your musical understanding and learn how to play the piano through an affordable, step-by-step book and video course?
If your answer to any of the these questions is yes, then this piano book and video course is definitely for you!
Understanding Sound Tracks Through Film Theory
Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, feminism, genre studies, post-colonialism, and queer theory. The films come from disparate temporal and industrial contexts: from Classical Hollywood Gothic melodrama (Rebecca) to contemporary, critically-acclaimed science fiction (Gravity). Along with sound tracks from canonical American films including The Searchers and To Have and Have Not, Walker analyzes independent Australasian films: examples include Heavenly Creatures, a New Zealand film that uses music to empower its queer female protagonists; and Ten Canoes, the first Australian feature film with a script entirely in Aboriginal languages. Understanding Sound Tracks Through Film Theory thus not only calls new attention to the significance of sound tracks, but also focuses on the sonic power of characters representing those whose voices have all too often been drowned out.
Understanding Sound Tracks Through Film Theory is both rigorous and accessible to all students and scholars with a grasp of cinematic and musical structures. Moreover, the book brings together film studies, musicology, history, politics, and culture and therefore resonates across the liberal arts.
The Art of Music Production: The Theory and Practice
Now in its fourth edition, The Art of Music Production has established itself as the definitive guide to the art and business of music production and a primary teaching tool for college programs. It is the first book to comprehensively analyze and describe the non-technical role of the music producer.
Author Richard James Burgess lays out the complex field of music production by defining the several distinct roles that fall under the rubric of music producer. In this completely updated and revised fourth edition of a book already lauded as "the most comprehensive guide to record production ever published," Burgess has expanded and refined the types of producers, bringing them fully up to date. The first part of the book outlines the underlying theory of the art of music production. The second part focuses on the practical aspects of the job including training, getting into the business, day-to-day responsibilities, potential earnings, managers, lawyers, and - most importantly - the musical, financial, and interpersonal relationships producers have with artists and their labels. The book is packed with insights from the most successful music producers ranging from today's chart-toppers to the beginnings of recorded sound, including mainstream and many niche genres. The book also features many revealing anecdotes about the business, including the stars and the challenges (from daily to career-related) a producer faces. Burgess addresses the changes in the nature of music production that have been brought about by technology and, in particular, the paradigmatic millennial shift that has occurred with digital recording and distribution. Burgess's lifelong experience in the recording industry as a studio musician, artist, producer, manager, and marketer combined with his extensive academic research in the field brings a unique breadth and depth of understanding to the topic.
Interactive Composition: Strategies Using Ableton Live and Max for Live PDF
Interactive Composition empowers readers with all of the practical skills and insights they need to compose and perform electronic popular music in a variety of popular styles. The book begins by introducing all of the tools involved in creating interactive compositions through the software Ableton Live and Max for Live. compositional objectives.
The following chapters then put the tools to use by both describing particular musical styles and also teaching readers how to compose and perform within these styles using the software. As readers progresses through the book, they will learn to use the software to facilitate their own unique compositional objectives.
This book takes readers through all of the steps in designing interactive music compositions. It is geared toward both beginners as well as intermediate and advanced readers, and so readers with even little experience working with digital audio software will quickly learn how to design powerful systems that facilitate their unique compositional ideas.
A particular feature of this book is that it discusses the historical context of several electronic music styles used by Djs, electronic musicians, and other artists, and then describes, using software, the technical process used in the composition and performance of these styles. Each chapter leads readers to create an original composition in a given style and also discusses the techniques that can be used to perform the piece in an idiomatic fashion.
Piano For Beginners 3rd Revised Edition
This new revised edition of Piano for Beginners is an essential guide for piano and keyboard first-timers. Simplifying the process through step-by-step tutorials, this bookazine will help you lay a solid foundation for years of enjoyment. From the correct way to sit at the piano to reading notation, we start with the basics before expanding your musical horizons with easy home recoding and genre-specific tutorials.
Everything you need to know to start playing the piano
- Essential advice to help you choose the right piano and learn the basics
- Learn to read musical notation and familiarise yourself with music theory
Playing the piano
- Turn theory into practice by following our guides to scales and chords
Play in the style of…
- From classical to blues, replicate the sound of your favourite genre