Acon Digital Equalize v1.1.12 WiN/MAC-UNION
Acon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.
New in Version 1.1.12
Fixed occasional CPU overloads in Pro Tools during audio scrubbing
Fixed problem with inactive gain knob in certain situations
Fixed problem with curve updates with disabled analyzers
Increased the maximum resonance to 24 dB
Fabfilter Pro-C 2 (32bit/64bit Vst 2/3)
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Program-dependent attack and release curves
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Intelligent Auto Gain
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Super-fast attack times
Up to 4x oversamplingNEW
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW
Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
External side chain triggering
GPU-powered graphics acceleration
Stereo and mono plug-ins available
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
Overtone AF2-10M Stereo Graphical EQ V2.4.3
A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display.
Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the 'digital' sound of some equalizers.
Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts.
By contrast, the AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques.
Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.
In addition, the package now includes the AF210M plug-in which provides all the features of the original, together with built-in professional metering options for stereo PPM (IEC I & II) VU and dBFS monitoring pre / post the EQ.
System Requirements - Windows PCs:
32Bit Systems: A PC Running Windows XP / 7 / 8 and a VST compatible host application.
64Bit Systems: A PC Running Windows 7 / 8 (64Bit) and a VST compatible host application.
Tone2 Gladiator 2 v2.5 WiN
A revolution in synthesis!
The award winning Gladiator gives you a groundbreaking approach to sound generation. Its exclusive HCM™ synthesis technique, covers new and unique aural territory, only possible with Gladiator. The innovative synthesis, design and unmatched sound quality, make this not only the perfect instrument, but also the best virtual synthesizer and go-to instrument for all those looking for the ultimate creative tool.
What is the advantage compared to other synthesizers?
True high-end quality: Warm, crystal clear & rich sound
New synthesis method (HCM™)
New unique sounds which no other synthesizer can create
Huge sonic range
Different synthesis methods can be combined freely
Easy to use
Low CPU and high reliability
1135 professional preset sounds included
Gladiator can replace a room full of hardware
Detailed handbook in 5 languages
Excellent value for the money
Gladiator is one of the most powerful synthesizers ever created and supports an exhaustive list of synthesis methods. All synthesis types can be combined freely to create new and exciting sounds.
Synthesis types supported by Gladiator 2 are:
Tone2's award winning Harmonic Content Morphing Synthesis ™
Frequency Modulation (FM)
Pulse Width Modulation (PWM)
Amplitude Modulation (AM)
Additionally existing osciallators can be morphed or 'modified' with special algorithms to alter the sound.
Gladiator supports up to 18 oscillators per voice with 4x stereo unison and crystal clear sound quality.
The filter section uses high-end quality stereo filters, most of which are exclusive to Tone2 products. Gladiator 2 ships with 40 different filter types: Moog, Low Pass, High Pass, Band Pass, Vocals, Comb, EQ, FM, AM, Phaser, Resample, Analog, ...
Gladiator 2 ships with an inspiring library of 1105 outstanding presets from top sound designers. Besides that a variety of expansion banks is available to further expand Gladiator's features and preset library. All sounds are arranged into categories for easy access to the sound you require.
Gladiator 2 comes with an impressive reverb that offers a warm sound similar to high-end hardware units. 37 different stereo effects are included, all carefully crafted to offer the highest quality possible:
Reverbs, Delays, Flanger, Phaser, Chorus, Ensemble, Rotary, Bitcrusher, Talkbox, Ringmod, Dolby Prologic II surround encoding, Waveshaper, Pingpong, Filters, ...
Gladiator 2 has a powerful and flexible modulation section which is easy to setup. The flexible envelopes sound punchy. 22 different LFOs are available and can be synced to BPM. The Step LFO's design was inspired by step sequencers and can be used to create rhythmic sequences and trance gates.
The innovative phase modulator module in the OSC section is based on the latest knowledge in phonetic science. It makes a digital spectrum sound warm and silky.
A special post-processing module in Gladiator mimics effects of the human ear. It creates deeper basses and more transparency.
This product comes with personal free support as well as frequent, free updates to improvements, new features and new sounds.
September 2015 Gladiator (PC) has been updated to v2.5
- Windows 10 and Windows 8 compatibility
- Enhanced stability
- Slightly enhanced performance
- Enhanced host compatibility
- Slightly enhanced sound quality
- More linear frequency response
- Slightly better timing
- Faster loading of PC 32 bit version
- More easy installation
- Several small improvements
- Updated standalone version
- Polished some graphics
- Fixed a rarely appearing crash
Cockos Reaper v5.01 MacOSX-PiTcHsHiFTeR
REAPER is a complete digital audio production application for Windows and OS X, offering a full multitrack audio and MIDI recording, editing, processing, mixing and mastering toolset.
REAPER supports a vast range of hardware, digital formats and plugins, and can be comprehensively extended, scripted and modified.
v5.01 - August 26 2015
+ Audio Units: fixed ReaMote issues
+ Audio Units: fixed issues with renamed plug-ins
+ Elastique: updated to v3.0.11
+ Elastique: workaround for clicks when using formant preservation modes
+ FX: fixed incorrect ordering when drag and dropping multiple FX to the end of a FX chain
+ FX: now support parameter modulation/linking for take FX
+ Item colors: fixed option to auto-color new takes [p=1557756]
+ Item labels: fixed option to draw labels over solid background with default theme [p=1558540]
+ JSFX: fixed FFT Splitter [p=1563823]
+ Live FX multiprocessing: fixed issues with muted folders and record armed children
+ Localization: various fixes, new template langpack
+ MIDI: fixed visual jitter when editing unlooped media item edge
+ MIDI: improved editor preview behavior with anticipative FX
+ MIDI: quantize note ends prevents creating 1 tick notes [p=1563426]
+ MIDI: allow sending MIDI clock without SPP/continue messages, for certain devices
+ MIDI: fixed midi peak issues with inactive takes
+ Mixer: fixed display of send indicators when 0dB volume max [p=1562238]
+ Multimonitor: fixed hand scroll behavior with arrange view spanning tracks
+ Parameter modulation: MIDI/OSC learn for LFO phase
+ Parameter modulation: fixed copy/paste of FX with parameter linking
+ Performance: optimized channel mixing, media item fades
+ Project bay: improved collapsed FX parameter display
+ Render: added $namecount wildcard, to count items or regions with the same name
+ Samplerate conversion: optimized sinc interpolation, especially on C2D and earlier CPUs
+ Samplerate conversion: renamed good to medium, better to good, best to better, and Extreme to HQ
+ Samplerate conversion: added a new Extreme HQ mode
+ VST3: fixed multichannel/sidechain issues
+ VST3: improved compatibility and performance
+ VST3: improved keyboard support
+ VST3: support plain-text parameter display for envelope point editing
+ VST: allow restoring default name to plug-ins by renaming to an empty string
+ WASAPI: i/o latency estimation, limited by WASAPI API
+ WASAPI: loopback support
+ WAV/AIFF: improved 8-bit support (9+ year old bug) [t=165394]
+ WAV: RF64 read/write support
+ Windows: fixed WaveOut bug from 2011 that caused Wine problems starting in 4.76 [t=158190]
Maybe it needs symbolic link reset clear xatrrs with batchmod.app
P i T c H s H i F T e R
Acustica Audio Ochre EQ v1.3.965 WIN/MAC
Acustica is pleased to introduce Ochre "HOMEBREW" Eq, an EQ with 3 parametric bands, individually switchable. It’s the first plug-in of the HOMEBREW series, a new series of Acqua plug-ins with gorgeous graphical user interfaces that enable easy and quick parameter changes.
* Output slider control plug-in output gain.
* The PRE-IN button enables (lamp ON) or bypasses (lamp OFF) the preamp stage of Ochre q.
POWER button sets to bypass the plug-in or not-bypasses
* Input Trim: This knob sets the input level from -24dB to +24dB, and is used to control the signal level inside the eq, the output level is than automatically compensated by the same amount of gain.
* At the first execution of the plug-in, input is set to ensure that you feed an appropriate level from the first stage of your signal path to the final one.
INPUT – OUTPUT VU METER measure the input (uppest position meter) and output (lowest position meter) levels of the plug-in.
* Each band is controlled independently by an identical set of controls; for Low Frequency ,Mid Frequency, High Frequency, each section has controls for:
Q: from 0.5 to 4
Frequency: Low band from 35 to 315 Hz;
Mid band from 315 to 2500 Hz;
High band from 2500 to 22000 Hz
LinPlug Spectral v1.2.7 VSTi x86 x64 FiXED-CHAOS
Our new top of the line synthesizer, the result of 14 years of synthesizer building experience. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose an oscillator waveform, choose a filter shape and go on from there. But Spectral delivers far more options than you would expect from the well sorted user interface. Both Oscillator Waveform and Filter Shape can be edited in depth. The unique audio engine is capable of delivering many sounds never heard before.
Wrong file in x64 folder.