Goodhertz is an audio software company, founded in early 2014. We are based in Southern California, and have offices in Vermont and Seoul. We believe audio plugins should sound amazing, and should be easy to use. We specialize in making the best audio plugins

The Elements Suite: Everything you need to repair, mix, and master. The iZotope Elements Suite combines four powerful, award-winning audio plug-ins in one affordable package: Nectar Elements, RX Elements, Neutron Elements, and Ozone Elements.

Born from years of audio research and development, Nectar Elements, RX Elements, Ozone Elements, and Neutron Elements are now available in one convenient bundle that not only elevates your audio production, but inspires and enables your creativity.

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking.

VCL-4 is a faithful emulation of the silver face revision of the op-amp-based successor of THE classic late 60s opto leveler. It provides you with unintrusive to extreme program dependent and musical opto compression. The switchable ratio option makes for a flexible solution over a wide range of source material.

Give your vocals professional clarity and polish with Nectar Elements. Using the new Vocal Assistant, Nectar Elements analyzes and adapts to your vocal sound, taking the guesswork out of placing your vocal in the mix and letting you make your vocals stand out in just a few clicks.

Fuse Audio Lab has launched the TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders.

The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ.

Bucket-500 is an authentic emulation of a bucket brigade (BBD) based analog delay circuit. Fuse Audio Labs added some convenient features in the digital domain including a tilt filter in the feed­back path, a stereo cross-feed option and an optional delay clock LFO to al­low for flanging effects. They also extended the original delay time range to 10..1000ms and included a host tempo sync facil­ity. It's possible to switch between insert and send mode.

The F-59 is a recreation of the '58 – '60 era classic that set the course for decades of guitar amplification technology. Offering a wide range of tones the plugin tries to stay true to the original vibe while adding some convenient features in the digital domain.

After 3 years of using the original Clariphonic DSP, I'd compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters.

To my ears, the mkII sounds markedly smoother than the original, and it's considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening.

SLM2 is a smart stereo loudness maximizer including "analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency.

The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency.